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Our Town | | |
| Guildhall School of Music & Drama | | | An engrossing European premiere of a problematic newish opera |
| A consistently fine company achievement |
| The staging is clearly, even clinically managed, emphasising the opera’s quasi-ritualistic, emotionally neutral stance |
| The first European production of Ned Rorem’s opera about small-town America conveyed the work’s strengths |
| A Midsummer Night's Dream | |
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| Guildhall School of Music & Drama | | | The essence of the production was Dream and its illogicalities |
| This is a production not without its magic |
| Tasteful, meaningful and entertaining |
| Martin Lloyd-Evans marshals some good visual ideas |
| The students are not to blame for the disappointment of A Midsummer Night’s Dream |
| Die lustigen Weiber von Windsor | |
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| Guildhall School of Music & Drama | | | Right from the overture there is an almost overwhelming attention to detail |
| This excellent student production gave unalloyed delight |
| Otto Nicolai's Falstaff opera offers fine ensemble work for students |
| Once again the Guildhall School Opera Course has come up trumps |
| London’s Guildhall School make merry with the Wives of Windsor |
| Iolanta | | |
| Guildhall School of Music & Drama | | | An evening which started well and just kept on getting better |
| Full marks to the Guildhall School of Music and Drama for choosing two unjustly neglected masterpieces |
| Full marks to the Guildhall School of Music and Drama for choosing two unjustly neglected masterpieces |
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| Guildhall School of Music & Drama | | | A joyous evening, played unashamedly for laughs, but with pathos in the central performances too |
| William Kerley’s staging offered a fresh take on the Suffolk tale |
| Each member of the May Queen Committee is brilliantly individuated |
| Production values are sky high |
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| Guildhall School of Music & Drama | | | The Guildhall’s timely revival is most welcome |
| The performances of the soloists, especially Flavin and Sancho-Pereg, are very fine |
| The Marriage | | |
| Guildhall School of Music & Drama | | | The singing and acting was as polished as one would expect |
| The King Goes Forth to France | | |
| Guildhall School of Music & Drama | | | Martin Lloyd-Evans's incisive production deftly balances comedy and tragedy, |
| The hitch hikers guide to the 100 years war |
| Ten cheers for a conservatoire that stages something intriguing and contemporary |
| Martin Lloyd-Evans’s staging combines simplicity and wit |
| Lloyd-Evans's staging is unfailingly crisp and clever |
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GUILDHALL SCHOOL OF MUSIC & DRAMA
London, United Kingdom
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