The Royal Opera - London
19 April 2024

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Performance reviews

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La Forza del Destino

The Royal Opera


No. of reviews: 17

Superb voices and slick dance routines for Loy’s reimagined Verdi
21 Sep 23 / The Guardian
Sparks fly in this compelling Verdi revival
21 Sep 23 / Evening Standard
Grand passions and great singing
21 Sep 23 / Opera Today
A revenger’s tragedy: Loy’s La forza del destino returns to The Royal Opera
21 Sep 23 / Bachtrack
What is essential is that you have to be passionate about the work
Canadian baritone Étienne Dupuis, Don Carlo in the Royal Opera's revival of La Forza del Destino on his clutch of Verdi roles.
Le nozze di Figaro

The Royal Opera


No. of reviews: 7

Corrigiendo a Hegel: la dialéctica entre amo y servidor
28 Jul 23 / Mundo Clásico (Spanish)
La distribution vocale ici réunie assure une grande cohésion dramatique
18 Jul 23 / Anaclase
The cast works as a top ensemble, each voice strengthened by being part of a whole
16 Jul 23 / The Observer
Figaro and La Traviata excel at Covent Garden
14 Jul 23 / Express
David McVicar’s classic production of The Marriage of Figaro still shines
12 Jul 23 / London Unattached
A fine cast perform Le nozze di Figaro to a discourteous audience at Covent Garden
11 Jul 23 / Seen and Heard
McVicar’s Marriage of Figaro scrubs up well at Covent Garden
10 Jul 23 / Bachtrack
La Traviata

The Royal Opera


No. of reviews: 3

La traviata at the ROH could convert any newcomer to opera
15 Jul 23 / Reaction
Figaro and La Traviata excel at Covent Garden
14 Jul 23 / Express
Violetta, your dice were loaded from the start
12 Jul 23 / London Unattached
Don Carlo

The Royal Opera


No. of reviews: 16

A magnificent Philip II rescues Covent Garden’s revival of Don Carlo
11 Jul 23 / Opera Today
Any performance of Verdi's Don Carlo is an event
11 Jul 23 / Planet Hugill
Lise Davidsen is exceptional in Verdi’s masterly study of war and leadership
9 Jul 23 / The Observer
Don Carlo à Londres : grands débuts verdiens de Lise Davidsen
9 Jul 23 / Olyrix
Verdi’s ‘Don Carlo’ works its magic at the ROH
6 Jul 23 / The Article
Bertrand de Billy’s conducting and Lisa Davidsen’s Elizabeth impress in Covent Garden’s Don Carlo revival
5 Jul 23 / Seen and Heard
Superb Bertrand de Billy tames Verdi’s challenging masterpiece
5 Jul 23 / London Unattached
Superb cast and conducting in Don Carlo at the Royal Opera House
4 Jul 23 / Opera Online (English)
Lise Davidsen, Don Carlo y la voz del cielo
4 Jul 23 / Mundo Clásico (Spanish)
Lise Davidsen shines in Verdi’s grand opera
4 Jul 23 / OperaWire
A legendary performance from Lise Davidsen
4 Jul 23 / Evening Standard
Lise Davidsen doesn’t disappoint in Verdi’s sprawling masterpiece
3 Jul 23 / The Guardian
Superb singing breathes new life into a classic production of a Verdi grand opera
3 Jul 23 / CultureWhisper
At Covent Garden, Lise Davidsen triumphs in first major Verdi role
2 Jul 23 / Bachtrack
Female singers shine in Royal Opera’s ‘Don Carlo’
2 Jul 23 / New York Times
Lise Davidsen soars above routine
2 Jul 23 / The Arts Desk
Woman at Point Zero

