Welsh National Opera - Cardiff
23 October 2017

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Die Fledermaus
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Die Fledermaus

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Performance reviews

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The World's Wife

Welsh National Opera


No. of reviews: 2

Stunning one-woman show telling male genius where it gets off
17 Oct 17 / The Arts Desk
Carol Ann Duffy’s poetry anthology has been turned into a digital chamber opera — and the result is very effective
17 Oct 17 / The Times
Die Fledermaus

Welsh National Opera


No. of reviews: 1

John Copley’s production of Die Fledermaus retains its champagne sparkle
17 Oct 17 / Seen and Heard
From the House of the Dead

Welsh National Opera


No. of reviews: 7

An arresting From the House of the Dead at Welsh National Opera
12 Oct 17 / Bachtrack
Janáček's dark and devastating opera brilliantly revived by WNO
11 Oct 17 / What's on Stage
Welsh National Opera performs From the House of the Dead with unstinting commitment
11 Oct 17 / Financial Times (via Google)
Hugely powerful and strangely life affirming
11 Oct 17 / Planet Hugill
Landmark staging demands to be heard
10 Oct 17 / The Guardian
Jolly? No. Unmissable? Yes
10 Oct 17 / Telegraph
Imperfect, oddly shaped and rough round the edges, Janácek’s final opera is also raw and remarkable
10 Oct 17 / The Times
Eugene Onegin

Welsh National Opera


No. of reviews: 3

Though there is some fine singing, WNO’s Eugene Onegin doesn’t grip emotionally
4 Oct 17 / Seen and Heard
A magnificent Tatyana brings subtle anguish to Tchaikovsky’s romantic tragedy
3 Oct 17 / The Stage
WNO's 2004 production of Tchaikovsky's romantic opera, still powerfully affecting
1 Oct 17 / What's on Stage
Khovanshchina

Welsh National Opera


No. of reviews: 8

Mussorgsky's great historical opera in an ambitious revival by WNO
4 Oct 17 / What's on Stage
Chilling, magnificent and unmissable
3 Oct 17 / iNews
Powerful and thought-provoking Khovanschina from Welsh National Opera
28 Sep 17 / Seen and Heard
The half-minute silence in the darkness of the theatre after the final bars of music says it all. Magnificent
27 Sep 17 / Mark Ronan's Theatre Reviews
Russian to destruction
27 Sep 17 / The Critics' Circle
Despite there being no Russians in the cast, the whole show is sung in Russian, and the difference to the vocal sound is incredible
26 Sep 17 / The Times
WNO's Khovanshchina is a thrilling portrait of terror and brutality
25 Sep 17 / Telegraph
Russia's tragedy becomes the world's in compelling revival
25 Sep 17 / The Guardian
The Merchant of Venice

Welsh National Opera


No. of reviews: 9

Excellent team work from the cast
30 Jul 17 / Express
Neglected drama
24 Jul 17 / Planet Hugill
Welsh National Opera fascinates with Tchaikowsky’s Merchant of Venice
24 Jul 17 / Seen and Heard
Lionel Friend conducts sympathetically
23 Jul 17 / Music OMH
Keith Warner’s production adds visual brilliance to Andrė Tchaikovsky’s gritty, hard-working music
22 Jul 17 / Financial Times (via Google)
Tchaikowsky employs a lyrical vocal idiom which often has much grace
22 Jul 17 / Opera Today
Incisively played
21 Jul 17 / The Stage
Strong performances and ample humour
21 Jul 17 / Evening Standard
Well-worth Shylock’s “pound of flesh” entrance fee
21 Jul 17 / Classical Source
Der Rosenkavalier

