Royal Ballet and Opera - London
2 May 2024

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Performance reviews

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Rusalka

The Royal Opera


No. of reviews: 19

After a ravishing start, this often handsome production of Dvorak's opera loses momentum and falls short of its laudable ambitions
23 Feb 23 / CultureWhisper
Junk-filled staging brings magic and a sombre message
23 Feb 23 / The Guardian
Semyon Bychkov leads a musically superior Rusalka at Covent Garden
23 Feb 23 / Bachtrack
Il barbiere di Siviglia

The Royal Opera


No. of reviews: 11

Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’
22 Feb 23 / The Article
The Royal Opera’s Barber of Seville revival is full of musical joie de vivre
18 Feb 23 / Seen and Heard
Le Barbier de Séville plein de surprises en direct de Londres
18 Feb 23 / Olyrix
The Royal Opera’s latest Rossini revival delights
12 Feb 23 / The Observer
Aigul Akhmetshina has a glorious voice wrapped in a compelling stage presence
7 Feb 23 / CultureWhisper
A bumptious Barber with fabulous singing
7 Feb 23 / London Unattached
Al termine, applausi entusiasti per tutto il cast e la direzione
6 Feb 23 / Connessi all'Opera
Superb singing in the Royal Opera’s revival of Rossini’s ‘Barber of Seville’
5 Feb 23 / The Article
Payare’s perky Rossini makes this revival fizz
4 Feb 23 / The Guardian
Unfaltering opera buffa entertainment
4 Feb 23 / Bachtrack
A cut above
4 Feb 23 / Broadway World
Tannhäuser

The Royal Opera


No. of reviews: 15

A este Tannhäuser ni Elisabeth lo salva
8 Feb 23 / Mundo Clásico (Spanish)
Stirring performances anchor aesthetically jumbled production
6 Feb 23 / Broadway World
Majestic Lise Davidsen and Gerald Finley carry the Royal Opera’s illness-hit Wagner revival
5 Feb 23 / The Guardian
Strong singing elsewhere in the Royal Opera’s Tannhäuser current revival compensates for the ailing main man
4 Feb 23 / Seen and Heard
Lise Davidsen's fully-realised Elisabeth is no pallid virgin in this mixed revival
3 Feb 23 / The Arts Desk
Lise Davidsen was the true star of the show
3 Feb 23 / Opera Today
An imperfect but still tremendous Tannhäuser at the Royal Opera House
2 Feb 23 / Opera Online (English)
Lise Davidsen shows why she’s opera’s biggest star
1 Feb 23 / iNews
Tim Albery's Tannhäuser gets a second revival at the Royal Opera House
1 Feb 23 / Bachtrack
Splendente invece la prova di Lise Davidsen
1 Feb 23 / Connessi all'Opera
Overarching magic in the Royal Opera’s ‘Tannhäuser’ revival
1 Feb 23 / The Article
Lise Davidsen gleams though Albery’s Wagner misfires again
31 Jan 23 / The Guardian
Strong casting triumphs over illness in this revival of Tim Albery’s Wagner production
31 Jan 23 / The Stage
Perhaps it’s time for a new, livelier production of this show?
31 Jan 23 / Evening Standard
A first night Tannhäuser with a silent minstrel
31 Jan 23 / London Unattached
Least Like the Other

The Royal Opera


Irish National Opera


No. of reviews: 8

An unflinching account of crisis and cruelty from Brian Irvine and Netia Jones
28 Jan 23 / OperaWire
The sad fate of Rosemary Kennedy is strikingly told by Irish National Opera
22 Jan 23 / The Observer
Quite an experience at the Royal Opera House
19 Jan 23 / Opera Online (English)
Rosemary Kennedy’s story told with provocative boldness
18 Jan 23 / Independent
Devastatingly potent
17 Jan 23 / The Stage
Composer Brian Irvine, director/designer Netia Jones and top performers mesmerise
17 Jan 23 / The Arts Desk
Irish National Opera presents a disturbing insight into the Kennedy family
17 Jan 23 / London Unattached
A horrific tale cogently told
16 Jan 23 / Bachtrack
Die Zauberflöte

