The Royal Opera - London
23 April 2024

Company search

click here for more photos for
this opera company
Click below for
production trailers
Madama Butterfly
Turandot
Il barbiere di Siviglia
La bohème
Aida

You've been granted free access to this page.

Take a FREE 7 DAY TRIAL or SUBSCRIBE today to access the full content of theoperacritic.com.

Free access

Performance reviews

Key Photo gallery Production details Video link
Lucia di Lammermoor

The Royal Opera


No. of reviews: 10

A spine-tingling revival helmed by an enthralling central performance
23 Apr 24 / Broadway World
Voices of extraordinary quality
23 Apr 24 / The Stage
Nadine Sierra leads a musically formidable Lucia di Lammermoor revival at the ROH
23 Apr 24 / Bachtrack
A sensational Nadine Sierra in Lucia di Lammermoor at the ROH
23 Apr 24 / Opera Today
Lucia di Lammermoor con Sierra, Anduaga e Ruciński
23 Apr 24 / Connessi all'Opera
À Londres, Lucia di Lammermoor prise dans un tourbillon de violence
23 Apr 24 / cult.news
Larynx-shredding vocals and coloratura to die for
23 Apr 24 / London Unattached
A vocally breathtaking, disturbing to witness descent into madness
22 Apr 24 / The Guardian
A thrilling new cast renews a fine production of Donizetti's tragic opera
22 Apr 24 / CultureWhisper
A superb revival: Royal Opera House’s Lucia di Lammermoor turns tragedy into triumph
22 Apr 24 / Seen and Heard
Carmen

The Royal Opera


No. of reviews: 18

Aigul Akhmetshina, una Carmen en busca de un buen regisseur
18 Apr 24 / Mundo Clásico (Spanish)
A welcome new ‘Carmen’ at Covent Garden
17 Apr 24 / The Article
Aigul Akhmetshina steals the show in Damiano Michieletto’s uneven new 70s-set Bizet
14 Apr 24 / The Observer
Aigul Akhmetshina resplendit dans Carmen au Royal Opera House
12 Apr 24 / Opera Online (French)
Trio de choc
12 Apr 24 / Forum Opéra
Mezzo-soprano Aigul Akhmetshina is exceptional in the title role of Bizet's opera, but what's the Duchess of Alba doing here?
11 Apr 24 / CultureWhisper
Aigul Akhmetshina shines in Carmen at the Royal Opera House, Covent Garden
11 Apr 24 / Opera Online (English)
Carmen con regia di Damiano Michieletto
11 Apr 24 / Connessi all'Opera
A welcome new ‘Carmen’ at Covent Garden
10 Apr 24 / The Article
Damiano Michieletto’s production disappoints despite strong performances
9 Apr 24 / The Stage
Some outstanding singing at the Royal Opera’s new Carmen
9 Apr 24 / Opera Today
Akmetshina shines
9 Apr 24 / London Unattached
Aigul Akhmetshina is electrifying in simmering, naturalistic staging
8 Apr 24 / The Guardian
Akhmetshina dominates, but in Michieletto’s new Carmen his ‘clever’ aspects may jar on repetition
8 Apr 24 / Seen and Heard
Gritty realism & a reluctance to add any local colour & movement, redeemed by musical performances
8 Apr 24 / Planet Hugill
Aigul Akhmetshina commands the stage in this compelling new production
7 Apr 24 / Broadway World
Strong women, no sexual chemistry and little stage focus
7 Apr 24 / The Arts Desk
Michieletto’s excellent new Carmen lit up by Beczała and Akhmetshina at Covent Garden
7 Apr 24 / Bachtrack
Aigul Akhmetshina: 'It's Fifty Shades of Carmen!'
The mezzo-soprano on dying for a living, loading up on carbs and housework in the early hours.
Madama Butterfly

