Royal Ballet and Opera - London
17 May 2024

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Performance reviews

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Samson et Dalila

The Royal Opera


No. of reviews: 17

Samson et Dalila is a production of two halves at the Royal Opera House, Covent Garden
2 Jun 22 / Opera Online (English)
Hair today, gone tomorrow – The Royal Opera’s triumphant new staging of Samson et Dalila is a knockout
2 Jun 22 / Music OMH
Jones’s staging is spectacular
1 Jun 22 / Church Times
This Samson is more street-fighter than spiritual leader
30 May 22 / Opera Today
Saint-Saëns’ opera has style and a new star in SeokJong Baek
28 May 22 / The Guardian
From austerity to excess, with visual rigour and aural beauty
28 May 22 / The Arts Desk
Meticulously choreographed production has many bewitching moments
28 May 22 / Independent
Elīna Garanča seduces in Richard Jones’s Poundland Samson et Dalila at Covent Garden
28 May 22 / Seen and Heard
Richard Jones’ tacky Samson et Dalila fails to bring down the house at Covent Garden
27 May 22 / Bachtrack
Die Zauberflöte

The Royal Opera


No. of reviews: 8

McVicar’s old Zauberflöte continues to be magical
22 Jun 22 / Opera Online (English)
An engaging young Papageno and fine international cast
27 Sep 21 / Planet Hugill
Tenth revival of David McVicar’s The Magic Flute at the Royal Opera House
21 Sep 21 / Opera Online (English)
Two casts battle it out at The Royal Opera’s Magic Flute
20 Sep 21 / Music OMH
Excellent singing as the Royal Opera revives a rather tired production of Die Zauberflöte
19 Sep 21 / Seen and Heard
Sir David McVicar’s stagings of this opera of Mozart’s and of Le nozze di Figaro have become Covent Garden classics
19 Sep 21 / Classical Source
David McVicar's staging of The Magic Flute revived at the Royal Opera House
18 Sep 21 / Bachtrack
Covent Garden reprend, en forme musicale et lyrique avec La Flûte enchantée
18 Sep 21 / Olyrix
Pierrot Lunaire

The Royal Opera


No. of reviews: 5

Two for the price of one with Igor Stravinsky and Arnold Schoenberg
23 May 22 / Music OMH
Covent Garden’s future stars make the most of a tricky double bill
22 May 22 / The Observer
Unexpected double bill marks 20 years of the Royal Opera’s Young Artists programme
20 May 22 / Seen and Heard
Mavra and Pierrot lunaire make an effective double bill
19 May 22 / Opera Online (English)
Blancmanges, bin bags and drag as double bill probes gender
14 May 22 / The Guardian
Mavra

The Royal Opera


No. of reviews: 5

Two for the price of one with Igor Stravinsky and Arnold Schoenberg
23 May 22 / Music OMH
Covent Garden’s future stars make the most of a tricky double bill
22 May 22 / The Observer
Unexpected double bill marks 20 years of the Royal Opera’s Young Artists programme
20 May 22 / Seen and Heard
Mavra and Pierrot lunaire make an effective double bill
19 May 22 / Opera Online (English)
Blancmanges, bin bags and drag as double bill probes gender
14 May 22 / The Guardian
Lohengrin

The Royal Opera


No. of reviews: 17

Londres y su primer Wagner Post Covid
13 May 22 / Mundo Clásico (Spanish)
The Royal Opera’s first post-Covid Wagner staging thrills on every level
28 Apr 22 / Music OMH
Brandon Jovanovich offered a finely judged portrayal of Lohengrin
28 Apr 22 / Opera Today
Triumphant first revival of David Alden’s Lohengrin at the Royal Opera House, Covent Garden
27 Apr 22 / Opera Online (English)
A perfect Eevening at the opera
26 Apr 22 / Express
A brilliant and faultless evening’s entertainment
26 Apr 22 / Verve Times
Al termine applausi calorosi per tutti gli interpreti con ovazioni per il direttore e il coro
26 Apr 22 / Connessi all'Opera
An exemplary revival brings David Alden’s 2018 Wagner production into sharp focus
24 Apr 22 / The Observer
Brandon Jovanovich and Jennifer Davis shine amidst David Aldens’ dark and searching vision of Wagner’s politics
24 Apr 22 / OperaWire
Opera in time of war
22 Apr 22 / The Article
American Tenor Brandon Jovanovich casts a tender spell
22 Apr 22 / iNews
David Alden’s intriguing Lohengrin at Covent Garden reminds us of the power of Wagner’s masterpiece
22 Apr 22 / Seen and Heard
Powerful and prescient production strips Wagner’s opera of its romance
21 Apr 22 / The Guardian
A bold and brilliant staging of this Wagner masterpiece
21 Apr 22 / Broadway World
A matter of faith and doubt: David Alden’s Lohengrin returns to Covent Garden
21 Apr 22 / Bachtrack
An evening of acute theatrical potency
21 Apr 22 / Evening Standard
Les terribles échos de Lohengrin à Londres
21 Apr 22 / Olyrix
Don Pasquale

