|
Reviews | 27 April 2024 |
First nights
wpworld premiere
cconcert performance
You've been granted free access to this page.
Take a FREE 7 DAY TRIAL or SUBSCRIBE today to access the full content of theoperacritic.com.
Performance reviews
Key | Photo gallery | Production details | Video link |
Der RosenkavalierMetropolitan OperaNo. of reviews: 14 |
Renée Fleming and Elīna Garanča bid farewell in the Met’s sumptuous Der Rosenkavalier |
16 May 17 / Seen and Heard |
Elīna Garanča, Günther Groissböck deliver nuanced performances in solid production |
2 May 17 / OperaWire |
Le crépuscule radieux |
24 Apr 17 / Forum Opéra |
A Rosenkavalier for the radio at The Met |
20 Apr 17 / Bachtrack |
Renée Fleming shines in a cool new version of Richard Strauss’s opera |
19 Apr 17 / Financial Times |
Savor Renée Fleming in "Der Rosenkavalier" at the Met |
15 Apr 17 / The New Yorker |
Through a glass vaguely |
15 Apr 17 / parterre box |
A star is boring in ‘Der Rosenkavalier’ at the Met |
15 Apr 17 / New York Observer |
Renée Fleming's poignant farewell to 'Der Rosenkavalier' |
15 Apr 17 / New York Times |
Fleming soars to new heights in “Der Rosenkavalier” at the Met |
15 Apr 17 / The Huffington Post |
In her moving Met quasi-farewell Fleming strikes sparks with Garanča in new “Rosenkavalier” |
15 Apr 17 / Classical Review |
The Met’s new ‘Rosenkavalier’ moves (timelessly) forward with a timeless Renée Fleming |
15 Apr 17 / ZEALnyc |
Robert Carsen production was greeted with a mixture of boos and cheers |
15 Apr 17 / Operavore | WQXR |
For Renée Fleming’s last Met stand — or is it? — a new production focuses on the past’s lost innocence |
15 Apr 17 / Washington Post |
associated articles [+]
While soprano Renee Fleming bids a poignant and elegant farewell to a signature role at the Metropolitan Opera, a young bass is stirring up a storm as her far-from-dignified country cousin.
The star, who made her Broadway debut in Living on Love, explores the lighter side of opera through May 13.
With her art form in crisis, the soprano prepares for a poignant farewell at the Met. But she has a second act in mind.
InformationIf you would like to suggest an artcle or review for inclusion on theoperacritic.com then please complete the form to the right. Only use this option to submit articles and reviews already published online. It should not be used to submit freelance work not already published. Please note that the inclusion of items submitted will be at the discretion of the Editor. |
|
Publication LinksThe majority of links on theoperacritic.com to reviews and articles will take you directly to the required content in the external publication. In some cases you will need to register with the publication concerned to be able to access their content, and for a few publications you will be limited to a specific number of articles you can read per week/month. |
Via GoogleSome publications operate a pay wall to access all their content, but do allow one-time free access to articles when they are linked to from a Google search. To access the review in this way you should click on the link on the Reviews page in the normal way. This will take you to a Google search results page, including the link to the desired review. Click on the link on this Google page and you will be taken to the review on the external publication. Publications which require linking via Google will be clearly marked as such. Currently the Financial Times is one such publication and on the reviews page you will see this publication styled as Financial Times (via Google). |
1. | Lucia di Lammermoor The Royal Opera |
2. | Aida Bavarian State Opera |
3. | Roberto Devereux Dutch National Opera |
4. | La Gioconda Teatro di San Carlo |
5. | La rondine Metropolitan Opera |