The Royal Opera


No. of reviews: 13

Una Butterfly de antología: Asmik Grigorian
15 Apr 24 / Mundo Clásico (Spanish)
Una Butterfly de altos vuelos
9 Apr 24 / Beckmesser
The superb Asmik Grigorian is simply Mimì in a kimono in Covent Garden’s Madama Butterfly
3 Apr 24 / Seen and Heard
Tears, boos and applause: this updated Madama Butterfly is as life-affirming and cathartic as ever
29 Mar 24 / Broadway World
Asmik Grigorian triomphe en Madame Butterfly en direct de Londres
29 Mar 24 / Olyrix
What a difference a conductor makes: Puccini’s less-wounded Butterfly
26 Mar 24 / Opera Today
Asmik Grigorian is a shattering Butterfly
24 Mar 24 / The Observer
Float on, white winged Butterfly
20 Mar 24 / London Unattached
Royal Opera triumph soars to new heights on Lithuanian wings
18 Mar 24 / Express
Madama Butterfly con Asmik Grigorian
17 Mar 24 / Connessi all'Opera
Grigorian inhabits the part to a degree one does not often experience
16 Mar 24 / The Guardian
A further revival of Moshe Leiser and Patrice Caurier’s Madama Butterfly is an exhilarating operatic evening
16 Mar 24 / Seen and Heard
The tragic arc of a very human drama: Madama Butterfly returns to The Royal Opera
16 Mar 24 / Bachtrack
Der Fliegende Holländer

The Royal Opera


No. of reviews: 16

'Perfect' Bryn Terfel shines in powerful Wagnerian drama
11 Mar 24 / Express
Bryn Terfel returns as the mythical Dutchman
10 Mar 24 / The Observer
Bryn Terfel steers the ship in latest revival of Tim Albery’s production
7 Mar 24 / OperaWire
Wagner's windswept opera is revived with a new cast and stirring chorus work
6 Mar 24 / CultureWhisper
Terfel still owns this role, and Elisabet Strid’s Senta soars
6 Mar 24 / The Guardian
Wagner’s début: the Royal Opera’s ‘Flying Dutchman’
6 Mar 24 / The Article
Sir Bryn Terfel anchors The Royal Opera's latest revival of Der fliegende Holländer
5 Mar 24 / Bachtrack
This Dutchman flies high
5 Mar 24 / London Unattached
The Dutchman returns to Covent Garden
4 Mar 24 / Opera Today
Third Revival of Tim Albery’s The Flying Dutchman at the Royal Opera House
3 Mar 24 / Opera Online (English)
L’olandese volante con Bryn Terfel
3 Mar 24 / Connessi all'Opera
Bryn Terfel is marvellous as the doomed sailor
2 Mar 24 / Evening Standard
An experience not to be missed
2 Mar 24 / Broadway World
Terfel and Strid on extraordinary form
2 Mar 24 / The Stage
Compellingly lucid with an austere visual beauty
2 Mar 24 / The Arts Desk
A superb Covent Garden revival of Tim Albery’s production showcases Bryn Terfel’s outstanding Dutchman
2 Mar 24 / Seen and Heard
La bohème

The Royal Opera


No. of reviews: 8

Puccini gets the short shrift in this stunted template of a classic
14 Feb 24 / OperaWire
The vocally pecunious pinnacle of un-pinnacled impecuniousness
30 Jan 24 / London Unattached
Puccini’s genius shines through as his centenary year gets under way
28 Jan 24 / The Observer
Angela Gheorghiu reprises a legendary Mimì
27 Jan 24 / The Guardian
Angela Gheorghiu and Stefan Pop make the current Covent Garden La bohème revival something special
27 Jan 24 / Seen and Heard
Bright new talent kicks new life into an old favourite at Covent Garden
26 Jan 24 / CultureWhisper
Excellent performances
26 Jan 24 / The Stage
Impressive Royal Opera debut by Ruzan Mantashyan in Bohème revival
26 Jan 24 / Bachtrack
A thrilling audience with super-charged soprano Angela Gheorghiu
She calls herself ‘the world’s most glamorous opera star’, and always knew that her destiny was to be on stage. Can the Romanian diva possibly live up to her reputation? You bet …
Tosca