The Royal Opera


No. of reviews: 12

A night of pure fun at the opera
11 May 22 / Express
Michieletto’s biting production finds pathos in comedy
11 May 22 / OperaWire
The Royal Opera revives its bittersweet staging with a fine cast
9 May 22 / Music OMH
The charms of Donizetti’s comic opera continue to elude
8 May 22 / The Observer
La Royal Opera House di Londra riprende con successo lo spettacolo di Don Pasquale di Donizetti firmato da Damiano Michieletto
8 May 22 / Connessi all'Opera
Despite Michieletto’s production, it’s well-nigh impossible not to enjoy Covent Garden’s Don Pasquale
6 May 22 / Seen and Heard
Pretty Yende sweetens Damiano Michieletto’s acidic Don Pasquale on its Covent Garden return
6 May 22 / Bachtrack
Don Pasquale moqueur et cruel par Michieletto à Londres
6 May 22 / Olyrix
The Royal Opera's revival is slick and witty, with more than a hint of cruelty
5 May 22 / Broadway World
First Revival of Damiano Michieletto’s Don Pasquale at the Royal Opera House, Covent Garden
5 May 22 / Opera Online (English)
Damiano Michieletto’s Don Pasquale returns to the Royal Opera House
5 May 22 / Opera Today
Strong conducting and direction ensure Donizetti’s sharp-edged comedy retains the audience’s sympathy
5 May 22 / The Stage
Peter Grimes

The Royal Opera


No. of reviews: 16

El desafío y la gloria de Peter Grimes
2 May 22 / Mundo Clásico (Spanish)
Avant Paris, Peter Grimes captive au Royal Opera House de Londres
31 Mar 22 / ResMusica
The Royal Opera presents ‘a lost lone man’ in seedy squalor
29 Mar 22 / Music OMH
Quel port abrite la paix?
25 Mar 22 / Olyrix
Allan Clayton shines in Deborah Warner’s unsparing production
24 Mar 22 / OperaWire
Deborah Warner’s new Peter Grimes has it all
23 Mar 22 / Opera Online (English)
A ‘Peter Grimes’ for a new age of mental anguish
23 Mar 22 / The Article
Allan Clayton is a Grimes for today in Deborah Warner's heart-breaking and insightful update
21 Mar 22 / Limelight
The toxic landscape pollutes lives and minds
20 Mar 22 / Opera Today
Al termine, applausi al cardiopalma per tutti gli interpreti
20 Mar 22 / Connessi all'Opera
Compelling, unsettling and ravishingly sung
19 Mar 22 / The Guardian
An outstanding night of theatre
19 Mar 22 / Seen and Heard
Allan Clayton grows in stature
19 Mar 22 / The Stage
The power of the sea, the cruelty of the mob
19 Mar 22 / Bachtrack
In the title role, Allan Clayton imbues the ursine fisherman with a terrific blend of regret and anger
19 Mar 22 / Broadway World
Deborah Warner’s production is evocative and theatrical
19 Mar 22 / Evening Standard
‘Everyone has blood on their hands’
How do you breathe life into the tale of the troubled Grimes and the villagers who torment him? Britten’s Peter Grimes at the ROH photo essay.
La Traviata

The Royal Opera


No. of reviews: 3

Pretty Yende en Vladimir Stoyanov in ontroerende Traviata
20 Apr 22 / Place de l'Opera
Pretty Yende is a deeply moving Violetta in La traviata at the Royal Opera House
7 Apr 22 / Opera Online (English)
Covent Garden’s latest La traviata revival showcases Pretty Yende’s Violetta which is one for the ages
4 Apr 22 / Seen and Heard
Rigoletto

