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22 May 2013
Stuart Skelton Reviews

Der Fliegende Holländer

English National Opera

Not in the same league as ENO's recent best
3 May 12 / Musical Criticism
All at sea saved only by some high-wire singing
2 May 12 / Financial Times
Fascinating and stimulating
2 May 12 / Seen and Heard
Edward Gardner steered ENO's new production manfully through massive breakers as well as calmer waters
1 May 12 / Telegraph
A new focus in the English National Opera's tremendous reworking of Wagner's classic opera
1 May 12 / Evening Standard
American bass James Creswell presents a darkly Byronic Dutchman
1 May 12 / The Stage
A misguided production redeemed by fine orchestral playing and singing
1 May 12 / Music OMH
There has probably never been a better time to experience Wagner
30 Apr 12 / Londonist
The real heroics came from ENO’s Chorus and Orchestra
30 Apr 12 / Independent
An obsessive and redemptive new Dutchman from Jonathan Kent
30 Apr 12 / The Arts Desk
This is emotive, hard-hitting stuff that is guaranteed to set your nerves jangling
30 Apr 12 / Guardian Unlimited
Stuart Skelton’s Erik steals the show vocally
30 Apr 12 / What's on Stage
An exhilarating evening of first class Wagner
30 Apr 12 / Opera Britannia
The musical performance is very satisfying
30 Apr 12 / Classical Source

Der Ring des Nibelungen

Metropolitan Opera

Video’s shifting ‘Ring’ roles
14 May 12 / New York Times
The Met’s digital Valhalla: technology and the ‘Ring’
6 May 12 / Boston Globe
This Ring doesn't shine for me anymore
6 May 12 / Out West Arts
Met’s ‘Ring’ machine finishes the spin cycle
26 Apr 12 / New York Times
Met’s polished new ‘Ring’
26 Apr 12 / New York Post

Peter Grimes

Ópera de Oviedo

Los amigos de Peter
14 Mar 12 / Mundo Clásico (Spanish)
Oviedo vive la pesadilla de Britten
20 Feb 12 / La Voz de Asturias
Sorprendente y desgarrador 'Peter Grimes'
20 Feb 12 / El Comercio
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20 Feb 12 / La Nueva España

Oedipus Rex

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New Zealand International Arts Festival

Powerful Stravinsky works open festival
28 Feb 12 / National Business Review

Parsifal

Opernhaus Zürich

D’une guerre à l’autre
14 Oct 11 / Altamusica

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Stuart Skelton Reviews & Articles

STUART SKELTON

Stuart Skelton has emerged as one of the finest heroic tenors of his generation, encompassing roles from Wagner to Strauss, Beethoven, Dvorak and Britten. He is acclaimed for his beautiful voice, intelligent musicianship, and his intensely dramatic portrayals.
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Stuart Skelton Articles

Singer's heroism stops short of naked roles

Sydney 'heldentenor' Stuart Skelton counted among the world's best tells why opera shouldn't be about good looks.
30 Nov 2012 / Sydney Morning Herald

Queen of Spades: Sydney Symphony's operatic gamble

Vladimir Ashkenazy and Stuart Skelton on Tchaikovsky's supernatural riddle.
29 Nov 2012 / Limelight

NNTT kicks off its season with a grimy tale

It is painful to observe the process of social ostracism as it happens, and that could be because it strikes a chord with anyone who sees it.
4 Oct 2012 / The Japan Times
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Q&A: Tenor Stuart Skelton

The Heldentenor talks Tristan, technique, and what it takes to be a great opera singer. buy cialis 20 mg online
18 Aug 2012 / The Arts Desk

Jonas Kaufmann withdraws from the Met’s ‘Die Walküre'

The tenor Jonas Kaufmann has again withdrawn from the role of Siegmund in the Metropolitan Opera’s production of “Die Walküre.” Stuart Skelton will replace him.
3 May 2012 / New York Times

Stuart Skelton: One man, two tenors

The Australian heldentenor tells Anna Picard about cigars, being an 'aryan hunk', and the secret of singing in two places at once.
29 Apr 2012 / Independent on Sunday

Tenor Stuart Skelton talks about Parsifal

London has been lucky with Stuart Skelton, as the heldentenor returns to sing Parsifal in Nikolaus Lehnhoff's production of Wagner's opera.
9 Feb 2011 / What's on Stage

Opera Australia is a winner at the Helpmanns

Opera Australia and the Melbourne Theatre Company have scored well in this year's Helpmann Awards which were presented at the Sydney Opera House last night.
7 Sep 2010 / The Age

Stuart Skelton: A life of Grimes

Stuart Skelton's Peter Grimes electrified audiences last year. Now he's back in London to bring another troubled soul to life.
19 Mar 2010 / Guardian Unlimited
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The tenor from down under heads for Kareol

Stuart Skelton - the Boris in ENO's Katya Kabanova - talks to Jim Pritchard.
17 Mar 2010 / Seen and Heard

Stuart Skelton

Acclaimed for his powerful voice, musicianship and dramatic conviction, Australian heldentenor Stuart Skelton is proving himself to be one of the leading heroic tenors of his generation.
15 Mar 2010 / Opera Britannia

The merging of sound and vision

Memories of 2006 for Anna Picard.
3 Jan 2007 / Independent on Sunday

The Adelaide Ring is the big winner

The State Opera of South Australia's production of Wagner's Ring cycle scoops 10 opera awards at the 2005 Helpmann Awards.
9 Aug 2005 / Sydney Morning Herald

Discord as new opera director takes up the baton

Gasteen is one of a host of performers in the Ring cycle, including John Wegner, Stuart Skelton, Liane Keegan and Jonathan Summers, who have no, or limited, Australian engagements.
16 Dec 2004 / Sydney Morning Herald

Sad ring to the triumph

cheap cialis overnight Lisa Gasteen, John Wegner and Stuart Skelton are packing their passports as there's no work for them at Opera Australia next year.
10 Dec 2004 / Sydney Morning Herald
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Please bear in mind that Stuart Skelton may not appear in all the performances listed. Refer to the Company website for further details.
Wagner: Der Ring des Nibelungen
Opéra national de Paris
18 to 26 Jun 2013
Wagner: Der Ring des Nibelungen
Seattle Opera
4 to 25 Aug 2013
Beethoven: Fidelio
English National Opera
25 Sep to 17 Oct 2013
Wagner: Der Ring des Nibelungen
Opera Australia
18 Nov to 13 Dec 2013
Britten: Peter Grimes
English National Opera
29 Jan to 27 Feb 2014
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