The Royal Opera


No. of reviews: 10

A Rolls-Royce of a production
13 Feb 24 / London Unattached
Stundyte, una Tosca a medio camino en el Covent Garden
12 Feb 24 / Mundo Clásico (Spanish)
A less than perfect revival does nothing to diminish the genius of Puccini
11 Feb 24 / The Observer
Stunning Royal Opera staging of Puccini classic boasts superb villain
10 Feb 24 / Express
Tosca returns to the Royal Opera House
9 Feb 24 / Opera Today
The Royal Opera’s Tosca gets a disappointing revival with tired and inadequate principal singers
8 Feb 24 / Seen and Heard
Another great revival of Puccini's masterpiece, set in the dangerous Rome of 1800
7 Feb 24 / CultureWhisper
The latest outing for Jonathan Kent's stirring version continues until 21 July
7 Feb 24 / Broadway World
Full of thrills but star soprano Ausrine Stundyte doesn’t quite rise to this challenge
7 Feb 24 / The Guardian
Muted passions in Royal Opera Tosca revival
7 Feb 24 / Bachtrack
Elektra

The Royal Opera


No. of reviews: 15

Elektra a medio camino
23 Jan 24 / Mundo Clásico (Spanish)
Calorosi per tutti gli interpreti, con picchi di entusiasmo per Jakubiac e Goliński, oltre al maestro Pappano
22 Jan 24 / Connessi all'Opera
In the hands of two great conductors, high drama and outstanding playing converge in Strauss’s unyielding tragedy and Janáček’s dark masterpiece
21 Jan 24 / The Observer
Stundyte stands in for the indisposed Stemme and has an entirely different take on Elektra at Covent Garden
17 Jan 24 / Seen and Heard
Dernières Elektra tardives
17 Jan 24 / Forum Opéra
Fürchte deine Mutter
16 Jan 24 / Das Opernmagazin
Nina Stemme is remarkable
16 Jan 24 / The Stage
Pappano and Loy bring empathy to Elektra at Covent Garden
16 Jan 24 / Bachtrack
Women on the verge of a nervous breakdown
16 Jan 24 / London Unattached
Nina Stemme lost in rage at Pappano’s farewell
15 Jan 24 / The Guardian
Christof Loy’s new and nuanced production of Elektra at the Royal Opera Hou
15 Jan 24 / Opera Online (English)
‘Love, viewed from the dark side’
15 Jan 24 / Opera Today
Pappano triumphs in the Royal Opera’s ‘Elektra’
15 Jan 24 / The Article
Moral: don’t wait too long for revenge
14 Jan 24 / The Arts Desk
Insgesamt ein Meilenstein in der Interpretationsgeschichte dieses Werkes
14 Jan 24 / Online Merker
Hansel und Gretel

The Royal Opera


No. of reviews: 10

Irresistible
5 Jan 24 / The Spectator
Humperdinck’s sweet-toothed favourite wins at least one new fan
24 Dec 23 / The Observer
A fairy tale opera looks the part, but where are the angels?
24 Dec 23 / CultureWhisper
Humperdinck's Hansel and Gretel strikes a sour note at the Royal Opera House
20 Dec 23 / Bachtrack
Humperdinck’s Hansel and Gretel score is the greatest magic of all in a fine Covent Garden revival
19 Dec 23 / Seen and Heard
Hansel and Gretel provides a festive treat at the Royal Opera House, Covent Garden
19 Dec 23 / Opera Online (English)
A children-friendly Hansel and Gretel at Covent Garden
19 Dec 23 / Opera Today
Efficient but underwhelming staging of Humperdinck’s fairytale opera
19 Dec 23 / The Stage
Chocolate coated covens
19 Dec 23 / London Unattached
Vivacious staging of Humperdinck’s benign fairytale
18 Dec 23 / The Guardian
Wolf Witch Giant Fairy

The Royal Opera


No. of reviews: 1

Channelling my Inner Child for Christmas at the Royal Opera House
19 Dec 23 / London Unattached
Pagliacci

The Royal Opera


No. of reviews: 9

Jorge de León gets to lose grips with reality as the hapless Canio
15 Dec 23 / OperaWire
Hot-blooded double bill Cav and Pag hits home in a fine Royal Opera revival,
10 Dec 23 / The Observer
A rare evening where everything works
9 Dec 23 / The Jewish Chronicle
Royal Opera’s ‘Cav and Pag’ is compelling
6 Dec 23 / The Article
They’ve put comrade Turridu in a home
5 Dec 23 / London Unattached
Compelling and compassionate theatre
2 Dec 23 / The Guardian
Moving and frequently disturbing
2 Dec 23 / The Stage
Michieletto’s splendid production at Covent Garden is revived once again
2 Dec 23 / Seen and Heard
Blinded by passion: Michieletto's Cav & Pag returns to the Royal Opera House
2 Dec 23 / Bachtrack
Cavalleria Rusticana