Welsh National Opera


No. of reviews: 11

The sands of time
3 Jul 17 / Opera Today
WNO’s ‘musically glorious’ Rosenkavalier shines in a perceptive and focused production
22 Jun 17 / Seen and Heard
Fine acting lifts WNO’s Der Rosenkavalier
12 Jun 17 / The Observer
Sumptuous performances from WNO in Der Rosenkavalier
8 Jun 17 / Bachtrack
Joyous and assertive conducting from Tomáš Hanus, the Company’s new music director
7 Jun 17 / Mark Ronan's Theatre Reviews
Balances humour and emotion
6 Jun 17 / The Guardian
A likable and polished Rosenkavalier
6 Jun 17 / Telegraph
Strauss's romantic masterpiece in a musically transcendent new production
6 Jun 17 / What's on Stage
A stellar cast support Rebecca Evans’ triumphant debut as Strauss’ Marschallin
6 Jun 17 / The Stage
A notable achievement from the whole company
6 Jun 17 / Opera Today
Sands of time
6 Jun 17 / The Critics' Circle
Madama Butterfly

Welsh National Opera


No. of reviews: 13

The performance was ‘saved’ by some sterling vocal commitment
3 Jul 17 / Opera Today
This production was almost as beautiful to watch as it was to listen to
2 Jul 17 / Redbrick
WNO’s Madame Butterfly is a delicious interpretation of Puccini’s parable of vulnerability in timeless voice and verse
29 Jun 17 / The Reviews Hub
Linda Richardson is a lovely Butterfly
29 Jun 17 / Classical Source
A classic, traditional staging and has lost little lustre
1 May 17 / Classical Source
Karah Son's performance is simply quite stunning throughout
29 Apr 17 / Southern Daily Echo
A traditional Butterfly from WNO satisfies all round
18 Apr 17 / Seen and Heard
A production that both musically and visually ravishes the senses
3 Apr 17 / The Reviews Hub
Nagasaki comes to Bedfordshire: WNO's Madama Butterfly in Milton Keynes
28 Mar 17 / Bachtrack
Moved, but not shattered
24 Feb 17 / The Spectator
Welsh National Opera revives Joachim Herz's ancient production for its spring tour
20 Feb 17 / What's on Stage
Wrenching emotional power
14 Feb 17 / The Stage
The three-decade-old production has lost none of its lustre
12 Feb 17 / The Reviews Hub
Die Fledermaus

Welsh National Opera


No. of reviews: 6

WNO's jolly good romp in Birmingham
1 Jul 17 / Bachtrack
Operetta as it should be – an evening of stylish yet shameless frivolity and fun!
29 Jun 17 / Classical Source
Fine frocks and farce in WNO’s entertaining and musically successful Fledermaus
10 Jun 17 / Seen and Heard
WNO flies high with batty comic opera
31 May 17 / Morning Star Online
Uproarious, vulgar aplomb
24 May 17 / The Stage
John Copley’s production keeps all the frills and frou-frou of the original
23 May 17 / The Reviews Hub
Le vin herbé

Welsh National Opera


No. of reviews: 16

L’opera in scena a Plymouth è congegnata dal Martin come una sorta di “oratorio mondano”
7 May 17 / OperaeOpera
WNO present an extremely esoteric work on their 2017 tour
15 Apr 17 / Seen and Heard
Martin’s take is filled with portent gloom from the off
30 Mar 17 / The Reviews Hub
Bitter wine: Frank Martin's Le Vin herbé an acquired taste
23 Mar 17 / Bachtrack
A very different ‘Tristan’ provides real, if Un-Wagnerian pleasures
3 Mar 17 / Seen and Heard
Frank Martin was mad to write an opera based on Tristan – but the results are worthwhile
28 Feb 17 / The Spectator
Magic Potion
28 Feb 17 / The Critics' Circle
Frank Martin was mad to write an opera based on Tristan – but the results are worthwhile
24 Feb 17 / The Spectator
This austere composition, more oratorio than opera, approaches the story from its Celtic roots
22 Feb 17 / Mark Ronan's Theatre Reviews
Welsh National Opera’s austere staging packs a vocal punch
20 Feb 17 / The Times
Swords and bows
20 Feb 17 / The Observer
Frank Martin’s setting of the Tristan legend is frugally staged but musically luminous
20 Feb 17 / Financial Times (via Google)
With its austere, pared down textures, Martin’s score is a direct, syllabic setting of the words
18 Feb 17 / Classical Source
An intoxicating, though sombre, evening
18 Feb 17 / The Reviews Hub
A stark, brilliant new Tristan and Iseult staging
18 Feb 17 / The Guardian
Swiss composer Frank Martin's version of the Tristan legend is very different from Wagner's
18 Feb 17 / What's on Stage
Le Vin herbé: It's Tristan and Isolde, but not as you know it
Frank Martin’s chamber opera about the tragic lovers is the polar opposite of Wagner’s opulent extravaganza. The director of a new production explains how less is becoming more.
La bohème

