Glyndebourne Festival - Glyndebourne
19 April 2024

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Performance reviews

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Don Giovanni

Glyndebourne Festival


No. of reviews: 4

https://www.pierachilledolfini.it/2023/11/21/lucie-tra-i-cadaveri-nella-foresta-di-spirei/
28 Nov 23 / London Unattached
A staging that at best, was frequently perplexing and at worst, defied any logic
22 Nov 23 / OperaWire
Musically powerful Don Giovanni from Glyndebourne
17 Nov 23 / Opera Today
Confusion clouds any central critique in Clément's Don Giovanni at Glyndebourne
16 Nov 23 / Bachtrack
L'elisir d'amore

Glyndebourne Festival


No. of reviews: 3

Another joyful Glyndebourne return for Annabel Arden's fizzy Elisir d'amore
14 Nov 23 / Bachtrack
Glyndebourne takes Donizetti into the 1950s with wit and charm
13 Nov 23 / The Guardian
Annabel Arden’s L’elisir d’amore brings autumn sunshine to Glyndebourne
13 Nov 23 / Opera Today
The Rake's Progress

Glyndebourne Festival


No. of reviews: 5

Nothing hackneyed about Hockney’s designs in 12th revival
15 Aug 23 / OperaWire
Celebrated production returns home in triumph
8 Aug 23 / The Stage
The Rake clears up
8 Aug 23 / London Unattached
Glyndebourne’s oldest production survives the test of time
8 Aug 23 / Music OMH
No rust on this rake: a strong revival of Glyndebourne's classic The Rake's Progress
7 Aug 23 / Bachtrack
Semele

Glyndebourne Festival


No. of reviews: 6

It’s all terribly earnest
31 Jul 23 / Opera Today
Un bon plateau vocal contribue lui aussi à la réussite de cette Semele
31 Jul 23 / Anaclase
It’s Thebes by way of Port Talbot in Adele Thomas’s Glyndebourne debut
30 Jul 23 / The Observer
Joélle Harvey’s account of the title role is colourfully descriptive for the most part
26 Jul 23 / Classical Source
Outstanding mezzos enliven dour take on Handel’s tale of desire
25 Jul 23 / The Guardian
Joélle Harvey is outstanding in Glyndebourne's incendiary Semele
25 Jul 23 / Bachtrack
Dialogues des Carmelites

Glyndebourne Festival


No. of reviews: 7

Il faut dire que les chanteuses et les chanteurs défendent ardemment l’entreprise
31 Jul 23 / Anaclase
Singen unterm Fallbeil
1 Jul 23 / FAZ
Poulenc’s shattering opera disturbs and confounds in Barrie Kosky’s new Glyndebourne production
18 Jun 23 / The Observer
Barrie Kosky’s sensational new staging is divine and chilling
17 Jun 23 / OperaWire
An unforgettable evening at Glyndebourne
15 Jun 23 / The Article
Barrie Kosky delivers a devastating Carmélites at Glyndebourne
14 Jun 23 / Bachtrack
Jeggings not wimples but Poulenc’s opera grips and haunts still
12 Jun 23 / The Guardian
Glyndebourne opera disrupted by Just Stop Oil protest
Three Just Stop Oil protesters have disrupted a performance at Glyndebourne, the opera house has said.
A Midsummer Night's Dream

Glyndebourne Festival


No. of reviews: 4

A timeless show set in Fairyland that still inspires
12 Jul 23 / London Unattached
Peter Hall’s vintage production still casts its spell
12 Jul 23 / OperaWire
Midsummer Night’s magic at Glyndebourne
5 Jul 23 / The Article
A Dream staging that works its sinister magic once again
3 Jul 23 / Bachtrack
Don Giovanni