The Royal Opera


No. of reviews: 11

Reduced me to a tearful, choked-up mess
20 Jan 23 / The Spectator
An impressively magical Magic Flute - a great time of the year for Mozart's opera
15 Jan 23 / Express
Al termine applausi per tutti gli interpreti e per il direttore, senza alcun distinguo
13 Jan 23 / Connessi all'Opera
A strong cast but a touch more magic to Magic Flute at Covent Garden would not have gone amiss
24 Dec 22 / Seen and Heard
Fresh feeling cast brings a lightness of touch to The Magic Flute at the Royal Opera House
22 Dec 22 / Opera Online (English)
McVicar’s The Magic Flute returns to the Royal Opera House
21 Dec 22 / Opera Today
Well-behaved revival needs more of Mozart’s anarchic spirit
20 Dec 22 / The Guardian
Sensitive revival of an accomplished production
20 Dec 22 / The Stage
David McVicar’s much loved production approaches 20 and shows no sign of hanging up its magic flute
20 Dec 22 / London Unattached
David McVicar's version is Yuletide feast for the eyes, the ears and the funny bone
19 Dec 22 / Broadway World
Anna Prohaska and Gyula Orendt give performances of great subtlety and depth
18 Dec 22 / The Arts Desk
Tosca

The Royal Opera


No. of reviews: 11

The sensational Freddie De Tommaso soars alongside Natalya Romaniw in a catch-it-while-you-can Tosca
18 Dec 22 / The Observer
Daniel Oren conducts a performance that is well-synced with the drama
15 Dec 22 / Classical Source
British pairing make this a Tosca to treasure
14 Dec 22 / The Guardian
Freddie De Tommaso and Natalya Romaniw bring youth and promise to a fine production of Puccini's opera
14 Dec 22 / CultureWhisper
Principals supply individual excellence
14 Dec 22 / The Stage
Another triumphant production for the Royal Opera
8 Dec 22 / Express
A superb cast brings new insights to Tosca at the Royal Opera House
7 Dec 22 / Opera Online (English)
A Tosca that you won’t tire of
6 Dec 22 / London Unattached
Art speaks truth to power: the Royal Opera’s Tosca revival still packs a mighty punch
2 Dec 22 / Seen and Heard
Stylish, traditional Tosca revived at the Royal Opera House
1 Dec 22 / Bachtrack
Il successo di Tosca dimostra che per vendere biglietti l’opera italiana è imbattibile
1 Dec 22 / Connessi all'Opera
Alcina

The Royal Opera


No. of reviews: 13

Richard Jones’ frisky new Handel casts a dramatic and musical spell
24 Nov 22 / OperaWire
¡Nace una estrella!
21 Nov 22 / Mundo Clásico (Spanish)
Hugely entertaining
18 Nov 22 / The Spectator
The Royal Opera at its best in Richard Jones’s new Alcina at Covent Garden
18 Nov 22 / Seen and Heard
Lisette in her Louboutins lights up the garden
15 Nov 22 / London Unattached
Superb musical performances and theatrical dazzle do not quite add up to a satisfying staging of Handel's Alcina at Covent Garden
14 Nov 22 / Planet Hugill
Animal magic ripples through Richard Jones’s new Alcina
13 Nov 22 / The Observer
Richard Jones brings a wry twist to Alcina’s magic powers
13 Nov 22 / Opera Today
A fun staging and superb performances in Alcina at the Royal Opera House
12 Nov 22 / Opera Online (English)
La compagnia di canto si dimostra complessivamente all’altezza
11 Nov 22 / Connessi all'Opera
Witty and vibrant staging full of beastly style
10 Nov 22 / The Guardian
Soprano Lisette Oropesa and director Richard Jones hold Handel’s sensuous torch aloft
10 Nov 22 / The Arts Desk
Big-hearted, quirky, fun: Richard Jones' Alcina for The Royal Opera
10 Nov 22 / Bachtrack
I’ve booed at the opera before
But what happened to a 12-year old child this week was plain cruel.
Audience member banned from Royal Opera House
Covent Garden “appalled” by the behavior of a heckler who disrupted the opening night performance of a 12-year-old singer.
The Rape of Lucretia