Welsh National Opera


No. of reviews: 10

Convincing acting and singing overcomes an overloud orchestra in WNO’s La bohème
14 Apr 17 / Seen and Heard
A glowing Bohème
7 Apr 17 / The Spectator
Annabel Arden's production of Puccini's tragic masterpiece returns to WNO
17 Feb 17 / What's on Stage
WNO’s La bohème is all the more powerful for its traditional approach
10 Feb 17 / Seen and Heard
Rooftops of Paris
7 Feb 17 / The Critics' Circle
Marina Costa-Jackson proved a rich-voiced Mimì
4 Feb 17 / Independent
A musically and visually opulent La bohème from Welsh National Opera
1 Feb 17 / Bachtrack
For a touring production with limited scope for elaborate stage designs this is little short of miraculous
1 Feb 17 / Mark Ronan's Theatre Reviews
Marina Costa-Jackson rises superbly to the challenge of the role of Mimi
30 Jan 17 / The Reviews Hub
A sensitive and, at times, bizarrely comic production performed with assurance
30 Jan 17 / Classical Source
Kiss me, Kate

Welsh National Opera


No. of reviews: 12

WNO’s Kiss Me, Kate receives an enthusiastic reception in North Wales
1 Dec 16 / Seen and Heard
Welsh National Opera’s production is infectious
15 Nov 16 / Opera Today
Welsh National Opera's production of Cole Porter's absolutely fabulous Kiss Me Kate, goes off like a rocket
12 Nov 16 / The Birmingham Post
Wunderbar
8 Nov 16 / The Critics' Circle
Kiss Me, Kate is seriously classy entertainment
15 Oct 16 / Bristol 24/7
A wonderful show
5 Oct 16 / Bachtrack
Unmissable
5 Oct 16 / Mark Ronan's Theatre Reviews
WNO’s intoxicating Kiss Me, Kate has vivacious energy and effervescent intelligence
5 Oct 16 / Seen and Heard
Memorable Kiss from the Welsh National Opera
5 Oct 16 / Morning Star Online
Welsh National Opera cranks up the feelgood factor
1 Oct 16 / The Guardian
WNO's Kiss Me Kate is a 'joy to behold
30 Sep 16 / Wales Online
An astonishingly entertaining production of a properly old-school musical
30 Sep 16 / The Reviews Hub
The Merchant of Venice

Welsh National Opera


No. of reviews: 13

Merchant of Venice is not easy on the ear but well staged and with a sterling cast
1 Dec 16 / Seen and Heard
WNO tours the 'other' Tchaikowsky's previously unseen Shakespeare opera
13 Oct 16 / What's on Stage
In the starkest terms, it hammers home the play’s continuing relevance
13 Oct 16 / The Reviews Hub
A brave, uncompromising start to WNO's autumn season
13 Oct 16 / Bristol 24/7
Overall the piece has much to justify revival
2 Oct 16 / Goucestershire Live
Welsh National Opera's The Merchant of Venice is powerful and tense but far too long
1 Oct 16 / Wales Online
Near-ideal première from our boldest opera company
22 Sep 16 / The Spectator
André Tchaikowsky makes an important contribution to Shakespearean opera with his Merchant of Venice
21 Sep 16 / Seen and Heard
Tchaikowsky's opera reminds us that prejudice is ever present
20 Sep 16 / The Guardian
Significant and deeply moving: a must see
20 Sep 16 / Independent
All that glitters: Tchaikowsky's The Merchant of Venice staged by Welsh National Opera
19 Sep 16 / Bachtrack
Tchaikowsky’s Merchant of Venice is much more than a relic or curiosity
18 Sep 16 / Telegraph
Tchaikovsky’s complex score, while laudable on its own, detracts rather than emboldens this deeply disturbing play
18 Sep 16 / The Reviews Hub
André Tchaikowsky: from Warsaw to Belmont via a wardrobe
The maverick Polish-Jewish composer’s life was as colourful as the Shakespeare stories that he adored. Ahead of his only opera’s UK premiere, David Pountney tells how Merchant of Venice finally made it to the s
Macbeth