The Royal Opera


No. of reviews: 7

El-Turk’s music is striking and distinctive
9 Jul 23 / The Observer
A magical score frames an unsparing story in Bushra El-Turk’s latest stage work
8 Jul 23 / OperaWire
Woman at Point Zero demands a lot of both its performers and audiences
3 Jul 23 / Opera Today
Lailo Soliman’s resourceful production of Bushra El-Turk’s Woman at Point Zero
1 Jul 23 / Seen and Heard
Hits home powerfully
30 Jun 23 / The Stage
Extraordinary show based on seminal novel, beautiful and brutal in equal measure
30 Jun 23 / Broadway World
Fierce and lyrical fusion score underpins classic feminist story
30 Jun 23 / The Guardian
Werther

The Royal Opera


No. of reviews: 15

Cuatro Werther y una Charlotte
8 Jul 23 / Mundo Clásico (Spanish)
Il pubblico ha tributato un trionfo convinto alla compagnia
5 Jul 23 / Operaclick (Italian)
Jonas Kaufmann dials it down in Werther
29 Jun 23 / The Spectator
Book to see Kaufmann in ‘Werther’ – leave wanting more of Akhmetshina too
28 Jun 23 / London Unattached
The Royal Opera’s Werther revival is a mixed bag, but Pappano’s conducting carries the evening
27 Jun 23 / Seen and Heard
At the ROH Jonas Kaufmann made a subdued Werther
26 Jun 23 / The Observer
‘Werther’ ravishes at the Royal Opera
23 Jun 23 / The Article
Aigul Akhmetshina steals limelight from Jonas Kaufmann in breathtaking turn
23 Jun 23 / OperaWire
Kaufmann heads strong cast in stylishly sung and fabulously played revival
22 Jun 23 / The Guardian
Jonas Kaufmann ails as Werther, but Covent Garden hails Aigul Akhmetshina's Charlotte
22 Jun 23 / Bachtrack
Outstanding singing from the heroine of Massenet's evening raises the roof
22 Jun 23 / CultureWhisper
Kaufmann off form in this stiff revival
22 Jun 23 / The Arts Desk
Superstar Jonas Kaufmann is eclipsed
22 Jun 23 / Evening Standard
Jonas Kaufmann returns to London for the title role in Massenet's opera
22 Jun 23 / Broadway World
Mezzo Aigul Akhmetshina lights up a patchy production
22 Jun 23 / iNews
Kaufman withdraws from remaining ‘Werther’ performances at ROH
Jonas Kaufmann has withdrawn from the remaining performances of Massenet’s “Werther” at the Royal Opera House, with Francesco Demuro and Ioan Hotea replacing him.
Il Trovatore

The Royal Opera


No. of reviews: 21

Antonio Pappano sguazza nella musica di Verdi come un pesce nella sua acqua
5 Jul 23 / Operaclick (Italian)
A first class cast
3 Jul 23 / OperaWire
This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year
27 Jun 23 / Limelight
Everyone delivers, but one day Verdi's hit-and-miss melodrama will get the right staging
23 Jun 23 / The Arts Desk
Un Trouvère intensément épuré en direct de Londres
17 Jun 23 / Olyrix
The Royal Opera’s new Il trovatore is a Monty Pythonesque horror show in more ways than one
16 Jun 23 / Seen and Heard
Il trovator! Io fremo!
15 Jun 23 / Mundo Clásico (Spanish)
Spellbinding Jamie Barton and company excel in Adele Thomas’s clear-sighted take on volatile Verdi
11 Jun 23 / The Observer
Strong musical credentials see Il trovatore prevail at the Royal Opera House
9 Jun 23 / Opera Online (English)
Humor, toros y cavatinas
9 Jun 23 / Platea Magazine
Muzikaal fenomenale Trovatore in Londen
8 Jun 23 / Place de l'Opera
A fun but difficult production of Il Trovatore
8 Jun 23 / The Critic
An underwhelming Il trovatore at the Royal Opera House
7 Jun 23 / Opera Today
A grim tale on stage at the Royal Opera House
7 Jun 23 / London Unattached
Adele Thomas’s new production tries hard not to be decorous, but doesn’t hang together
7 Jun 23 / Evening Standard
Il trovatore con Massi, Rebeka e Tézier
6 Jun 23 / Connessi all'Opera
A superbly sung new production of Verdi's great drama has a picturebook quality and a big star in Jamie Barton
5 Jun 23 / CultureWhisper
A hot-blooded new production
5 Jun 23 / Broadway World
Cruelty played out with anarchic imagination
5 Jun 23 / The Guardian
Adele Thomas’s problematic new Il trovatore is saved by Pappano’s conducting and Rebeka’s Leonora
5 Jun 23 / Seen and Heard
A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames
4 Jun 23 / Bachtrack
Wozzeck