The Royal Opera


No. of reviews: 13

Beauty, purity and cruelty
23 Nov 22 / The Article
The tragedy of Anne Marie Stanley’s broken Lucretia’s suicide was spellbinding
21 Nov 22 / Opera Today
Young artists from Britten Pears Arts and Royal Opera impress in Britten's The Rape of Lucretia
21 Nov 22 / Planet Hugill
A shocking update of Britten’s chamber opera feels wearily relevant
20 Nov 22 / The Observer
The Rape of Lucretia at the ROH is a muddled show that signals opera has a long way to go
19 Nov 22 / City A.M.
Powerful, uncompromising and deeply disquieting
17 Nov 22 / The Guardian
Poignant and perfect production of The Rape of Lucretia at the Royal Opera House
17 Nov 22 / Opera Online (English)
The Royal Opera at its very best: a new generation of singers excel in The Rape of Lucretia
16 Nov 22 / Seen and Heard
Anne Marie Stanley gives a darkly eloquent and dignified account as Lucretia
16 Nov 22 / Classical Source
On the edge of tragedy
16 Nov 22 / Bachtrack
Oliver Mears' new production of Britten's chamber opera gives us lots to think about, not so much to feel
15 Nov 22 / Broadway World
A visceral and vital Lucretia
15 Nov 22 / London Unattached
A new production in the Linbury Theatre of Benjamin Britten's opera is unsparing in its depiction of toxic masculinity
14 Nov 22 / CultureWhisper
Why Britten’s Rape of Lucretia speaks to our brutal times
Britten’s opera is a strange, unsettling and unbearably private piece. Set in ancient Rome and written over 70 years ago, its theme is still all too contemporary, writes the director of a new production.
La bohème

The Royal Opera


No. of reviews: 13

Ailyn Pérez, Danielle De Niese shine in Richard Jones revival
12 Nov 22 / OperaWire
Chez dominic 15 argylle
7 Nov 22 / Mundo Clásico (Spanish)
Turning a familiar opera into a special experience is a rare achievement
25 Oct 22 / Express
A winter tale that somehow manages to warm your soul just as it breaks your heart
24 Oct 22 / City A.M.
Ailyn Pérez and Juan Diego Flórez star in Richard Jones’s enthralling Covent Garden La bohème
23 Oct 22 / Seen and Heard
Leise rieselt der Schnee
23 Oct 22 / Online Musik Magazin
Superbly sung and staged: Covent Garden’s revival of La bohème is even more relevant today
18 Oct 22 / Seen and Heard
Star performances create a highly moving La bohème at the Royal Opera House
18 Oct 22 / Opera Online (English)
Strong cast lifts conventional Bohème revival at the Royal Opera House
18 Oct 22 / Bachtrack
A starry Bohème at the Garden brings on the passion
18 Oct 22 / London Unattached
Christmas comes early to the Royal Opera House
17 Oct 22 / The Guardian
La bohème con Juan Diego Flórez
17 Oct 22 / Connessi all'Opera
A visual spectacle
16 Oct 22 / Broadway World
Last Days

The Royal Opera


No. of reviews: 6

Extraordinary Kurt Cobain opera avoids all the clichés Nirvana fans might have predicted
12 Oct 22 / Independent
A Kurt Cobain opera examines the myth, not the man
12 Oct 22 / New York Times
Never judge an album by its cover
10 Oct 22 / Bachtrack
This opera based on Gus van Sant’s film is exemplary
10 Oct 22 / Evening Standard
Leith’s opera is bleak and beautiful
9 Oct 22 / The Guardian
An operatic conversation that spans styles and genres
9 Oct 22 / Broadway World
Madama Butterfly

The Royal Opera


No. of reviews: 5

Maria Agresta’s Cio-Cio-San reaches great emotional heights in an evocative Madama Butterfly revival
5 Oct 22 / Seen and Heard
An opera ahead of its time
27 Sep 22 / London Unattached
Puccini’s genius shines through in the Royal Opera’s latest Madama Butterfly revival at Covent Garden
22 Sep 22 / Seen and Heard
Strong voices and characterisations in Madama Butterfly at the Royal Opera House
15 Sep 22 / Opera Online (English)
Maria Agresta captivates in latest ROH revival of Madama Butterfly
15 Sep 22 / Bachtrack
Don Giovanni

The Royal Opera


No. of reviews: 5

The rake’s return
27 Sep 22 / London Unattached
Fifth Revival of Kasper Holten’s Don Giovanni at the Royal Opera House
16 Sep 22 / Opera Online (English)
This latest revival of Kasper Holten's take on Don Giovanni is as cathartic an experience as it gets
15 Sep 22 / Broadway World
A triumph of production design and execution – though not a cohesive experience in-the-round
15 Sep 22 / The Stage
Debutti di successo quindi sia per Micheletti che per Maltman
15 Sep 22 / Connessi all'Opera
Salome

