Edinburgh International Festival - Edinburgh
18 October 2018

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Performance reviews

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La Cenerentola

Edinburgh International Festival


No. of reviews: 9

El Festival Internacional de Edimburgo pone a sobre las tablas a La Cenerentola más feminista
5 Sep 18 / Opera World (Spanish)
It proved difficult to resist a panto version of Rossini’s Cinderella
2 Sep 18 / The Observer
An impeccably sung production
1 Sep 18 / The Stage
A superb yet gloriously silly production
27 Aug 18 / The Opera Critic
Opera de Lyon will leave you giggling like a schoolgirl
27 Aug 18 / The Herald
Cinderella has a ball with exuberant panto kitsch
27 Aug 18 / The Guardian
Comic direction to savour from Stefan Herheim
27 Aug 18 / Bachtrack
Park your hierarchical concerns in the foyer and enjoy this production as a jolly tale that delivers some good laughs
27 Aug 18 / The Times
A surrealist romp with shades of Monty Python
26 Aug 18 / Telegraph
Q & A: Mezzo Michèle Losier
On her first Rossini role and Edinburgh Festival.
The Beggar's Opera

Edinburgh International Festival


No. of reviews: 11

Robert Carsen encuentra el equilibrio en Edimburgo
29 Aug 18 / Opera World (Spanish)
A Beggar’s Opera that beggars belief in Edinburgh
23 Aug 18 / The Spectator
Baroque meets jukebox musical in a wryly topical Beggar’s Opera at EIF
21 Aug 18 / Bachtrack
The production harbours a brilliance which is untameable but definitely refreshing
19 Aug 18 / The Edinburgh Reporter
Kaleidoscopically multi-layered, with cultural references that effortlessly span over three centuries
19 Aug 18 / The Herald
A scabrous, virulent, gleefully profane production
18 Aug 18 / Telegraph
Seriously out of touch
18 Aug 18 / The Stage
The original jukebox musical reimagined
18 Aug 18 / The Guardian
No matter how many lines of coke are snorted or expletives spat out, there’s no real sting in this Beggar for the Brexit era
18 Aug 18 / The Times
Catch The Beggar’s Opera at the EIF if you can
17 Aug 18 / Seen and Heard
A high-energy show
17 Aug 18 / The Opera Critic
A Beggar's Opera for our times
John Gay’s 18th century satire is a work whose essential remit is to confront the uncomfortable. How is Robert Carsen’s take dealing with the homeless crisis, Brexit and the #metoo movement?
Interview: Robert Carsen
Almost three centuries on from its creation, The Beggar’s Opera is still as relevant, meaningful and adaptable as ever.
Hansel und Gretel

Edinburgh International Festival


No. of reviews: 2

It was Thomas Blondelle who nearly stole the show as the Witch
17 Aug 18 / The Herald
An atmospheric concert version of Hansel und Gretel
17 Aug 18 / The Opera Critic
Siegfried

Edinburgh International Festival


No. of reviews: 4

The Hallé are now playing with world-class finesse
10 Aug 18 / Telegraph
The singing cast was as full of star turns
10 Aug 18 / The Herald
The Hallé comes to the fore in a glorious Siegfried
10 Aug 18 / The Opera Critic
Sir Mark Elder brings a lifetime of Wagner experience to Hallé’s EIF Siegfried
10 Aug 18 / Seen and Heard
Il barbiere di Siviglia

Edinburgh International Festival


No. of reviews: 8

Stylish, but adrift from the real world
9 Aug 18 / Telegraph
Tales from the stave
8 Aug 18 / Bachtrack
Clever and playful
8 Aug 18 / The Stage
A surreal, superficial show
8 Aug 18 / The Times
The virile energy of this performance mostly compensates for what is missing
8 Aug 18 / The Scotsman
Engaging Rossini revamp is a crowd-pleasing romp
7 Aug 18 / The Guardian
A warm-hearted and entertaining production
7 Aug 18 / The Opera Critic
Despite a fussy staging, a lot about Théâtre des Champs-Élysées’s Barber works
7 Aug 18 / Seen and Heard
La bohème