The Royal Opera


No. of reviews: 9

Alagna and Kurzak consolidated their positions as world class artists here with spellbinding performances
15 Dec 23 / OperaWire
Hot-blooded double bill Cav and Pag hits home in a fine Royal Opera revival,
10 Dec 23 / The Observer
A rare evening where everything works
9 Dec 23 / The Jewish Chronicle
Royal Opera’s ‘Cav and Pag’ is compelling
6 Dec 23 / The Article
They’ve put comrade Turridu in a home
5 Dec 23 / London Unattached
Compelling and compassionate theatre
2 Dec 23 / The Guardian
Moving and frequently disturbing
2 Dec 23 / The Stage
Michieletto’s splendid production at Covent Garden is revived once again
2 Dec 23 / Seen and Heard
Blinded by passion: Michieletto's Cav & Pag returns to the Royal Opera House
2 Dec 23 / Bachtrack
Jephtha

The Royal Opera


No. of reviews: 21

Los transcendentes claroscuros del nuevo Jephtha del Covent Garden
21 Nov 23 / Mundo Clásico (Spanish)
Plenty of food for thought & some terrific singing
20 Nov 23 / Planet Hugill
A night at the opera that I would like to forget
18 Nov 23 / The Jewish Chronicle
Jephtha at the Royal Opera House asks the big questions in style
17 Nov 23 / City A.M.
Allan Clayton gives a magnificent account of the troubled title character
16 Nov 23 / Classical Source
There are many powerful moments in this production
16 Nov 23 / Opera Today
‘Waft her, angels, through the skies’
15 Nov 23 / The Article
Allan Clayton’s Jephtha is possessed by a hubristic sense of his own rightness
14 Nov 23 / Church Times
Uncomfortable sacrifice oratorio not seismic enough
14 Nov 23 / The Arts Desk
A Jephtha for our time
14 Nov 23 / London Unattached
Allan Clayton gives a magnificent account of the troubled title character
13 Nov 23 / Classical Source
Torna al Covent Garden per la prima volta dal 1752 l’oratorio Jephtha di Georg Friedrich Händel
13 Nov 23 / Connessi all'Opera
Nice twist of the Handel at the Royal Opera
13 Nov 23 / Express
Handel’s majestic final oratorio holds its own in Oliver Mears’s searching new production
12 Nov 23 / The Observer
Covent Garden’s new production of Handel’s Jephtha is currently something of a missed opportunity
11 Nov 23 / Seen and Heard
Oliver Mears’s new production of Jephtha at the Royal Opera House
11 Nov 23 / Opera Online (English)
Clayton is magnificent as a wide-eyed zealot
10 Nov 23 / The Guardian
Allan Clayton's return to Covent Garden is not to be missed
10 Nov 23 / Broadway World
Jennifer France shines as a daughter lost to her father's dangerous pledge in a new staging of Handel's oratorio
10 Nov 23 / CultureWhisper
Highly recommended to all but zealots and puritans
10 Nov 23 / Evening Standard
Magnificent singing, but short on dramatic punch
10 Nov 23 / Bachtrack
Allan Clayton: ‘I’m your tortured tenor for hire’
His committed performances and expressive voice have made him one of today’s most admired singers. As he prepares for Jephtha at Covent Garden, Allan Clayton ponders creativity, pigeonholes and facial hair.
Rigoletto

The Royal Opera


No. of reviews: 10

Amartuvshin Enkhbat and Pretty Yende shine in Verdi masterpiece
8 Nov 23 / OperaWire
In the title role Amartuvshin Enkhbat dominates the current revival of Oliver Mears’s Rigoletto
27 Oct 23 / Seen and Heard
Alles ist Kunst, nur die Rache nicht
26 Oct 23 / Das Opernmagazin
Al termine applausi calorosi per tutti gli interpreti e un vero trionfo, giustamente, per Amartuvshin Enkhbat
21 Oct 23 / Connessi all'Opera
Enkhbat brings Rigoletto’s psychological torment to life
17 Oct 23 / London Unattached
A hard and heartless Rigoletto at the Royal Opera House
16 Oct 23 / Opera Today
Coronation soprano Pretty Yende stars in a revival of Verdi's tragic opera
14 Oct 23 / CultureWhisper
Amartuvshin Enkhbat’s Rigoletto conquers Covent Garden
14 Oct 23 / Bachtrack
A heady blend of drama, decay, and decadence
13 Oct 23 / Broadway World
A psychologically probing production
13 Oct 23 / Evening Standard
Q & A: Amartuvshin Enkhbat
Amartuvshin Enkhbat on the importance of Verdi in his career.
Picture a day like this