Glyndebourne Festival


No. of reviews: 13

Mariame Clément’s new production of Don Giovanni falls prey to modern mores
10 Jul 23 / The Critic
Die englischen Sommeropernfestivals in Garsington und Glyndebourne starten mit „Mitridate“ und „Don Giovanni“
15 Jun 23 / FAZ
Spritzig. logisch echt die Regie und sängerisch bestens gestalteter Don Giovanni in Glyndebourne
9 Jun 23 / Opera Online (German)
Don Giovanni torta y tetas
31 May 23 / Mundo Clásico (Spanish)
A modern take on Mozart's opera fields some interesting new voices
29 May 23 / CultureWhisper
A fine young cast redeems thoughtful if low-key Mozart
28 May 23 / The Observer
The cast of young singers give a generally exuberant account of the music
24 May 23 / Classical Source
Glorious singing in Glyndebourne's new ‘Don Giovanni’
24 May 23 / The Article
A pair of nuanced and contemporary reimaginings
23 May 23 / Evening Standard
Needs more dynamism
23 May 23 / The Stage
Obsession, distress and danger in uneven new production
22 May 23 / The Guardian
A new production by Mariame Clément opens Glyndebourne Festival Opera 2023
22 May 23 / Opera Today
Toppling toxic masculinity: Don Giovanni opens Glyndebourne’s season
21 May 23 / Bachtrack
Staging Mozart’s Don Giovanni
Mozart’s anti-hero can be many things, just as his opera can be read on multiple levels. Ahead of a new production at Glyndebourne, director Mariame Clément considers truth, interpretation and legitimacy.
L'elisir d'amore

Glyndebourne Festival


No. of reviews: 2

Bottled emotions uncorked in Glyndebourne's L'elisir d'amore revival
8 Jun 23 / Bachtrack
Love is the drug
23 May 23 / London Unattached
La bohème

Glyndebourne Festival


Glyndebourne on Tour


No. of reviews: 4

Glyndebourne travels to the Marlowe Theatre, Canterbury
15 Nov 22 / Opera Today
An excellent cast brings much vocal and human warmth amidst the bleakness of their surroundings
9 Nov 22 / Classical Source
First-rate ensemble, thoughtful production and assured conducting in fresh Puccini
14 Oct 22 / The Arts Desk
Death haunts Glyndebourne Tour's powerful Bohème
12 Oct 22 / Bachtrack
Le nozze di Figaro

Glyndebourne Festival


Glyndebourne on Tour


No. of reviews: 2

Glyndebourne travels to the Marlowe Theatre, Canterbury
15 Nov 22 / Opera Today
Mozart’s divine comedy is a shimmering feast
30 Oct 22 / The Observer
Les Mamelles de Tiresias

Glyndebourne Festival


No. of reviews: 7

Poulenc’s double-bill gives us extremes of what it can be to be a woman
4 Sep 22 / Classical Source
From a desperate parting to a jubilant reunion
29 Aug 22 / The Opera Critic
Avec La Voix humaine et Les Mamelles de Tiresias, Poulenc pleure et rit au Festival de Glyndebourne
21 Aug 22 / Olyrix
Fizz and finesse in G&S and Poulenc
14 Aug 22 / The Observer
A varied and fascinating double bill at Glyndebourne Festival Opera
10 Aug 22 / Music OMH
Poulenc double bill – from emotional hell to exploding breasts and 40,000 babies
8 Aug 22 / The Guardian
Bright, bold and barking mad: Les Mamelles de Tirésias brings the house down
8 Aug 22 / Bachtrack
La voix humaine

Glyndebourne Festival


No. of reviews: 7

Poulenc’s double-bill gives us extremes of what it can be to be a woman
4 Sep 22 / Classical Source
From a desperate parting to a jubilant reunion
29 Aug 22 / The Opera Critic
Avec La Voix humaine et Les Mamelles de Tiresias, Poulenc pleure et rit au Festival de Glyndebourne
21 Aug 22 / Olyrix
Fizz and finesse in G&S and Poulenc
14 Aug 22 / The Observer
A varied and fascinating double bill at Glyndebourne Festival Opera
10 Aug 22 / Music OMH
Poulenc double bill – from emotional hell to exploding breasts and 40,000 babies
8 Aug 22 / The Guardian
An entirely darker affair
8 Aug 22 / Bachtrack
Alcina

