An operatic whirlwind named ‘Norma’ comes to Sarasota

Let’s start with a couple of popular clichés: First — run, don’t walk to get a ticket for Sarasota Opera’s lavish production of Bellini’s “Norma.”  Second, practice your suspension of disbelief on the way. 

The wisdom of these often-quoted words was brought to life Saturday evening when the long-anticipated production of this iconic opera brought an extended and energetic standing ovation from the audience, with particular attention given to the principal actors: Joanna Parisi (Norma, Druidess and daughter of Chief Druid Oroveso), Young Bok Kim (Oroveso), Cameron Schutza (Pollione) and Jennifer Black (Adalgisa), all under the authoritative direction of conductor and Artistic Director Victor DeRenzi. 

Negotiating the twists and turns of the complex libretto driving the music, the cast noted above and the minor characters, plus a large and varied chorus, the resources of Sarasota Opera were put to a series of tests which they handled very well. The score does not include the customary “showpiece” arias, with the exception of Norma’s “Casta diva,” in which she laments her fate as a goddess charged with the salvation of both her people and the beloved Pollione. 

It is typical of this drama that Norma’s love seems misplaced when Pollione falls for Adalgisa. The impact of the resulting love triangle, in parallel with the conflict between the native Gauls and the Roman occupiers of the land, and including the fate of Norma’s two children, fathered by Pollione, creates the emotional framework for some magnificent music that is far ahead of its time compelling. 

The story comes to a climax in the final scene, when Norma reveals herself to be the character who is destined to die on the funeral pyre. After assuring the future care of their children, she and Pollione walk into the fire, bringing the complicated and sometimes puzzling drama to a close. 

After so many surprises, it is good to bring your suspension of disbelief to the fore, relishing the superb music in the hands of fine musicians, both on stage and in the orchestra pit, guided by Victor DeRenzi, surrounded by the sets designed by Michael Schweikhardt and illuminated by Ken Yunker. 

Judging by the almost-hysterical cheers during the curtain calls, it is clear that the message of the music met its target — the lucky Sarasota audience. 

‘Norma’ 

By Vincenzo Bellini. Victor DeRenzi, conductor; Mark Freiman, stage director. Reviewed March 3, Sarasota Opera House, 61 N. Pineapple Ave., Sarasota. In repertory through March 24. Tickets start at $19. 941-328-1300; sarasotaopera.org