The Royal Opera


No. of reviews: 12

A riveting return of the severed head!
27 Sep 22 / London Unattached
More depravity, please
22 Sep 22 / The Spectator
Malin Byström stars in Strauss’ unnerving psychodrama Opera
20 Sep 22 / OperaWire
The Royal Opera’s uneven revival of Salome at Covent Garden
19 Sep 22 / Seen and Heard
Royal Opera’s Strauss revival failed to ignite
18 Sep 22 / The Observer
Death and decadence at Covent Garden
14 Sep 22 / The Article
A girl who definitely knows how to get a head...
13 Sep 22 / Broadway World
Solid revival rather than a perversely seductive exposure of pathologies
13 Sep 22 / The Stage
Star performances cap an excellent production of Salome at the Royal Opera House
13 Sep 22 / Opera Online (English)
Malin Byström and Alexander Soddy lead superb Salome revival at the Royal Opera House
13 Sep 22 / Bachtrack
Protagonista in tutti i sensi della serata è stata Malin Byström
13 Sep 22 / Connessi all'Opera
Lethal desires and emotional extremism
12 Sep 22 / The Guardian
Attila

The Royal Opera


No. of reviews: 3

Attila ou les lauriers féminins
28 Jul 22 / Forum Opéra
The Royal Opera’s Attila concert is an absolute triumph for Siri, Scappucci and all concerned
21 Jul 22 / Seen and Heard
Scappucci and Abdrazakov share the honours in a rousing Attila at Covent Garden
21 Jul 22 / Bachtrack
Otello

The Royal Opera


No. of reviews: 12

Otello cantabile
27 Jul 22 / Mundo Clásico (Spanish)
Christopher Maltman’s fantastic Iago gives Keith Warner’s gloomy production a much-needed shot in the arm
19 Jul 22 / OperaWire
Verdi out-bards Shakespeare
19 Jul 22 / Express
Un Otello sans fard
19 Jul 22 / Forum Opéra
Rustioni engineered plenty of momentum and vitality
17 Jul 22 / Classical Source
Christopher Maltman’s Iago is something special in Otello at the Royal Opera House
15 Jul 22 / Opera Online (English)
The Royal Opera House revives its 2017 production and triumphs with a clear-sighted telling of a tricky tragic tale
14 Jul 22 / Broadway World
Oily malevolence: Maltman’s Iago the driving force in tepid Otello revival at Covent Garden
14 Jul 22 / Bachtrack
A truly compelling and long overdue revival
14 Jul 22 / The Guardian
Russell Thomas is on the way to a substantive Otello but not quite there yet
14 Jul 22 / Seen and Heard
Chiaroscuro expressionism: Keith Warner’s Otello is revived at the Royal Opera House
14 Jul 22 / Opera Today
Russell Thomas is Covent Garden’s first black singer in the title role
13 Jul 22 / Evening Standard
Stop pandering to purists, says ROH's first black Otello
Russell Thomas says opera must reflect the diverse world around it to survive, not stick to the ‘same-old, same-old’
Pagliacci

The Royal Opera


No. of reviews: 8

Contre vents et marées
20 Jul 22 / Forum Opéra
Mamma piangente, piangi pagliaccio!
14 Jul 22 / Mundo Clásico (Spanish)
Damiano Michieletto’s engrossing staging hits vocal and dramatic top notes
13 Jul 22 / OperaWire
Kurzak and Alagna bring long-awaited star power to Michieletto’s Covent Garden Cav & Pag
10 Jul 22 / Seen and Heard
Al termine applausi al cardiopalma con molte persone in piedi
10 Jul 22 / Connessi all'Opera
Opera’s favourite double act returns to the Royal Opera House
9 Jul 22 / City A.M.
Outstanding performances complement brilliant production in Cavalleria rusticana and Pagliacci
9 Jul 22 / Opera Online (English)
La commedia è finita: a scorching Cav & Pag at Covent Garden
6 Jul 22 / Bachtrack
Jonas Kaufmann out of Royal Opera House ‘Pagliaccli’
The tenor has withdrawn due to COVID-19 and the impact this has had on his voice.
Cavalleria Rusticana