The Royal Opera


No. of reviews: 16

Oscuro y luminoso
12 Jun 23 / Mundo Clásico (Spanish)
Deborah Warner’s new production is stark and affecting
31 May 23 / OperaWire
A grim tale at the Royal Opera
30 May 23 / Express
Christian Gerhaher and Anja Kampe thrill in five-star Berg
28 May 23 / The Observer
In his singing Gerhaher realises Wozzeck’s emotional detachment with a fine, reserved eloquence
24 May 23 / Classical Source
Poverty, anguish and death
24 May 23 / The Article
A pair of nuanced and contemporary reimaginings
23 May 23 / Evening Standard
Searing and strangely refreshing new Wozzeck at the Royal Opera House
23 May 23 / Seen and Heard
The theatre of war
23 May 23 / London Unattached
Poverty, anguish and death
22 May 23 / The Article
Gerhaher’s victim shuffles towards disaster in nuanced staging
22 May 23 / The Guardian
Searing and strangely refreshing new Wozzeck at the Royal Opera House
22 May 23 / Seen and Heard
Deborah Warner’s new Wozzeck hits the mark at the Royal Opera House, Covent Garden
22 May 23 / Opera Online (English)
Deborah Warner returns to the Royal Opera House in this new production of Berg's masterpiece
22 May 23 / Broadway World
Strong performances and stunning stage pictures for Berg's upsetting tragedy
21 May 23 / The Arts Desk
A meditation on cruelty: Deborah Warner‘s new Wozzeck at The Royal Opera
21 May 23 / Bachtrack
Aida

The Royal Opera


No. of reviews: 29

Celeste Aida … (con pianísimo y un gallito) frente a una Amneris genial
19 May 23 / Mundo Clásico (Spanish)
An exciting operatic feast on the Royal Opera House stage
18 May 23 / Opera Now
Mark Elder, conducting, seems to have Verdi pumping through his veins
14 May 23 / The Guardian
Aida con Blue, Garanča e Tézier)
11 May 23 / Connessi all'Opera
A perfect evening of Verdi: 'Powerful music in a new modern setting'
10 May 23 / Express
Robert Carsen's Royal Opera Aida shines a spotlight on the modern military state
10 May 23 / Bachtrack
Mark Elder’s sure direction of Covent Garden’s Aida revival delivers real, spine-tingling grandeur
9 May 23 / Seen and Heard
Stellar performances from Angel Blue and SeokJong Baek in Robert Carsen’s Aida
8 May 23 / London Unattached
Robert Carsen’s contemporary vision is starkly effective in its first revival
8 May 23 / OperaWire
Aïda totalitaire par Robert Carsen en direct de Londres
16 Oct 22 / Olyrix
Robert Carsen’s modern, twenty-first century take on Verdi’s Aida at Covent Garden
15 Oct 22 / Seen and Heard
Aida sauce guerre froide
9 Oct 22 / Wanderer
The austere proves just as powerful and arresting – visually and dramatically – as the exotic
8 Oct 22 / Opera Today
Grey, grey and more grey
6 Oct 22 / The Spectator
Aida at the ROH is a thrilling opera set against a bleak backdrop
3 Oct 22 / City A.M.
Verdi’s music reigns supreme in the Royal Opera’s austere new staging of Aida
2 Oct 22 / The Observer
A rubare la scena, come spesso capita, è l’Amneris di Agnieszka Rehlis
2 Oct 22 / Connessi all'Opera
Robert Carsen’s chilling update ditches pyramids for resonances of modern warfare
2 Oct 22 / Limelight
The music of empire
1 Oct 22 / The Article
Aida contra China y Rusia
30 Sep 22 / Mundo Clásico (Spanish)
Carsen's conception of the opera in this new production will create delight and despair in equal measure
29 Sep 22 / Broadway World
A gloomy production of a glittering opera
29 Sep 22 / The Critic
Lots to celebrate musically, but Carsen’s Aida production at Covent Garden will split critical opinion
28 Sep 22 / Seen and Heard
A strangely moving Aida from Robert Carsen at the Royal Opera House
28 Sep 22 / Opera Online (English)
Dour staging gains colour from the pit
27 Sep 22 / The Guardian
Uniformly good cast, idiomatic conducting, production rigidly consistent in khaki
27 Sep 22 / The Arts Desk
The Royal Opera’s new Aida: a howl of protest against nationalism
27 Sep 22 / Bachtrack
Robert Carsen's prescient new production of Verdi's opera finds parallels in today's headlines
27 Sep 22 / CultureWhisper
Updating Aida – seamless contemporisation and vocal fireworks
27 Sep 22 / London Unattached
Innocence

