English National Opera - London
29 June 2017

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Performance reviews

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Charlie Parker's Yardbird

English National Opera


No. of reviews: 10

Under Clark Rundell, the sixteen-strong ENO ensemble adapts easily to the swing enshrined in Schnyder’s score
19 Jun 17 / Classical Source
A brilliant platform for Brownlee
17 Jun 17 / The Observer
The evening belongs to Lawrence Brownlee in the title role
17 Jun 17 / Music OMH
Lovely European premiere of Schnyder’s Yardbird at the English National Opera
14 Jun 17 / Seen and Heard
A jazz-infused opera about the life and times of Charlie Parker
12 Jun 17 / What's on Stage
A moving tribute in Charlie Parker’s Yardbird
12 Jun 17 / Bachtrack
Lawrence Brownlee holds everything together with magnificent authority
12 Jun 17 / Independent
A solemn hagiography, lacking wit and energy
11 Jun 17 / Telegraph
Beauty, anger and poetry, but the jazz great's genius eludes us
11 Jun 17 / The Guardian
Simply stupendous European premiere of a "bebopera" centred on the last days of Charlie Parker
10 Jun 17 / Jazz Journal
The Bird in my hand: my journey to Charlie Parker
Bridgette Wimberly’s uncle so idolised his jazz-legend friend that he took up the saxophone – and copied his heroin use. Now she’s written the libretto for an opera about the musician.
Carousel

English National Opera


No. of reviews: 11

It’s fine… if you close your eyes
17 Apr 17 / The Guardian
Rodgers and Hammerstein’s darkest work is masterpiece enough to withstand the mild indignities of miscasting
14 Apr 17 / A Younger Theatre
Jenkins and Boe are a joy in Rodgers and Hammerstein classic
14 Apr 17 / The Guardian
Like the best types of fairground rides, this does not disappoint
14 Apr 17 / What's on Stage
Alfie Boe and Katherine Jenkins show off their pipes but their relationship lacks chemistry
14 Apr 17 / Evening Standard
Star power isn't the reason to catch ENO's Rodgers and Hammerstein pricey co-production
14 Apr 17 / The Arts Desk
Katherine Jenkins and Alfie Boe rise to the Rodgers and Hammerstein challenge
14 Apr 17 / Telegraph
Carousel has seldom felt less affecting
14 Apr 17 / The Stage
The music is where this show is at its strongest
14 Apr 17 / Broadway World
Lonny Price’s production is very nearly a victim of its own success
13 Apr 17 / Music OMH
There's no question that the musical qualities in this show are exemplary
13 Apr 17 / London Theatre
Fury as ENO casts Katherine Jenkins and Alfie Boe in Carousel
ENO has risked the wrath of its core fans after announcing it is to stage a new version of Carousel starring Alfie Boe and Katherine Jenkins, as it bids to expand its audiences to lovers of musicals.
Partenope

English National Opera


No. of reviews: 16

Partenope is an operatic London Eye
24 Mar 17 / A Younger Theatre
Despite having a ludicrous plot, this is a glorious evening's entertainment
21 Mar 17 / Express
A musically sparkling revival of ENO's stylish 1920s production with Sarah Tynan stunning in the title role
20 Mar 17 / Planet Hugill
Partenope surréaliste au London Coliseum
20 Mar 17 / Opera Online
surrealism and sensuality at English National Opera
20 Mar 17 / Opera Today
Curnyn and ENO revive Alden’s 2008 production of Handel’s Partenope with splendid results
20 Mar 17 / Seen and Heard
The Orchestra under conductor Christian Curnyn brings out the glories of Handel’s sublime music
19 Mar 17 / Express
English National Opera’s production is a delight
18 Mar 17 / Financial Times (via Google)
Sung as mellifluously as this, it’s one not to be missed
18 Mar 17 / Independent
The cast is less starry than on its original run in 2008, but is accomplished enough
17 Mar 17 / Classical Source
This witty, wry masterpiece gets the perfect updating
17 Mar 17 / The Times
Handel's spry comic opera returns to ENO in a strongly cast revival
17 Mar 17 / What's on Stage
Combining vivacity with delicacy
16 Mar 17 / The Stage
Handel on a night out with beardy bohemians
16 Mar 17 / The Guardian
A striking night in 1920s Paris
16 Mar 17 / Evening Standard
Pleasant enough but little more
16 Mar 17 / Bachtrack
The Pirates of Penzance