Glyndebourne Festival


No. of reviews: 10

Glyndebourne is more than just an evening at the opera
26 Aug 22 / Limelight
Handel’s opera dazzles at Glyndebourne
30 Jul 22 / Reaction
A wonderful lush new staging of Handel’s Alcina
27 Jul 22 / The Opera Critic
Handel’s sorceress goes to the cabaret in Francesco Micheli’s fabulously glitzy production
10 Jul 22 / The Observer
The glory of the evening is Handel’s
9 Jul 22 / iNews
While the production lacks magic, vocally and musically, Glyndebourne’s Alcina is a triumph
5 Jul 22 / Seen and Heard
Sumptuous artifice and sweet melancholy
5 Jul 22 / Opera Today
Handel’s enchanting opera glitters with retro glamour
4 Jul 22 / The Guardian
Strictly Alcina: Handel as Fellini fantasy cabaret at Glyndebourne
4 Jul 22 / Bachtrack
High quality singing and playing on a dubiously coloured stage
4 Jul 22 / The Arts Desk
Don Pasquale

Glyndebourne Festival


No. of reviews: 1

A simply stunning take on Donizetti with a Dangerous Liaisons-style twist
25 Jul 22 / The Guardian
La bohème

Glyndebourne Festival


No. of reviews: 9

Top La Bohème voor een nieuwe generatie
29 Jun 22 / Place de l'Opera
Giacomo Puccini’s La Bohème delights at Glyndebourne
28 Jun 22 / Sussex Express
Mimi stirbt auf der Gasse - Graue Tristesse in Glyndebourne
22 Jun 22 / Opera Online (German)
Floris Visser’s inventive new production is an atmospheric triumph
21 Jun 22 / OperaWire
En gris et vert
21 Jun 22 / Forum Opéra
Death Becomes Her: Floris Visser's new Bohème at Glyndebourne
21 Jun 22 / Bachtrack
Puccini’s tale of doomed love is burdened by an oppressive set and a new character
19 Jun 22 / The Observer
Mimi meets Death in Glyndebourne’s La Bohème
15 Jun 22 / The Article
Death stalks Puccini’s lovers in a riveting Glyndebourne show
13 Jun 22 / The Guardian
The Wreckers

Glyndebourne Festival


No. of reviews: 14

Glyn Paflin relishes a seldom staged English opera in Sussex
17 Jun 22 / Church Times
Un coup de poing et coup de maître
6 Jun 22 / Forum Opéra
Rebelión y furia en Glyndebourne
3 Jun 22 / Mundo Clásico (Spanish)
Serves Ethel Smyth’s opera magnificently
1 Jun 22 / The Spectator
Glyndebourne-Festival startet nach Brexit und Corona mit Überraschungscoup
30 May 22 / Klassik Info
Ethel Smyth’s long-neglected maelstrom of an opera is worth a plunge
29 May 22 / The Observer
This Glyndebourne production proved so compelling in the theatre
29 May 22 / Opera Today
The Wreckers in French?
28 May 22 / The Boston Musical Intelliger
Despite committed musical advocacy, The Wreckers at Glyndebourne fails to convince
26 May 22 / Seen and Heard
Ethel Smyth’s expressive music brings Victorian Cornwall to life
25 May 22 / The Article
Rare and intense drama on the Cornish coast
24 May 22 / Bachtrack
Glyndebourne bring Smyth’s rarity to vivid and passionate life
23 May 22 / The Guardian
Blowsy, intriguing grand opera by Ethel Smyth has full theatrical impact
23 May 22 / The Arts Desk
Glyndebourne's vividly dramatic new production of Ethel Smyth's opera
23 May 22 / Planet Hugill
Ethel Smyth: An extraordinary 'lost' opera composer
She was an unapologetic disruptor, a non-conformist – and a problematic bigot. As Smyth's opera The Wreckers enjoys new acclaim, Beverley D'Silva explores the "scandalous" life of a complex, unstoppable radical.
‘She’s badass’
How brick-throwing suffragette Ethel Smyth composed an opera to shake up Britain.
Le nozze di Figaro

Glyndebourne Festival


No. of reviews: 3

Still plenty to enjoy if you see Glyndebourne’s venerable Le nozze di Figaro
28 May 22 / Seen and Heard
Dancing a merry tune
25 May 22 / Bachtrack
Fabulous singing and a classy production
24 May 22 / The Arts Desk
Don Pasquale