Edinburgh International Festival


No. of reviews: 4

Triumphant love scenes and clever staging enhance a production that only shines on occasion
30 Aug 17 / The Stage
A great show but these modern-day updates are getting tedious
28 Aug 17 / Telegraph
Ensemble work of the highest order
28 Aug 17 / The Times
Puccini's melodies warm up the harsh urban setting
28 Aug 17 / The Opera Critic
Macbeth

Edinburgh International Festival


No. of reviews: 11

Un exorcismo necesario
30 Aug 17 / Opera World (Spanish)
Teatro Regio’s festival Macbeth was inventive but incoherent
27 Aug 17 / The Times
Gianandrea Noseda and Turin’s Teatro Regio convey the full force of Verdi’s first Shakespeare opera
26 Aug 17 / The Observer
Striking but not always convincing
23 Aug 17 / Financial Times (via Google)
Blessed with musical power but lacks detail
22 Aug 17 / The Stage
A musically satisfying spectacle
22 Aug 17 / The Opera Critic
Opulent Turin Macbeth arrives at Edinburgh International Festival
22 Aug 17 / Bachtrack
Dalibor Jenis delivers a powerful performance in the title role
22 Aug 17 / The Scotsman
The production is strong in choreography and invokes Grigorovich’s ballets
21 Aug 17 / Classical Source
Authentic Italian rawness and energy
20 Aug 17 / Telegraph
High camp, dark drama and more than a hint of Game of Thrones
20 Aug 17 / The Guardian
La Damnation de Faust

Edinburgh International Festival


No. of reviews: 2

A dramatic and engaging reading of Berlioz' Faust tale
22 Aug 17 / The Opera Critic
Sir Mark Elder leads Hallé in sensational-sounding Faust
22 Aug 17 / Seen and Heard
L'incoronazione di Poppea

Edinburgh International Festival


No. of reviews: 3

a magnificent conclusion to Gardiner’s celebratory Monteverdi opera trilogy
20 Aug 17 / The Scotsman
A Monteverdi journey ends with Poppea
20 Aug 17 / The Opera Critic
Thrilling Poppea cements Gardiner’s greatness in epic Festival feat
19 Aug 17 / Seen and Heard
Il ritorno d'Ulisse in patria

Edinburgh International Festival


No. of reviews: 3

A very satisfying performance
20 Aug 17 / The Opera Critic
‘Sheer beauty’: Il Ritorno d’Ulisse is another triumph for Gardiner’s Monteverdi Trilogy
19 Aug 17 / Seen and Heard
Gardiner gathered together a superb line-up of singer
18 Aug 17 / The Scotsman
L'Orfeo

Edinburgh International Festival


No. of reviews: 3

Gardiner’s ’fresh, dynamic’ L’Orfeo makes for a compellingly theatrical experience
19 Aug 17 / Seen and Heard
Krystian Adam was outstanding as an emotionally sensitive, and determined, Orfeo
17 Aug 17 / The Scotsman
Monteverdi takes centre stage at the Edinburgh International Festival
17 Aug 17 / The Opera Critic
Peter Grimes

Edinburgh International Festival


No. of reviews: 6

A superb cast and huge forces thrill in Bergen Opera’s minimalist staging of Britten’s masterpiece
19 Aug 17 / The Guardian
Stuart Skelton is Peter Grimes at the Edinburgh International Festival
17 Aug 17 / Seen and Heard
The night belonged to Stuart Skelton as Peter Grimes
17 Aug 17 / The Opera Critic
Edward Gardner and the Bergen Phil storm the Edinburgh Festival with a powerful Peter Grimes
16 Aug 17 / Bachtrack
Another glorious triumph
16 Aug 17 / The Scotsman
A tumultuous reception for Britten’s masterpiece
15 Aug 17 / Telegraph
Die Walküre

