|
Reviews | 19 April 2024 |
First nights
wpworld premiere
cconcert performance
You've been granted free access to this page.
Take a FREE 7 DAY TRIAL or SUBSCRIBE today to access the full content of theoperacritic.com.
Performance reviews
Key | Photo gallery | Production details | Video link |
The WreckersGlyndebourne FestivalNo. of reviews: 14 |
Glyn Paflin relishes a seldom staged English opera in Sussex |
17 Jun 22 / Church Times |
Un coup de poing et coup de maître |
6 Jun 22 / Forum Opéra |
Rebelión y furia en Glyndebourne |
3 Jun 22 / Mundo Clásico (Spanish) |
Serves Ethel Smyth’s opera magnificently |
1 Jun 22 / The Spectator |
Glyndebourne-Festival startet nach Brexit und Corona mit Überraschungscoup |
30 May 22 / Klassik Info |
Ethel Smyth’s long-neglected maelstrom of an opera is worth a plunge |
29 May 22 / The Observer |
This Glyndebourne production proved so compelling in the theatre |
29 May 22 / Opera Today |
The Wreckers in French? |
28 May 22 / The Boston Musical Intelliger |
Despite committed musical advocacy, The Wreckers at Glyndebourne fails to convince |
26 May 22 / Seen and Heard |
Ethel Smyth’s expressive music brings Victorian Cornwall to life |
25 May 22 / The Article |
Rare and intense drama on the Cornish coast |
24 May 22 / Bachtrack |
Glyndebourne bring Smyth’s rarity to vivid and passionate life |
23 May 22 / The Guardian |
Blowsy, intriguing grand opera by Ethel Smyth has full theatrical impact |
23 May 22 / The Arts Desk |
Glyndebourne's vividly dramatic new production of Ethel Smyth's opera |
23 May 22 / Planet Hugill |
associated articles [+]
She was an unapologetic disruptor, a non-conformist – and a problematic bigot. As Smyth's opera The Wreckers enjoys new acclaim, Beverley D'Silva explores the "scandalous" life of a complex, unstoppable radical.
How brick-throwing suffragette Ethel Smyth composed an opera to shake up Britain.
InformationIf you would like to suggest an artcle or review for inclusion on theoperacritic.com then please complete the form to the right. Only use this option to submit articles and reviews already published online. It should not be used to submit freelance work not already published. Please note that the inclusion of items submitted will be at the discretion of the Editor. |
|
Publication LinksThe majority of links on theoperacritic.com to reviews and articles will take you directly to the required content in the external publication. In some cases you will need to register with the publication concerned to be able to access their content, and for a few publications you will be limited to a specific number of articles you can read per week/month. |
Via GoogleSome publications operate a pay wall to access all their content, but do allow one-time free access to articles when they are linked to from a Google search. To access the review in this way you should click on the link on the Reviews page in the normal way. This will take you to a Google search results page, including the link to the desired review. Click on the link on this Google page and you will be taken to the review on the external publication. Publications which require linking via Google will be clearly marked as such. Currently the Financial Times is one such publication and on the reviews page you will see this publication styled as Financial Times (via Google). |
1. | Fire Shut Up in My Bones Metropolitan Opera |
2. | La Gioconda Teatro di San Carlo |
3. | La Sonnambula Teatro dell'Opera di Roma |
4. | All is Love Opera Atelier |
5. | Carmen Opernhaus Zürich |