Welsh National Opera


No. of reviews: 16

WNO’s current Macbeth compares poorly with other Verdi productions over past 50 years
1 Dec 16 / Seen and Heard
A masterful blend of high culture music and storytelling
14 Nov 16 / Redbrick
Conductor Andriy Yurkevych drew swirling, baleful sounds from the pit
11 Nov 16 / The Birmingham Post
Miriam Murphy’s Lady Macbeth stood out as the driving force behind the grisly machinations
28 Oct 16 / Classical Source
This Macbeth sometimes seems silly, but is never dull and frequently exhilarating
14 Oct 16 / Bristol 24/7
While the chorus and Lady Macbeth are on stage the evening soars
14 Oct 16 / The Reviews Hub
Let’s hope Oliver Mears’s new production is a lapse from an operatic risk-taker, not a portent of things to come at the ROH
29 Sep 16 / The Spectator
Mary Elizabeth Williams has a voice of such range and power to send a shiver through Scotland
26 Sep 16 / Goucestershire Live
Macbeth abre la nueva temporada de la Welsh National Opera
21 Sep 16 / Opera World (Spanish)
Musically excellent but excessively brutal
21 Sep 16 / Bachtrack
Darkness rising
20 Sep 16 / The Critics' Circle
Wonderfully vigorous but lacking psychopathic chemistry
17 Sep 16 / Independent
Oliver Mears’ poorly thought out Macbeth doesn’t inhibit some fine singing and playing
16 Sep 16 / Seen and Heard
Conducting by Andriy Yurkevych brought out the energy and rhythm of the music
14 Sep 16 / Mark Ronan's Theatre Reviews
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Performance schedule
Mussorgsky
23 Sep to 31 Oct 2017
Tchaikovsky
29 Sep to 30 Nov 2017
Janacek
8 Oct to 29 Nov 2017
Strauss, J
14 Oct to 2 Dec 2017
Verdi
2 Feb to 21 Apr 2018
Puccini
9 Feb to 20 Apr 2018
Mozart
22 Feb to 19 Apr 2018

News & Articles

Le Vin herbé: It's Tristan and Isolde, but not as you know it
Frank Martin’s chamber opera about the tragic lovers is the polar opposite of Wagner’s opulent extravaganza. The director of a new production explains how less is becoming more.
17 Feb 2017 / The Guardian
Welsh National Opera announces 2017/18 season
Welsh National Opera’s 2017/18 season includes the launch of a three-year Verdi trilogy and the premiere of an all-female ‘cabaret opera’ based on the life of Welsh suffragette Margaret Haig Thomas.
11 Feb 2017 / Opera Now
Royal Welsh College and WNO launch dedicated opera school
The Royal Welsh College of Music and Drama is to set up a dedicated opera school, in partnership with Welsh National Opera.
10 Feb 2017 / The Stage
Welsh National Opera to perform in Dubai
Welsh National Opera (WNO) will perform Madam Butterfly and La bohème as part of Dubai Opera’s inaugural season.
8 Nov 2016 / Opera Now
André Tchaikowsky: from Warsaw to Belmont via a wardrobe
The maverick Polish-Jewish composer’s life was as colourful as the Shakespeare stories that he adored. Ahead of his only opera’s UK premiere, David Pountney tells how Merchant of Venice finally made it to the s
16 Sep 2016 / The Guardian