The Royal Opera


No. of reviews: 9

La inútil ilusión de ser feliz
18 Oct 23 / Mundo Clásico (Spanish)
A beautiful ode to hope
4 Oct 23 / City A.M.
Sparkling musical invention pierces the gloom of George Benjamin’s mysterious new chamber opera
1 Oct 23 / The Observer
George Benjamin's slick new opera plays at the Royal Opera House after a critically acclaimed run at Festival d'Aix-en-Provence
29 Sep 23 / Broadway World
George Benjamin’s Picture a Day Like This comes to the Royal Opera House
28 Sep 23 / Opera Online (English)
Picture a day like this is exquisitely crafted and offers sensory riches
26 Sep 23 / Opera Today
A welcome to unwelcome worlds like these
26 Sep 23 / London Unattached
Benjamin’s modern fairytale of sparse and moving beauty
25 Sep 23 / The Guardian
Intriguing, mysterious, intense
25 Sep 23 / Bachtrack
George Benjamin on his defining moments – and his latest opera
As Picture a Day Like This comes to the London stage, the composer speaks about finding his dream collaborator, entering ‘a different dimension’ with Olivier Messiaen – and the day Disney changed his life.
Das Rheingold

The Royal Opera


No. of reviews: 27

Barry Kosky: Oro líquido sin Rhin
13 Oct 23 / Mundo Clásico (Spanish)
Das Rheingold at the Royal Opera House is enthralling
10 Oct 23 / City A.M.
Message from The Log Lady
4 Oct 23 / Leidmotief (English)
There is a feeling of vibrant theatricality, as one might expect in a Kosky project
27 Sep 23 / Australian Book Review
L'Or du Rhin écologiste et flamboyant en direct de Londres
24 Sep 23 / Olyrix
Barrie Kosky’s Das Rheingold for the Royal Opera is a miscast, misconceived, mishmash of ideas
23 Sep 23 / Seen and Heard
Wagner rewilded
21 Sep 23 / The Spectator
Von der Ruchlosigkeit des britischen Landadels
20 Sep 23 / Das Opernmagazin
Le Ring de l’Anthropo-scène
19 Sep 23 / Forum Opéra
Kosky’s gold diggers triumph at the Garden
19 Sep 23 / London Unattached
An all-consuming performance of Barrie Kosky’s fierce new Rheingold
17 Sep 23 / The Observer
A Golden start for the Royal Opera season
16 Sep 23 / Express
Verheißung, groß wie Walhall
16 Sep 23 / Orpheus
Da schau her – Alberich ist ja gar kein Jude
15 Sep 23 / Die Welt
Barrie Kosky’s New Das Rheingold at the Royal Opera House
15 Sep 23 / Opera Online (English)
Strikingly impressive Das Rheingold from the Royal Opera House
15 Sep 23 / Opera Today
An engrossing start to Barrie Kosky’s new Ring Cycle
15 Sep 23 / Limelight
A captivating and time-fleeting experience of Wagner’s gripping tale of greed and destiny
14 Sep 23 / Vigour Times
A terrifying parable for the end of our world
14 Sep 23 / iNews
All that glitters is ‘Rhinegoo’ in Barrie Kosky’s very, very mixed new Das Rheingold at the Royal Opera House
14 Sep 23 / Seen and Heard
Terrible beauty throbs at the heart of Barrie Kosky's new production
13 Sep 23 / Broadway World
This London 'Ring' is on the Met Opera's radar
13 Sep 23 / New York Times
Dreamtime Rheingold from Kosky and Pappano at The Royal Opera
13 Sep 23 / Bachtrack
Uncluttered staging is a compelling start to Kosky’s Ring cycle
13 Sep 23 / The Guardian
A great ‘Ring’ in the making at the Royal Opera
13 Sep 23 / The Article
An interesting beginning, with germs of ideas which may develop over the next three operas
13 Sep 23 / CultureWhisper
This could be a Ring to savour as it unfolds in the coming years
12 Sep 23 / Evening Standard
Opera actor, 82, furious with critic
‘The “fright” look is all naturally mine,’ riposted Rose Knox-Peebles after FT reviewer assumed she had makeup on in Das Rheingold.
The wildest performances of Wagner’s Ring
Gods! Dragons! Horned helmets! Swords! Valkyries! The 15-hour apocalyptic epic is about to explode onto the Royal Opera stage. But what’s the best way to tackle ‘the ultimate opera’?
L'elisir d'amore

