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Parsifal | | |
| Opernhaus Zürich | | | Alla fine della serata trionfo meritatissimo per tutti gli interpreti |
| Thought-provoking Parsifal in Zurich |
| Die Walküre | |
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| Opéra national de Paris | | | En net progrès |
| Objet de sarcasme à sa création il y a trois ans, le travail de Günter Krämer fut depuis lors si bien modifié en profondeur |
| Ni tout à fait la même, ni tout à fait une autre... |
| Reprise en progrès de la Walkyrie à Bastille |
| De beaux moments quand même |
| Où est passée la cervoise fraîche? |
| The Queen of Spades | | |
| Sydney Symphony Orchestra | | | Stuart Skelton and Dina Kuznetsova lead a strong cast |
| Peter Grimes | | |
| The BBC Proms | | | Edward Gardner’s mastery of Britten’s orchestral and operatic language is undisputed |
| A fine showcase for English National Opera |
| an overwhelming performance, sung, acted and played with uncompromising veracity and commitment |
| This was a performance of rare distinction |
| Stuart Skelton’s majestic account of the title role has noticeably grown in stature |
| There is no finer Grimes around today than Stuart Skelton |
| This was altogether an evening of the highest musical standards |
| Der Fliegende Holländer |
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| English National Opera | | | Brassy Falstaff and a bleak 'Dutchman' |
| It may be their first Wagner opera, but Edward Gardner and Jonathan Kent ensure a night of smooth sailing |
| We join our recommendation of ENO's Dutchman to all the others |
| An illuminating and revelatory Dutchman |
| The superb chorus offered glorious redemption |
| The orchestra is electrifying, the singing bright and beautiful, but if you want the usual story, dream on |
| Gardner's interpretation is white hot from the start |
| More than a storm in a teacup |
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STUART SKELTON
Stuart Skelton has emerged as one of the finest heroic tenors of his generation, encompassing roles from Wagner to Strauss, Beethoven, Dvorak and Britten. He is acclaimed for his beautiful voice, intelligent musicianship, and his intensely dramatic portrayals.
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Singer's heroism stops short of naked roles | | Sydney 'heldentenor' Stuart Skelton counted among the world's best tells why opera shouldn't be about good looks. |
Queen of Spades: Sydney Symphony's operatic gamble | | cialis 20 mg forum Vladimir Ashkenazy and Stuart Skelton on Tchaikovsky's supernatural riddle. |
NNTT kicks off its season with a grimy tale | | It is painful to observe the process of social ostracism as it happens, and that could be because it strikes a chord with anyone who sees it. |
Q&A: Tenor Stuart Skelton | | The Heldentenor talks Tristan, technique, and what it takes to be a great opera singer. |
Jonas Kaufmann withdraws from the Met’s ‘Die Walküre' | | The tenor Jonas Kaufmann has again withdrawn from the role of Siegmund in the Metropolitan Opera’s production of “Die Walküre.” Stuart Skelton will replace him. |
Stuart Skelton: One man, two tenors | | The Australian heldentenor tells Anna Picard about cigars, being an 'aryan hunk', and the secret of singing in two places at once. |
Tenor Stuart Skelton talks about Parsifal | | London has been lucky with Stuart Skelton, as the heldentenor returns to sing Parsifal in Nikolaus Lehnhoff's production of Wagner's opera. |
Opera Australia is a winner at the Helpmanns | | Opera Australia and the Melbourne Theatre Company have scored well in this year's Helpmann Awards which were presented at the Sydney Opera House last night. |
Stuart Skelton: A life of Grimes | | Stuart Skelton's Peter Grimes electrified audiences last year. Now he's back in London to bring another troubled soul to life. |
The tenor from down under heads for Kareol | | Stuart Skelton - the Boris in ENO's Katya Kabanova - talks to Jim Pritchard. |
Stuart Skelton | | Acclaimed for his powerful voice, musicianship and dramatic conviction, Australian heldentenor Stuart Skelton is proving himself to be one of the leading heroic tenors of his generation. |
The merging of sound and vision | | Memories of 2006 for Anna Picard. |
The Adelaide Ring is the big winner | | The State Opera of South Australia's production of Wagner's Ring cycle scoops 10 opera awards at the 2005 Helpmann Awards. |
Discord as new opera director takes up the baton | | Gasteen is one of a host of performers in the Ring cycle, including John Wegner, Stuart Skelton, Liane Keegan and Jonathan Summers, who have no, or limited, Australian engagements. |
Sad ring to the triumph | | Lisa Gasteen, John Wegner and Stuart Skelton are packing their passports as there's no work for them at Opera Australia next year. |
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30 Mar 13 / GBOPERA
