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Reviews | 28 March 2024 |
First nights
wpworld premiere
cconcert performance
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Performance reviews
Key | Photo gallery | Production details | Video link |
Così fan tutteSalzburg FestivalNo. of reviews: 25 |
Il centenario in minore di Salisburgo |
27 Aug 20 / Il Giornale della Musica (Ita) |
Les égarements du cœur |
26 Aug 20 / Wanderer |
An opera production unlike any other |
25 Aug 20 / OperaWire |
The talent here is world class, as good as any classic historical performance |
20 Aug 20 / Opera Journal |
Comédie humaine ohne Corona |
19 Aug 20 / concerti |
Eine beglückende "Cosi" - aus der Not geboren |
18 Aug 20 / Opera Online (French) |
Oser la prudence |
18 Aug 20 / Altamusica |
Così fan tutte in bianco e nero |
15 Aug 20 / Le Salon Musical |
Mozart testea el virus y … ¡positivo! |
11 Aug 20 / Mundo Clásico (Spanish) |
It’s (almost) business as usual at the Salzburg Festival |
6 Aug 20 / New York Times |
Das schönste Geschenk |
5 Aug 20 / Merkur |
Wie traurig, recht zu behalten |
5 Aug 20 / FAZ |
Nur die Liebe lässt uns beben |
4 Aug 20 / Der Tagesspiegel |
Edler Klang der Seitensprünge |
4 Aug 20 / Der Standard |
Raum für das große Experiment mit den Gefühlen |
4 Aug 20 / Neue Musikzeitung |
Männer sind auch nicht mehr das Wahre |
4 Aug 20 / Neue Zürcher Zeitung |
School for lovers: Loy’s bitter lessons at the Salzburg Festival |
4 Aug 20 / Bachtrack |
Die Eleganz der Reduktion |
4 Aug 20 / Die Deutsche Bühne |
Sternstunde in Sachen Mozart-Interpretation |
4 Aug 20 / BR Klassik |
Triumph der Frauen |
4 Aug 20 / ORF |
Aufsehen erregende Eröffnung mit „Elektra“ und „Così fan tutte“ |
4 Aug 20 / SWR |
"Cosi" in Salzburg maximaler Erfolg mit Minimalismus |
4 Aug 20 / vol.at |
Jenseits von Corona |
4 Aug 20 / Donau Kurier |
Opera returns to the Salzburg Festival, chic and expensive as ever |
4 Aug 20 / New York Observer |
"Così fan tutte": Schnellschuss mit Charme |
3 Aug 20 / Wiener Zeitung |
associated articles [+]
Johannes Martin Kränzle on Christof Loy’s new ‘Così fan tutte’ at the Salzburg Festival, role preparation, and German vocal instruction.
For the conductor Joana Mallwitz, gender is not the issue. And yet she’s still breaking ground.
Tenor Bogdan Volkov on making his ‘unexpected’ debut at the Salzburg Festival.
Der Moment der absoluten Freiheit.
„Dirigieren lernt man nicht durch Nachdenken“
„Wir feiern es, dass wieder gespielt wird“, sagt Joana Mallwitz. In Salzburg debütiert die gerade heftig gehypte Dirigentin mit Mozarts „Così“.
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