On my walk to the Kennedy Center for Washington National Opera’s new production of Richard Strauss’s “Elektra,” I encountered skeletons and zombies, a roving crew of drag “Karens” and what I must assume was intended to be a Sexy SpongeBob.
Democracy Dies in Darkness
At WNO’s electric ‘Elektra,’ the night is short and full of terrors
Soprano Christine Goerke dances along the razor’s edge in finely cast production of Strauss’s one-act psychological thriller
Review by Michael Andor Brodeur