The Royal Opera


No. of reviews: 24

Oliver Mears’s Rigoletto finds its stride at the Royal Opera House, Covent Garden
11 Mar 22 / Opera Online (English)
Royal Opera’s thrilling revival showcases three exceptional Italians
1 Mar 22 / Music OMH
Covent Garden’s ‘Heart of Darkness’ Rigoletto
25 Feb 22 / Opera Today
No punches pulled in an excellent Covent Garden Rigoletto
25 Feb 22 / Bachtrack
Stefano Montanari and his remarkable cast elevate this Rigoletto revival to a superlative level
24 Feb 22 / Seen and Heard
Rigoletto con Salsi, Feola, Demuro
24 Feb 22 / Connessi all'Opera
The Royal Opera’s new Rigoletto has the casting is just right
12 Oct 21 / The Critics' Circle
See it while it’s still hot
30 Sep 21 / The Spectator
Lisette Oropesa è senza ombra di dubbio il pezzo forte del cast
21 Sep 21 / Connessi all'Opera
First new production of Rigoletto in twenty years at the Royal Opera House
20 Sep 21 / Opera Online (English)
One grisly moment aside, Oliver Mears’s first ROH production feels like a straightforward Rigoletto made to last
19 Sep 21 / The Observer
Antonio Pappano, Lisette Oropesa and Carlos Alvarez lead insightful New production
18 Sep 21 / OperaWire
A brilliant new production underlines just how relevant the opera is in today's world
18 Sep 21 / Broadway World
Rigoletto se burla del Covid
17 Sep 21 / Mundo Clásico (Spanish)
Great new production of ‘Rigoletto’ reopens the Royal Opera
15 Sep 21 / The Article
Oropesa is a matchless Gilda in powerful new take on Verdi’s tragedy
15 Sep 21 / The Guardian
A wickedly effective new production
15 Sep 21 / iNews
Orchestra and chorus pass with flying colours, but tradition weighs heavy elsewhere
15 Sep 21 / The Arts Desk
Time will tell if Oliver Mears’s new Rigoletto for the Royal Opera will reveal more
15 Sep 21 / Seen and Heard
A triumphant full reopening of the Royal Opera House
15 Sep 21 / Classical Source
A strangely timeless, but nonetheless comfortingly familiar Rigoletto from The Royal Opera
15 Sep 21 / Music OMH
A superb drama of darkness and light
15 Sep 21 / Opera Today
Oliver Mears’ first production for the Royal Opera succeeds by taking Rigoletto seriously
15 Sep 21 / The Stage
A striking Rigoletto opens Oliver Mears' account at The Royal Opera
15 Sep 21 / Bachtrack
Theodora

The Royal Opera


No. of reviews: 16

Una Theodora indómita
18 Feb 22 / Mundo Clásico (Spanish)
Récit de spectacle
16 Feb 22 / Opera Online (French)
Dynamitée de l’intérieur
11 Feb 22 / Forum Opéra
Musicalmente parlando, le cose vanno molto meglio per fortuna
11 Feb 22 / Connessi all'Opera
Sublime musicality (and pole dancing) in Handel’s ‘Theodora’
9 Feb 22 / The Article
Katie Mitchell’s perceptive, largely cogent staging of this rarely seen work, performed by a committed cast, allows Handel’s genius to shine through
6 Feb 22 / The Observer
A new and highly innovative Theodora at the Royal Opera House, Covent Garden
4 Feb 22 / Opera Online (English)
Katie Mitchell scores an unqualified success with her revisionist Handel
4 Feb 22 / Music OMH
Katie Mitchell’s new production is skewed by glib cod-feminism
3 Feb 22 / Independent
A thoughtful and compelling Theodora at the Royal Opera House
3 Feb 22 / Seen and Heard
Bombs, a brothel and a brilliant cast
2 Feb 22 / The Guardian
This isn’t the shocking staging we were promised
2 Feb 22 / iNews
Katie Mitchell's staging of a late Handel oratorio works well, but acting trumps singing
2 Feb 22 / The Arts Desk
Committed performances
2 Feb 22 / The Stage
272 years on, Handel's Theodora comes home to Covent Garden
2 Feb 22 / Bachtrack
Du séisme à la bombe désamorcée
2 Feb 22 / Olyrix
Royal Opera House hires intimacy coordinator for sex scenes
Ita O’Brien is working on a production of Handel’s Theodora to ensure actors feel comfortable during passionate scenes.
‘With the theatrical canon, you have to look the misogyny in the eye’
Katie Mitchell's production of Handel’s Theodora will be the first at the Royal Opera House since its 1750 premiere - but not before Katie Mitchell has gone to battle with the libretto’s misogyny.
Bajazet

The Royal Opera


No. of reviews: 10

Irish National Opera explore every sizzling note of Vivaldi
13 Feb 22 / The Observer
Bajazet has its Royal Opera House debut after nearly 300 years
10 Feb 22 / Financial Times
Vivaldi at Covent Garden for the first time: Bajazet is gripping from first to last acts
10 Feb 22 / Seen and Heard
Irish National Opera’s Bajazet Comes to the Royal Opera House,
10 Feb 22 / Opera Online (English)
Vivaldi with pure energy – with a sting in its tail
9 Feb 22 / iNews
Bravura and brutality
9 Feb 22 / Opera Today
Vivaldi’s opera is delivered with narrative clarity and expressive power
8 Feb 22 / The Stage
Baroque thrills: Irish National Opera presents Vivaldi's Bajazet at Covent Garden
8 Feb 22 / Bachtrack
Vivaldi’s baroque opera reaches the Royal Opera House
7 Feb 22 / The Guardian
Robust but a bit rough
6 Feb 22 / The Arts Desk
Tosca