The Royal Opera


No. of reviews: 17

Helsinki noir
12 May 23 / Mundo Clásico (Spanish)
Saariaho’s Innocence at Covent Garden is music of our time at its most powerful
30 Apr 23 / Seen and Heard
Dramatically powerful and sonically beguiling
27 Apr 23 / The Spectator
‘Innocence’ and violence: Kaija Saariaho at the ROH
26 Apr 23 / The Article
A powerful opera about a school shooting
23 Apr 23 / The Observer
Covent Garden's stunning new opera
22 Apr 23 / Express
A stellar first night for the UK premiere of Kaija Saariaho’s Innocence
22 Apr 23 / London Unattached
School shooting opera is brutal but brilliant
21 Apr 23 / City A.M.
Kaija Saariaho’s Innocence is Compelling and Intense at the Royal Opera House
21 Apr 23 / Opera Online (English)
It would be difficult to overstate the impression it made
21 Apr 23 / Opera Today
Al termine ovazioni e standing ovation hanno accolto il cast di cantanti e attori, il coro, il team creativo
20 Apr 23 / Connessi all'Opera
Saariaho’s iridescent score keeps the harrowing drama at arm’s length
19 Apr 23 / The Guardian
Kaija Saariaho's devastating new opera makes its UK premiere
19 Apr 23 / Broadway World
There are shafts of light in this fresco, but overall the colours are very dark indeed
19 Apr 23 / CultureWhisper
Director Simon Stone does it again, but questions remain about Kaija Saariaho’s score
19 Apr 23 / The Arts Desk
Rich and atmospheric
19 Apr 23 / The Stage
Urgent and intense
19 Apr 23 / Bachtrack
‘One of the most important works of our time’
Inside Innocence, Kaija Saariaho’s school-shooting opera, coming to the UK this month.
Arminio

The Royal Opera


No. of reviews: 10

The fine singing confirmed the charm of Handel’s score
7 May 23 / Opera Today
Young talent on glorious display at the Royal Opera
26 Apr 23 / Express
Handelians will be grateful for the chance to see it
26 Apr 23 / Classical Source
In the Linbury Theatre, rising Jette Parker Artists bring Handel into the modern world
24 Apr 23 / CultureWhisper
A most satisfying and enriching Arminio: the real star remains Handel, of course
23 Apr 23 / Seen and Heard
Confident staging returns Handel rarity to its starting point
22 Apr 23 / The Guardian
Taut staging and strong singing give this revival of a rarity its keen topical edge
22 Apr 23 / The Arts Desk
Monochromatically melancholic
22 Apr 23 / Broadway World
A Rhineland rebel firing Baroque blanks
22 Apr 23 / Bachtrack
The Royal Opera House Jette Parker Singers Perform Handel’s Arminio
22 Apr 23 / London Unattached
Turandot