English National Opera


No. of reviews: 13

ENO’s Pirates finds its mojo
12 Mar 17 / The Observer
A pacy and well defined performance of Sir Arthur Sullivan’s marvellous score
19 Feb 17 / Express
A pleasant but uneven revival of Mike Leigh’s 2015 production
17 Feb 17 / A Younger Theatre
What a pleasure to welcome back Mike Leigh’s Pirates
15 Feb 17 / Mark Ronan's Theatre Reviews
This production’s basic difficulty was compounded by some poor directorial choices
14 Feb 17 / Music OMH
Petticoated pirate romp
14 Feb 17 / Bachtrack
Precise patter aplenty in Mike Leigh revival
13 Feb 17 / The Guardian
English National Opera and cast impress in Mike Leigh’s production of The Pirates of Penzance
13 Feb 17 / Seen and Heard
A charming Pirates of Penzance revival at ENO
11 Feb 17 / Opera Today
ENO's The Pirates of Penzance makes for bright, light entertainment
11 Feb 17 / Telegraph
Mike Leigh's reverential production of Gilbert and Sullivan's comic opera returns
11 Feb 17 / What's on Stage
Fun for all
11 Feb 17 / Classical Source
Its first revival is even better thanks partly to an inspired cast
11 Feb 17 / Express
The Winter's Tale

English National Opera


No. of reviews: 15

A Winter's Tale: a world premiere at English National Opera
6 Mar 17 / Opera Today
ENO's Composer in Residence Ryan Wigglesworth has long been obsessed with The Winter’s Tale
6 Mar 17 / Express
A top ENO cast and orchestra do justice to Ryan Wigglesworth’s The Winter’s Tale
6 Mar 17 / The Observer
Création de The Winter’s Tale au London Coliseum
4 Mar 17 / Opera Online
The Winter’s Tale may not be a revelatory or ground-breaking opera, but it is a resourceful and absorbing one
3 Mar 17 / Classical Source
English National Opera gives The Winter’s Tale a baptism of which all should be proud
2 Mar 17 / Seen and Heard
An intelligent staging
1 Mar 17 / The Stage
A radiant Sophie Bevan as Hermione
1 Mar 17 / Independent
As dissonant and disconsolate as Leontes’s wintry court
1 Mar 17 / The Times
“A sad tale’s best for winter”: Wigglesworth's Shakespeare full of eloquent clarity at the Coliseum
1 Mar 17 / Bachtrack
If a sad tale really is best for winter, then we've certainly been blessed this year
1 Mar 17 / Broadway World
English National Opera's newly-commissioned opera is a triumph for Rory Kinnear
1 Mar 17 / What's on Stage
Impressive directorial debut by Rory Kinnear
1 Mar 17 / Evening Standard
Rory Kinnear's directorial debut is a charmless disappointment
1 Mar 17 / Telegraph
Striking sounds but not enough fury in new Shakespearean opera
1 Mar 17 / The Guardian
Rigoletto

English National Opera


No. of reviews: 12

Jonathan Miller’s 1982 “mafioso” Rigoletto made a triumphant return to the Coliseum last week
12 Feb 17 / Express
This superb production well matches the tragedy that unfolds
8 Feb 17 / Mark Ronan's Theatre Reviews
Jonathan Miller's production is ageing elegantly
7 Feb 17 / Evening Standard
Miller's Rigoletto makes a flawed return to English National Opera
6 Feb 17 / Bachtrack
ENO returns to Jonathan Miller’s classic production
6 Feb 17 / The Observer
Jonathan Miller’s Rigoletto comes round again at ENO
6 Feb 17 / Seen and Heard
Jonathan Miller's indestructible production of Verdi's revenge opera returns to ENO
4 Feb 17 / What's on Stage
The hairs rise as they should on the nape of the neck
4 Feb 17 / Independent
Welcome back to Little Italy in 1950s’ New York
4 Feb 17 / Classical Source
ENO should have left Jonathan Miller's Rigoletto on the shelf
4 Feb 17 / Telegraph
An unexceptional revival
4 Feb 17 / The Stage
ENO pumps up the volume on Verdi's violent tragedy
4 Feb 17 / The Guardian
Lulu

English National Opera


No. of reviews: 17

La femme 100 têtes
18 Nov 16 / Forum Opéra
A tremendous company achievement
18 Nov 16 / Evening Standard
A work of enormous allure – and repulsiveness
18 Nov 16 / The Spectator
Kentridge’s Production of Lulu Another Triumph for English National Opera
17 Nov 16 / Seen and Heard
Mark Wigglesworth's conducting proved to be the unifying force for all its tones and styles
17 Nov 16 / Opera Journal
The one outstanding feature of the production was the American soprano Brenda Rae in the title role
17 Nov 16 / Express
This first night performance was an A-team success under the wonderfully incisive baton of Mark Wigglesworth
16 Nov 16 / Mark Ronan's Theatre Reviews
Enter, cry, die
15 Nov 16 / The Critics' Circle
The great South African artist William Kentridge has directed a dazzling production of Berg’s landmark opera Lulu
14 Nov 16 / Express
Sara Connolly is compelling as Lulu’s admirer
11 Nov 16 / Independent
The production as a whole gets right to the centre of this heartless masterpiece
11 Nov 16 / Classical Source
As a piece of musical theatre you won't find better this year
11 Nov 16 / Broadway World
ENO's Lulu is a superb staging of a difficult modern masterpiece
11 Nov 16 / Telegraph
Kentridge makes Berg's opera a serious visual feast
11 Nov 16 / The Guardian
Dramatic intensity, risk of sensory overload
11 Nov 16 / Bachtrack
ENO scores a company triumph with Berg's picaresque opera
11 Nov 16 / What's on Stage
ENO on superb form
11 Nov 16 / The Stage
Les pêcheurs de perles

