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Dido and Aeneas | | |
| Royal Academy Opera | | | Ramster kept to simple, rather baroque formality in the Purcell |
| Not the most obvious of pairings |
| The Lighthouse | | |
| Royal Academy Opera | | | All three singers made an overwhelming impact |
| Not the most obvious of pairings |
| Eugene Onegin | | |
| Royal Academy Opera | | | Reason over passion |
| Romantic glow to Royal Academy’s Onegin |
| La vera costanza | |
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| Royal Academy Opera | | | Trevor Pinnock led a gripping account of the score |
| The first cast was strong as you could wish |
| Pinnock Makes convincing case for Haydn’s La vera constanza |
| Mansfield Park | | |
| Royal Academy Opera | | | Mansfield Park suffered from the impossibility for sopranos to get their words across inhigh register |
| Die Zauberflöte | |
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| Royal Academy Opera | | | One of the principal joys of visiting Royal Academy Opera is to witness young singers at the beginning of their careers |
| Not one for the children... |
| Barlow’s staging sustains an exclusively high level of light-hearted, cynical send-up |
| Beatrice et Benedict | | |
| Royal Academy Opera | | | Warmhearted, sympathetic Béatrice et Bénédict at Royal Academy of Music |
| A masterful Béatrice et Bénédict |
| Sir Colin Davis returns to RAM to conduct Beatrice & Benedict |
| The big coup for the Royal Academy of Music is to have Sir Colin Davis conducting |
| The Threepenny Opera | | |
| Royal Academy Opera | | | A terrific event |
| For all its shortcomings, this was an absorbing evening |
| This bold adventure has paid off |
| This student production proves scintillating |
| Musically, this was very much a company performance |
| Ultimately its simplistic viewpoint and air of nostalgia tell against it |
| Three stories of twentieth-century student protest |
| The RAM students under Jane Glover are remarkable |
| Here is proof that Maxwell Davies still had a serious success inside him |
| There clearly lies a good future ahead for many, perhaps all, of these artists |
| Jane Glover brought her characteristic bounce and deftness to Mozart’s score |
| price for cialis 5 mg | Giasone | | |
| Royal Academy Opera | | | Crunching dissonances and urgent syncopations that hold you enthralled |
| Jane Glover leads in a skipping account of the glorious score |
| Students at the Royal Academy of Music are fortunate to benefit from such expertise as Dr Glover's |
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ROYAL ACADEMY OPERA
London, United Kingdom
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La vera costanza (photo: Hana Zushi) Die Zauberflöte (photo: Hana Zushi / Royal Academy of Music) (photo: Mark Whitehouse / Royal Academy of Music)
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Cry of freedom | | Once upon a time Sir Peter Maxwell Davies vowed he would never write another opera. But this month sees the premiere of Kommilitonen!, the latest addition to Maxwell Davies’s extensive operatic oeuvre. |
I predict a riot | | David Pountney, the librettist and director of a new opera by Peter Maxwell Davies, explains how the theme of student protest has proved extremely timely. |
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19 May 13 / Classical Source