The Royal Opera


No. of reviews: 13

Covent Garden hails Catherine Foster in ‘Turandot’
19 Apr 23 / The Article
Stunning production can’t mask a problematic opera
24 Mar 23 / City A.M.
Final(?) ROH performances of Serban’s Turandot is splendidly sung, but not by those you might expect
24 Mar 23 / Seen and Heard
Turandot classique et mesurée en direct de Londres
24 Mar 23 / Olyrix
Anna Pirozzi and Yonghoon Lee lead a rousing performance at The Royal Opera House
22 Mar 23 / OperaWire
Antonio Pappano makes a thriller of Puccini’s final opera
19 Mar 23 / The Observer
Sleepiness peaks early in this wan reprisal of a 1984 production
17 Mar 23 / OperaWire
A production that, for all its splendour, feels a little dated almost 40 years on from its first outing
14 Mar 23 / Broadway World
Excess in every department pays dividends
14 Mar 23 / The Stage
Andrei Serban's Turandot returns once more to the Royal Opera House
14 Mar 23 / Bachtrack
A superb Yonghoon Lee heads a magnificent cast at Covent Garden in Antonio Pappano’s first Turandot
14 Mar 23 / Opera Today
This is the Royal Opera on form
14 Mar 23 / London Unattached
Andrei Serban’s Covent Garden Turandot gets an often intriguing and absorbing last hurrah
13 Mar 23 / Seen and Heard
Turandot: Royal Opera House accused of whitewashing
The Royal Opera House is "whitewashing" its production of a Puccini opera, a group representing British Asian performers has said.
Rusalka

The Royal Opera


No. of reviews: 19

Una sirenita no basta para Rusalka
14 Mar 23 / Mundo Clásico (Spanish)
Naturalistische, aber auch märchenhafte Bilder
8 Mar 23 / Opera Online (German)
Une Rusalka éco responsable à Londres
7 Mar 23 / ResMusica
Just do the bloody show
5 Mar 23 / The Critic
Musically magnificent yet theatrically inert
2 Mar 23 / Opera Today
Dated and wasteful
2 Mar 23 / The Spectator
Une superbe direction d'orchestre pour une nouvelle Rusalka attrayante à la Royal Opera House
28 Feb 23 / Opera Online (French)
Asmik Grigorian trova in Rusalka tessitura e peso vocale ideali in questa sua fase di vita
28 Feb 23 / Operaclick (Italian)
Rusalka con Asmik Grigorian
28 Feb 23 / Connessi all'Opera
The opening was simply stunning
28 Feb 23 / London Unattached
Dvorak returns to the Royal Opera with a lyrical ‘Rusalka’
27 Feb 23 / The Article
Moments of musical magic
27 Feb 23 / Planet Hugill
Royal Opera’s new staging of Dvořák’s watery Rusalka finds fresh resonsances
26 Feb 23 / The Observer
Superb conducting caps an appealing new Rusalka at the Royal Opera House, Covent Garden
26 Feb 23 / Opera Online (English)
A gloriously grown-up mermaid
25 Feb 23 / Express
The Royal Opera’s new Rusalka is thought-provoking and achingly relevant in current times
24 Feb 23 / Seen and Heard
After a ravishing start, this often handsome production of Dvorak's opera loses momentum and falls short of its laudable ambitions
23 Feb 23 / CultureWhisper
Junk-filled staging brings magic and a sombre message
23 Feb 23 / The Guardian
Semyon Bychkov leads a musically superior Rusalka at Covent Garden
23 Feb 23 / Bachtrack
Il barbiere di Siviglia