Edinburgh International Festival


No. of reviews: 7

RSNO need no set to light Valkyrie’s fire
14 Aug 17 / The Scotsman
Bryn Terfel’s capacity as Wotan continues to be admirable
9 Aug 17 / Classical Source
Memorable and epic Die Walküre at Edinburgh International Festival
9 Aug 17 / Bachtrack
Wagner en terres anglophones
9 Aug 17 / Forum Opéra
A little magic in the air: Davis conducts the RSNO in a thrilling Die Walküre
8 Aug 17 / Seen and Heard
Quite a ride!
8 Aug 17 / The Opera Critic
Terfel’s complex Wotan evoked the spirit of Shakespeare’s King Lear
8 Aug 17 / The Scotsman
Greek

Edinburgh International Festival


No. of reviews: 9

Alex Otterburn as the Oedipal Stuart, trying to escape from Fate and Tuffnell Park, was devastating and terrifying
14 Aug 17 / The Scotsman
The real clincher in this production is Hill-Gibbons’ focus on psychology rather than epoch
8 Aug 17 / The Scotsman
Who would have thought ketchup and beans could feature so garishly in an opera or symbolise so much?
8 Aug 17 / Classical Source
Bold and tacky
8 Aug 17 / The Stage
Cockney opera mixes the baleful and the banal
8 Aug 17 / Financial Times (via Google)
Re-unveiling of EIF’s past glory is mesmerising when it works
7 Aug 17 / Telegraph
Oedipus opera update as relevant and risque as ever
7 Aug 17 / The Guardian
The evening belongs to Alex Otterburn's Eddy
7 Aug 17 / The Opera Critic
For Scottish Opera Emerging Artist Alex Otterburn the central role of Eddy is a huge achievement
6 Aug 17 / The Herald
Opera director Joe Hill-Gibbins: How I got an Oepidus complex
The ancient myth speaks to us still, and, through the prism of Mark-Anthony Turnage’s hard-hitting opera Greek, the director of a new production found insights, strange beauty and football chants.
Don Giovanni

Edinburgh International Festival


No. of reviews: 4

A stripped-down production in more ways than one
12 Aug 17 / Telegraph
The devil is in the detail
11 Aug 17 / The Opera Critic
Ivan Fischer's singular vision leaves his singers in limbo
11 Aug 17 / The Guardian
The orchestra sets the scene brilliantly from Fischer’s first down beat
11 Aug 17 / The Scotsman
Così fan tutte

Edinburgh International Festival


No. of reviews: 9

Performances were strong across the board
30 Aug 16 / The Arts Desk
This production is uncomfortable and often unpleasant to watch
28 Aug 16 / The Herald
Mozart's frothy opera turns nasty
27 Aug 16 / The Guardian
Points made, but underlined in red: a superbly performed Edinburgh Così fan tutte – for adults
27 Aug 16 / Bachtrack
This staging of Così fan tutte is a scandal – but not because of the nudity
27 Aug 16 / Telegraph
Racial and sexual abuse should shock audiences, not the titillation
27 Aug 16 / The Conversation
EIF’s Così fan tutte explores the opera’s darker side in an unsettling sexual manner
27 Aug 16 / Seen and Heard
Grown-up and intelligent
27 Aug 16 / The Opera Critic
Brutal, challenging production that uses a sublime account of Mozart's music to nail home its point
26 Aug 16 / The Stage
Another fight at the opera in Cosi Fan Tutte row over wages
The South African production of Mozart’s masterpiece Cosi Fan Tutte ran into further trouble when it transferred to France.
Edinburgh Festival offers refunds before ‘extreme’ opera opens
The Edinburgh International Festival has taken the unprecedented step of offering refunds for one of its flagship operas before it is even staged in the city due to its extreme content.
Das Rheingold

Edinburgh International Festival


No. of reviews: 5

Valery Gergiev dirige L'Or du Rhin au Festival International d'Edimbourg
18 Aug 16 / Opera Online
A concert Rheingold full of emotional flow
18 Aug 16 / The Opera Critic
A powerful, authoritative performance that never flagged throughout its intimidating duration
17 Aug 16 / The Herald
Das Rheingold with a Russian flavour from Gergiev and Mariinsky Opera
17 Aug 16 / Seen and Heard
Mariinsky Rheingold a promising start to Edinburgh Festival’s concert Ring
17 Aug 16 / Bachtrack
Norma

