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Lady Macbeth of Mtsensk

Salzburg Festival


No. of reviews: 28

Le théâtre est chez Jansons
9 Sep 17 / Wanderer
Chostakovitch sans sarcasme
28 Aug 17 / Altamusica
Le spectacle, confié à Andreas Kriegenburg est impressionnant
25 Aug 17 / Avant-Scène Opéra
Onze ans après sa lecture amstellodamoise Mariss Jansons défend luxueusement l’œuvre
24 Aug 17 / Anaclase
D'abord la tragédie, après la farce
21 Aug 17 / Forum Opéra
Mariss Jansons exalte les beautés sonores de la Lady Macbeth de Chostakovitch
19 Aug 17 / Diapason
Diremmo di alto livello il cast vocale
17 Aug 17 / Operaclick (Italian)
Sexe, meurtres et béton
14 Aug 17 / ConcertoNet (French)
La catarsi di Katerina
14 Aug 17 / L'Ape musicale
A star is born, as Evgenia Muraveva steps in as Katerina
12 Aug 17 / The Opera Critic
Una macabra carcajada (y una magnífica noche de ópera)
11 Aug 17 / Mundo Clásico (Spanish)
Meilenstein in der Festspielgeschichte
9 Aug 17 / klassik.com
Lady Macbeth de Mtsensk ou Salzbourg nouvelle formule
9 Aug 17 / ResMusica
Harsh to the point of pain
9 Aug 17 / Financial Times
Ausgestoßen vom Zucken der Lust
8 Aug 17 / FAZ
Gruselstory
7 Aug 17 / Klassik Info
Die Wucht der Verunsicherung
7 Aug 17 / Frankfurter Rundschau
Fremdschämen im Sagrotannebel
4 Aug 17 / Musik Heute
Mehr Chaos, bitte!
4 Aug 17 / Neue Zürcher Zeitung
Meilenstein in der Festspielgeschichte
4 Aug 17 / klassik.com
Gediegener Sozialrealismus mit einer guten Dosis Theaterhumor
4 Aug 17 / Neue Musikzeitung
Postsowjetische Gewaltorgie
4 Aug 17 / Deutschland Radio
Schostakowitsch als großartiges Opernkino
4 Aug 17 / OÖNachtrichten
“Lady Macbeth” als unterkühltes Psychogramm in Salzburg
4 Aug 17 / Salzburg24
Katerina, die sich nach Liebe sehnt
3 Aug 17 / BR Klassik
Spektakuläres Opernkino
3 Aug 17 / Salzburger Nachtrichten
Zermalmende Verhältnisse
3 Aug 17 / Der Standard
Jubel für "Lady Macbeth von Mzensk"
3 Aug 17 / Kurier
Mariss Jansons: „Es geht nicht um den Blutdruck“
Ein Gespräch mit Mariss Jansons zu seiner Salzburger Schostakowitsch-Premiere.
Lady Macbeth von Mzensk
Eine starke Frau wird zur dreifachen Mörderin. Dmitri Schostakowitsch erzählt in seiner Oper von praller Lebenslust und fataler Demütigung.
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