The Royal Opera


No. of reviews: 11

The sun shines on Nadine Sierra, Liparit Avetisyan and Ambrogio Maestri in the L’elisir d’amore revival
11 Oct 23 / Seen and Heard
A lovely Elixir for the Royal Opera House
29 Sep 23 / Express
Donizetti's opera about a love potion fizzes right out of the bottle at Covent Garden
28 Sep 23 / CultureWhisper
Laurent Pelly’s operatic ice cream float parade is six parts froth and two parts substance
27 Sep 23 / OperaWire
A sparkling revival of Laurent Pelly's production
27 Sep 23 / The Opera Critic
Nadine Sierra gives a classy performance and is an ideal match for Liparit Avetisyan’s Nemorino
26 Sep 23 / Opera Today
Bargain booze and questionable quackery in The Royal Opera's L'elisir d'amore
26 Sep 23 / Bachtrack
Uncorking love – what is ‘L’elisir d’amore’?
26 Sep 23 / London Unattached
Laurent Pelly's production of Donizetti's opera buffa revived and as popular as ever
25 Sep 23 / Broadway World
Nadine Sierra is pitch-perfect as Adina in a somewhat mixed revival of L’elisir d’amore by the Royal Opera
25 Sep 23 / Seen and Heard
L’elisir d’amore con Nadine Sierra
25 Sep 23 / Connessi all'Opera
La Forza del Destino

The Royal Opera


No. of reviews: 17

Vocal abundance
11 Oct 23 / OperaWire
Wo bleibt die Häutung der Schlange
11 Oct 23 / Das Opernmagazin
Sir Mark Edler leads a compelling account of the score from the pit
2 Oct 23 / Classical Source
What is essential is that you have to be passionate about the work
Canadian baritone Étienne Dupuis, Don Carlo in the Royal Opera's revival of La Forza del Destino on his clutch of Verdi roles.
next >>
Reviews search
Use this search to find historical reviews in our database
Performance schedule
Puccini
5 Feb to 21 Jul 2024
Puccini
14 Mar to 18 Jul 2024
Bizet
5 Apr to 31 May 2024
Donizetti
19 Apr to 18 May 2024
Martinu
24 Apr to 4 May 2024
Harbison
24 Apr to 4 May 2024
Vivaldi
13 to 25 May 2024
Giordano
30 May to 11 Jun 2024
Mozart
26 Jun to 9 Jul 2024

News & Articles

The Royal Opera House and Anna Netrebko
The Royal Opera House’s General Director Oliver Mears is addressing his upcoming collaboration with Anna Netrebko at the Salzburg Easter Festival and her relationship with the Royal Opera House.
1 Nov 2023 / OperaWire
Royal Opera Orchestra votes in favor of strike
According to the Musicians’ Union, the orchestra voted 89.87 percent in favor, based on a turnout of 92.94 percent.
21 Jul 2023 / OperaWire
Royal Opera House archive goes global with streaming service
New technology is also enabling live instant replays of rehearsals to help with creative process.
7 Jul 2023 / The Guardian
Speranza Scappucci to be principal guest conductor at ROH
‘We can’t just be in our ivory tower’: the Italian conductor aiming to open up the Royal Opera House to everyone.
4 Jun 2023 / The Observer
Royal Opera House announces its 2023-24 season
Jonas Kaufmann, Sondra Radvanovsky, Sonya Yoncheva, Angel Blue, Asmik Grigorian headline Royal Opera House’s 2023-24 season.
27 Apr 2023 / OperaWire