English National Opera


No. of reviews: 13

Carmen it is not
1 Nov 16 / Boulezian
This is one of ENO’s finest productions
26 Oct 16 / Mark Ronan's Theatre Reviews
Claudia Boyle produces a beautiful sound as Leïla
24 Oct 16 / Music OMH
ENO’s theatrical Les pêcheurs de perles is exposed to the elements
23 Oct 16 / Seen and Heard
The real star of the show remains the production
22 Oct 16 / Opera Today
A night of nonsense with some great tunes: ENO grants a second revival to Bizet's opera
22 Oct 16 / What's on Stage
ENO's Pearl Fishers is a welcome revival of a grand, gorgeous production
20 Oct 16 / Telegraph
Slow to ignite: tepid revival of Bizet’s Pearl Fishers at ENO
20 Oct 16 / Bachtrack
Reheated orientalism does ENO no favours
20 Oct 16 / The Guardian
ENO can and should do better
20 Oct 16 / Broadway World
A night of nonsense with some great tunes
20 Oct 16 / What's on Stage
Promising, if not persuasive
20 Oct 16 / The Stage
Penny Woolcock’s subtly developing production is a real feather in ENO’s cap
20 Oct 16 / Classical Source
Tosca

English National Opera


No. of reviews: 12

It may not be a perfect production but there is much to admire
27 Oct 16 / Classical Source
More than any other Puccini opera, Tosca is a rollercoaster from start to finish
16 Oct 16 / Express
It was not a vintage night for solo singing
8 Oct 16 / Opera Today
The three central performances are exceptionally strong
7 Oct 16 / Music OMH
Puccini restaging has powerful performances but a little more subtlety wouldn't go amiss
6 Oct 16 / Evening Standard
Puccini is the absolute master of the tear-jerker opera
6 Oct 16 / Express
ENO's latest revival of Tosca is all right for a Monday night
5 Oct 16 / Telegraph
A wonderful staging compellingly performed
5 Oct 16 / Mark Ronan's Theatre Reviews
Handsome, traditional, revivable - the show is everything it should be
5 Oct 16 / Broadway World
This is a Tosca well worth catching
5 Oct 16 / Independent
A mixed Tosca from English National Opera
5 Oct 16 / Bachtrack
A fine revival of ENO’s 2010 Tosca, featuring Craig Colclough's memorable, menacing Scarpia
4 Oct 16 / The Stage
Don Giovanni

English National Opera


No. of reviews: 21

Knave of trumps
11 Oct 16 / The Critics' Circle
A brutal new Don Giovanni turns heads at ENO
10 Oct 16 / The Observer
Richard Jones's production for English National Opera makes for a pretty depressing evening
9 Oct 16 / Daily Mail
English National Opera has scored a hit in Richard Jones’s new staging of Don Giovanni
9 Oct 16 / Express
Bears only a passing resemblance to Mozart's opera
6 Oct 16 / The Spectator
Richard Jones opte pour une atmosphère sombre de film noir
6 Oct 16 / Opera Online
How to seduce without sleaze
Can Christopher Purves make Mozart’s Don Giovanni a palatable character, a role he will play for ENO?
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Performance schedule
Elgar
1 to 2 Jul 2017
Verdi
28 Sep to 2 Dec 2017
Rossini
5 to 28 Oct 2017
Handel
26 Oct to 15 Nov 2017
Muhly
18 Nov to 3 Dec 2017
Glass
1 to 27 Feb 2018
Gilbert & Sullivan
13 Feb to 7 Apr 2018
Britten
1 to 15 Mar 2018
Verdi
16 Mar to 13 Apr 2018
Mozart
29 Mar to 14 Apr 2018
Britten
22 to 30 Jun 2018

News & Articles

English National Opera announces 2017/18 season
English National Opera’s 2017/18 season comprises four new productions and five revivals at the London Coliseum, and a number of projects in other venues.
28 Apr 2017 / Opera Now
ENO recruits diction coaches for new opera season
If you've ever struggled to hear every word being sung at an opera, things may be about to improve.
28 Apr 2017 / BBC News
La La Land music director to work with English National Opera
Marius de Vries joins as creative consultant to help new artistic director develop projects away from traditional opera.
10 Mar 2017 / The Guardian
ENO plucks casting director from Scotland
English National Opera has appointed Michelle Williams as Head of Casting from 6 March 2017.
12 Jan 2017 / Slipped Disc
Daniel Kramer
The new artistic director of the English National Opera talks failures, his mid-life crisis and ambitions for a bright future at the Coliseum.
21 Dec 2016 / Evening Standard