The Royal Opera


No. of reviews: 7

Contre vents et marées
20 Jul 22 / Forum Opéra
Mamma piangente, piangi pagliaccio!
14 Jul 22 / Mundo Clásico (Spanish)
Damiano Michieletto’s engrossing staging hits vocal and dramatic top notes
13 Jul 22 / OperaWire
Kurzak and Alagna bring long-awaited star power to Michieletto’s Covent Garden Cav & Pag
10 Jul 22 / Seen and Heard
Opera’s favourite double act returns to the Royal Opera House
9 Jul 22 / City A.M.
Outstanding performances complement brilliant production in Cavalleria rusticana and Pagliacci
9 Jul 22 / Opera Online (English)
La commedia è finita: a scorching Cav & Pag at Covent Garden
6 Jul 22 / Bachtrack
Jonas Kaufmann cancels all ‘Cavalleria Rusticana’ performances at ROH
Tenor Jonas Kaufmann has completely withdrawn from the Royal Opera House’s production of “Cavalleria Rusticana” due to COVID-19.
Madama Butterfly

The Royal Opera


No. of reviews: 9

¡Butterfly forever! Una antológica reposición
20 Jul 22 / Mundo Clásico (Spanish)
Lianna Haroutounian and Freddie De Tommaso shine in Puccini masterwork
2 Jul 22 / OperaWire
First rate cast in excellent revival of Madama Butterfly at the Royal Opera House
22 Jun 22 / Opera Online (English)
A wounded Butterfly at Covent Garden
21 Jun 22 / Opera Today
The Royal Opera revives a ‘more authentic’ Madama Butterfly with mixed results
20 Jun 22 / Seen and Heard
Puccini's Japanese tragedy is brilliantly performed
19 Jun 22 / The Observer
Puccini's classic gets a revival and an updating but loses little of its power
16 Jun 22 / Broadway World
A blisteringly poignant revival of Puccini’s tragic drama
16 Jun 22 / Independent
A subtly revised Madama Butterfly returns to the Covent Garden stage
16 Jun 22 / Bachtrack
Q & A: Freddie De Tomasso
Q & A: Tenor Freddie De Tomasso on ‘Madama Butterfly,’ his inspirations and what he’d like to change about the world.
Royal Opera House announces new approach to ‘Madama Butterfly’
In a press release, the company said, “the Royal Opera House revives Moshe Leiser’s and Patrice Caurier’s 2002 production, taking a new approach to this much-loved production.”
The Blue Woman

The Royal Opera


No. of reviews: 7

The Blue Woman thoughtfully addresses the subject of sexual violence
12 Jul 22 / Seen and Heard
Poignant new opera The Blue Woman premieres at the Royal Opera House
11 Jul 22 / Opera Online (English)
Katie Mitchell directs a powerful exploration of violence against women
10 Jul 22 / The Observer
Less than the sum of its parts
9 Jul 22 / Reaction
A modern Gesamtkunstwerk
8 Jul 22 / Broadway World
Tensely atmospheric opera of violence on women
8 Jul 22 / The Guardian
The journey back to self-esteem, told in words and music, of a victim of sexual assault
8 Jul 22 / CultureWhisper
Così fan tutte

The Royal Opera


No. of reviews: 5

A deliciously compact opera
2 Jul 22 / Express
Fortunately, Covent Garden’s school for lovers is a credible class of singers
2 Jul 22 / Opera Today
The production is still highly effective in demonstrating that there is more to Così fan tutte than farce
1 Jul 22 / Broadway World
Lithe cast and conducting unfazed by over-egged production, at least until the bitter end
1 Jul 22 / The Arts Desk
Best revival yet of Jan Philipp Gloger’s Così fan tutte at the Royal Opera House
1 Jul 22 / Opera Online (English)
Samson et Dalila