The Royal Opera


No. of reviews: 11

Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’
22 Feb 23 / The Article
The Royal Opera’s Barber of Seville revival is full of musical joie de vivre
18 Feb 23 / Seen and Heard
Le Barbier de Séville plein de surprises en direct de Londres
18 Feb 23 / Olyrix
The Royal Opera’s latest Rossini revival delights
12 Feb 23 / The Observer
Aigul Akhmetshina has a glorious voice wrapped in a compelling stage presence
7 Feb 23 / CultureWhisper
A bumptious Barber with fabulous singing
7 Feb 23 / London Unattached
Al termine, applausi entusiasti per tutto il cast e la direzione
6 Feb 23 / Connessi all'Opera
Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’
5 Feb 23 / The Article
Payare’s perky Rossini makes this revival fizz
4 Feb 23 / The Guardian
Unfaltering opera buffa entertainment
4 Feb 23 / Bachtrack
A cut above
4 Feb 23 / Broadway World
Tannhäuser

The Royal Opera


No. of reviews: 15

A este Tannhäuser ni Elisabeth lo salva
8 Feb 23 / Mundo Clásico (Spanish)
Stirring performances anchor aesthetically jumbled production
6 Feb 23 / Broadway World
Majestic Lise Davidsen and Gerald Finley carry the Royal Opera’s illness-hit Wagner revival
5 Feb 23 / The Guardian
Strong singing elsewhere in the Royal Opera’s Tannhäuser current revival compensates for the ailing main man
4 Feb 23 / Seen and Heard
Lise Davidsen's fully-realised Elisabeth is no pallid virgin in this mixed revival
3 Feb 23 / The Arts Desk
Lise Davidsen was the true star of the show
3 Feb 23 / Opera Today
An imperfect but still tremendous Tannhäuser at the Royal Opera House
2 Feb 23 / Opera Online (English)
Lise Davidsen shows why she’s opera’s biggest star
1 Feb 23 / iNews
Tim Albery's Tannhäuser gets a second revival at the Royal Opera House
1 Feb 23 / Bachtrack
Splendente invece la prova di Lise Davidsen
1 Feb 23 / Connessi all'Opera
Overarching magic in the Royal Opera’s ‘Tannhäuser’ revival
1 Feb 23 / The Article
Lise Davidsen gleams though Albery’s Wagner misfires again
31 Jan 23 / The Guardian
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Performance schedule
Puccini
5 Feb to 21 Jul 2024
Puccini
14 Mar to 18 Jul 2024
Bizet
5 Apr to 31 May 2024
Donizetti
19 Apr to 18 May 2024
Martinu
24 Apr to 4 May 2024
Harbison
24 Apr to 4 May 2024
Vivaldi
13 to 25 May 2024
Giordano
30 May to 11 Jun 2024
Mozart
26 Jun to 9 Jul 2024

News & Articles

The Royal Opera House and Anna Netrebko
The Royal Opera House’s General Director Oliver Mears is addressing his upcoming collaboration with Anna Netrebko at the Salzburg Easter Festival and her relationship with the Royal Opera House.
1 Nov 2023 / OperaWire
Royal Opera Orchestra votes in favor of strike
According to the Musicians’ Union, the orchestra voted 89.87 percent in favor, based on a turnout of 92.94 percent.
21 Jul 2023 / OperaWire
Royal Opera House archive goes global with streaming service
New technology is also enabling live instant replays of rehearsals to help with creative process.
7 Jul 2023 / The Guardian
Speranza Scappucci to be principal guest conductor at ROH
‘We can’t just be in our ivory tower’: the Italian conductor aiming to open up the Royal Opera House to everyone.
4 Jun 2023 / The Observer
Royal Opera House announces its 2023-24 season
Jonas Kaufmann, Sondra Radvanovsky, Sonya Yoncheva, Angel Blue, Asmik Grigorian headline Royal Opera House’s 2023-24 season.
27 Apr 2023 / OperaWire