Edinburgh International Festival


No. of reviews: 6

"Hell hath no fury": Cecilia Bartoli in Norma at the Edinburgh International Festival
8 Aug 16 / Bachtrack
Bartoli's emotional Norma
8 Aug 16 / The Opera Critic
The fiery Italian mezzo owned the stage as Bellini’s vengeful priestess
8 Aug 16 / The Guardian
It was a close-run thing - but Cecilia Bartoli's Norma is a furious triumph
7 Aug 16 / Telegraph
Dramatically strong
7 Aug 16 / The Stage
Triumph for classic opera with an anti-fascist twist
7 Aug 16 / The Herald
Edinburgh International Festival reveals first 2016 production
The Salzburg Festival's production of Bellini's Norma will open the opera section, with Cecilia Bartoli in the title role.
Die Zauberflöte

Edinburgh International Festival


No. of reviews: 9

The Magic Flute has never made more cartoonish sense
3 Sep 15 / The Spectator
Barrie Kosky and Suzanne Andrade’s production will have you rolling in the aisles
1 Sep 15 / WOW247
The Magic Flute pays homage to the era of silent films
31 Aug 15 / Seen and Heard
Lost in animation
31 Aug 15 / The Opera Critic
A "non-stop visual treat to accompany Mozart's strange fairytale"
29 Aug 15 / What's on Stage
Komische Oper’s Die Zauberflöte enchants at the Edinburgh Festival
29 Aug 15 / Bachtrack
The Magic Flute as silent movie, marrying many styles and eras with masterfully delivered music
29 Aug 15 / The Stage
Cute, but never sublime
29 Aug 15 / Telegraph
All the makings of a classic
29 Aug 15 / The Guardian
Barrie Kosky
'When I first saw The Magic Flute, I didn't get it and I didn't like it'
HMS Pinafore

Edinburgh International Festival


No. of reviews: 4

Joyless, stifled and stilted
25 Aug 15 / The Guardian
The audience was clearly enthralled throughout
25 Aug 15 / Edinburgh Guide
Starry casting in Edinburgh’s HMS Pinafore
25 Aug 15 / Seen and Heard
Having fun at the Festival
24 Aug 15 / The Opera Critic
Le nozze di Figaro

Edinburgh International Festival


No. of reviews: 6

The pace, ease and fun of the evening was contagious
25 Aug 15 / Edinburgh Guide
Even the best Stravinsky can’t beat mediocre Mozart
20 Aug 15 / The Spectator
Top-rank singers bring emotional power to Mozart’s Figaro
19 Aug 15 / Seen and Heard
A high energy Figaro
17 Aug 15 / The Opera Critic
Fischer's innovative take on Mozart
15 Aug 15 / The Guardian
Without heart
15 Aug 15 / Telegraph
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News & Articles

Edinburgh International Festival 2018: classical music and opera
The opera programme features three staged productions across ten performances at the Festival Theatre and King’s Theatre, and two concert performances at the Usher Hall.
15 Mar 2018 / Opera Now
What 70 years of the Edinburgh Festival has done for the arts
Sir Rudolph Bing, co-founder and first director of the Edinburgh International Festival, once said: “The opera always loses money. That’s as it should be. Opera has no business making money.”
5 Aug 2017 / The Conversation
EIF 2017 looks to a bright flowering of the human spirit
The Edinburgh International Festival has announced the biggest programme of opera the Festival has mounted in many years.
16 Mar 2017 / The Herald
Another fight at the opera in Cosi Fan Tutte row over wages
The South African production of Mozart’s masterpiece Cosi Fan Tutte ran into further trouble when it transferred to France.
28 Aug 2016 / Telegraph
Edinburgh Festival offers refunds before ‘extreme’ opera opens
The Edinburgh International Festival has taken the unprecedented step of offering refunds for one of its flagship operas before it is even staged in the city due to its extreme content.
27 Jul 2016 / The Scotsman

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