The Royal Opera


No. of reviews: 17

Mejorando a Saint Saëns
22 Jun 22 / Mundo Clásico (Spanish)
You don’t often see a performance that is flawless, but this is just that
21 Jun 22 / The Jewish Chronicle
Royal Opera’s Samson et Dalila has left almost no lasting impression
16 Jun 22 / The Spectator
Richard Jones’ production fails to catch fire despite peerless principals
15 Jun 22 / OperaWire
Elīna Garanča è una delle interpreti di riferimento di oggi del ruolo di Dalila
10 Jun 22 / Connessi all'Opera
Strength comes in many forms in the Royal Opera’s revelatory new Samson et Dalila
5 Jun 22 / The Observer
There’s no soprano, the tenor doesn’t get the girl and there’s an awful lot of talk about God
5 Jun 22 / iNews
A biblical treachery at the opera
3 Jun 22 / Verve Times
Samson et Dalila is a production of two halves at the Royal Opera House, Covent Garden
2 Jun 22 / Opera Online (English)
Hair today, gone tomorrow – The Royal Opera’s triumphant new staging of Samson et Dalila is a knockout
2 Jun 22 / Music OMH
Jones’s staging is spectacular
1 Jun 22 / Church Times
This Samson is more street-fighter than spiritual leader
30 May 22 / Opera Today
Saint-Saëns’ opera has style and a new star in SeokJong Baek
28 May 22 / The Guardian
From austerity to excess, with visual rigour and aural beauty
28 May 22 / The Arts Desk
Meticulously choreographed production has many bewitching moments
28 May 22 / Independent
Elīna Garanča seduces in Richard Jones’s Poundland Samson et Dalila at Covent Garden
28 May 22 / Seen and Heard
Richard Jones’ tacky Samson et Dalila fails to bring down the house at Covent Garden
27 May 22 / Bachtrack
Die Zauberflöte

The Royal Opera


No. of reviews: 8

McVicar’s old Zauberflöte continues to be magical
22 Jun 22 / Opera Online (English)
An engaging young Papageno and fine international cast
27 Sep 21 / Planet Hugill
Tenth revival of David McVicar’s The Magic Flute at the Royal Opera House
21 Sep 21 / Opera Online (English)
Two casts battle it out at The Royal Opera’s Magic Flute
20 Sep 21 / Music OMH
Excellent singing as the Royal Opera revives a rather tired production of Die Zauberflöte
19 Sep 21 / Seen and Heard
Sir David McVicar’s stagings of this opera of Mozart’s and of Le nozze di Figaro have become Covent Garden classics
19 Sep 21 / Classical Source
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Performance schedule
Puccini
5 Feb to 21 Jul 2024
Puccini
14 Mar to 18 Jul 2024
Bizet
5 Apr to 31 May 2024
Donizetti
19 Apr to 18 May 2024
Martinu
24 Apr to 4 May 2024
Harbison
24 Apr to 4 May 2024
Vivaldi
13 to 25 May 2024
Giordano
30 May to 11 Jun 2024
Mozart
26 Jun to 9 Jul 2024
Mozart
2 to 15 Sep 2024
Verdi
7 to 21 Sep 2024
Tchaikovsky
24 Sep to 14 Oct 2024
Beethoven
9 to 26 Oct 2024
Bernstein
10 to 24 Oct 2024
Bernstein
10 to 24 Oct 2024
Offenbach
7 Nov to 1 Dec 2024
Puccini
26 Nov to 13 Dec 2024
Puccini
13 Dec 2024 to 17 Jan 2025
Humperdinck
22 Dec 2024 to 9 Jan 2025
Janacek
15 Jan to 1 Feb 2025
Verdi
28 Jan to 12 Feb 2025
Britten
6 to 11 Feb 2025
Turnage
11 to 27 Feb 2025
Verdi
26 Feb to 19 Jul 2025
Puccini
19 Mar to 19 Apr 2025
Bizet
9 Apr to 3 Jul 2025
Wagner
1 to 17 May 2025
Telemann
2 to 16 May 2025
Gounod
23 May to 10 Jun 2025
after Bach, JS
3 to 7 Jun 2025
Handel
30 Jun to 18 Jul 2025

News & Articles

Royal Ballet and Opera announces ambitious new season
Eight new productions, a world premiere, a European premiere – and a name change: the Royal Ballet and Opera, as it is now to be known has announced an ambitious programme.
30 Apr 2024 / The Guardian
The Royal Opera House and Anna Netrebko
The Royal Opera House’s General Director Oliver Mears is addressing his upcoming collaboration with Anna Netrebko at the Salzburg Easter Festival and her relationship with the Royal Opera House.
1 Nov 2023 / OperaWire
Royal Opera Orchestra votes in favor of strike
According to the Musicians’ Union, the orchestra voted 89.87 percent in favor, based on a turnout of 92.94 percent.
21 Jul 2023 / OperaWire
Royal Opera House archive goes global with streaming service
New technology is also enabling live instant replays of rehearsals to help with creative process.
7 Jul 2023 / The Guardian
Speranza Scappucci to be principal guest conductor at ROH
‘We can’t just be in our ivory tower’: the Italian conductor aiming to open up the Royal Opera House to everyone.
4 Jun 2023 / The Observer