Glyndebourne Festival


Glyndebourne on Tour


No. of reviews: 2

There really is no fool like an old fool
5 Dec 21 / The Reviews Hub
Buffa or bullying?
13 Oct 21 / Bachtrack
The Rake's Progress

Glyndebourne Festival


Glyndebourne on Tour


No. of reviews: 5

A rake revived
5 Nov 21 / Opera Today
A classic revitalized
29 Oct 21 / The Arts Desk
This show is in amazing shape, as was octogenarian John Cox taking his bow on opening night
26 Oct 21 / Classical Source
The Rake Resurgent as Glyndebourne's Stravinsky classic is revived
26 Oct 21 / Bachtrack
A new generation responds vibrantly to Hockney, Cox, Stravinsky, Auden and Kallman
25 Oct 21 / The Arts Desk
Fidelio

Glyndebourne Festival


Glyndebourne on Tour


No. of reviews: 6

Gimmicky update hits too many wrong notes
19 Oct 21 / iNews
Strong cast lifts Wake-Walker's constrained staging in Glyndebourne Tour's Fidelio
19 Oct 21 / Bachtrack
The introduction of a new character does Beethoven’s great opera no favours
17 Oct 21 / The Observer
Musically excellent but panopticon staging is overloaded
13 Oct 21 / The Guardian
Musically the show is in safe hands
13 Oct 21 / Classical Source
Glyndebourne’s 2021 Tour opens with Frederic Wake-Walker’s new production of Fidelio
12 Oct 21 / Opera Today
Tristan und Isolde

Glyndebourne Festival


No. of reviews: 6

Robin Ticciati’s ecstatic Wagner debut is worth the wait
21 Aug 21 / iNews
Neither Tristan nor Isolde quite convinced
20 Aug 21 / The Spectator
Glyndebourne’s semi-staging of Wagner’s magnificent Tristan und Isolde worked beautifully
20 Aug 21 / Seen and Heard
Ticciati impresses in pared back Wagner
17 Aug 21 / The Guardian
Sweet immersion
17 Aug 21 / Bachtrack
Sublime musicianship in Glyndebourne’s Tristan und Isolde
15 Aug 21 / The Article
My Tristan und Isolde follows every move in Lehnhoff’s staging
Daniel Dooner on his semi-staging of the Wagner opera at Glydebourne closely following Nikolaus Lehnhoff’s production.
Luisa Miller

Glyndebourne Festival


No. of reviews: 7

A musical treat at Glyndebourne
11 Aug 21 / The Article
Absolutely riveting
4 Aug 21 / iNews
This fathers and daughters tragedy is terrific
3 Aug 21 / Evening Standard
Verdi’s dark tragedy gains focus and ferocity in stark staging
3 Aug 21 / The Guardian
Small-scale tragedy, big emotions
3 Aug 21 / The Arts Desk
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Performance schedule
Bizet
16 May to 24 Aug 2024
Mozart
18 May to 21 Jul 2024
Lehar
9 Jun to 28 Jul 2024
Handel
23 Jun to 23 Aug 2024
Wagner
2 to 25 Aug 2024

News & Articles

Glyndebourne Festival Opera 2024
It's a great year for beguiling women at the Sussex country opera house, with Carmen and Cleopatra among those weaving their seductive spells.
27 Aug 2023 / CultureWhisper
What is Glyndebourne?
The East Sussex opera house is home to the famed Glyndebourne Festival every summer – here’s everything that happens in this historic place of music.
9 Aug 2023 / Classic FM
Glyndebourne cancels 2023 tour programme after funding cuts
Opera company lost more than half its funding after Arts Council England sought to divert money to underserved regions.
7 Jan 2023 / The Guardian
Glyndebourne announces its 2023 season
Danielle de Niese, Louise Alder, Venera Gimadieva, Joélle Harvey and Liparit Avetisyan headline Glyndebourne’s 2023 season.
4 May 2022 / OperaWire
Glyndebourne tour to return in 2022 with Puccini and Mozart works
The company will present Mozart’s “The Marriage of Figaro” in Michael Grandage’s 2012 production as well as a new production of Puccini’s seminal “La Bohème.”
6 Feb 2022 / OperaWire