The Royal Opera


No. of reviews: 15

Gheorghiu, Pop, Volle and Armiliato are the stars of a superb revival of The Royal Opera’s Tosca
11 Feb 22 / Seen and Heard
Gheorghiu channels Puccini’s temperamental diva to mark the 30th anniversary of her Royal Opera debut
10 Feb 22 / Music OMH
A patchwork quilt of an evening with Gheorghiu sounding vocally unbalanced
10 Feb 22 / Opera Today
A star is born as Freddie De Tommaso sets the house alight
22 Dec 21 / iNews
Tosca con Pirozzi, De Tommaso e Sgura
20 Dec 21 / Connessi all'Opera
Half Italian, half Tunbridge Wells, Freddie De Tommaso is a sensational Cavaradossi
19 Dec 21 / The Observer
Vivre pour l'art, Mourir pour l'amour
19 Dec 21 / Olyrix
The second cast of Covent Garden’s Tosca lives up to the first
18 Dec 21 / Music OMH
Freddie De Tommaso steals the show
16 Dec 21 / The Stage
Excellent debuts mark Jonathan Kent’s production of Puccini’s political thriller
15 Dec 21 / OperaWire
Excellent revival of Jonathan Kent’s Tosca at the Royal Opera House
15 Dec 21 / Opera Online (English)
Alphas all round for the ‘B Cast’ in ‘Tosca’ at Covent Garden
15 Dec 21 / The Article
Good musical performances in a poor production as Covent Garden revives Tosca
13 Dec 21 / Seen and Heard
There was real-life as well as operatic drama on the stage at the Royal Opera’s first night of Tosca
13 Dec 21 / Music OMH
A couple of Cavaradossis, plus a divine diva
10 Dec 21 / Bachtrack
Young singer saves the day at Royal Opera House
A performance of Tosca at the Royal Opera House was saved from disaster when young singer Freddie De Tommaso stepped up to take a leading role after its star tenor fell ill.
Royal Opera House cancels opening night of ‘Tosca’
The Royal Opera House has canceled the opening night of Puccini’s “Tosca” on Dec. 5 due to technical issues and increased cases of COVID-19.
Le nozze di Figaro

The Royal Opera


No. of reviews: 12

An evening of pure pleasure
8 Feb 22 / The Critics' Circle
Bodas de Figaro frescas y sin virus
20 Jan 22 / Mundo Clásico (Spanish)
A fresh feeling revival of David McVicar’s The Marriage of Figaro at the Royal Opera House
14 Jan 22 / Opera Online (English)
Youthful cast brings Mediterranean warmth to the Royal Opera
14 Jan 22 / Music OMH
New to opera? This is a good production to start with
13 Jan 22 / The Jewish Chronicle
Fizzes with Latin temperament
13 Jan 22 / The Stage
Un ottimo inizio in musica per il 2022 con una serata di puro teatro in musica
12 Jan 22 / Connessi all'Opera
Pappano leads Covent Garden’s Le nozze di Figaro and it is a visceral reminder of Mozart’s genius
11 Jan 22 / Seen and Heard
An exceptional, exhilarating revival
11 Jan 22 / iNews
Rising stars have a crazy day: Figaro returns to Covent Garden
11 Jan 22 / Bachtrack
Perfect ensembles and recits with Antonio Pappano's return as conductor and fortepianist
11 Jan 22 / The Arts Desk
A vivacious new cast brings Italian brio to Mozart's comic masterpiece
11 Jan 22 / CultureWhisper
Royal Opera House dedicates ‘Le Nozze di Figaro’ to Bernard Haitink
The company will dedicate the current run of “Le Nozze di Figaro” to his memory and the performance of Jan. 11 will include a personal tribute from Music Director Antonio Pappano.
Jenufa

The Royal Opera


No. of reviews: 23

A deeply felt production
3 Feb 22 / Opera Journal
Grigorian y Mattila, insuperables
9 Nov 21 / Scherzo
Una Jenůfa pasiva y martirizada
19 Oct 21 / Mundo Clásico (Spanish)
The wind cries Mary
16 Oct 21 / Leidmotief
Rencontre au sommet entre Asmik et Karita
15 Oct 21 / Forum Opéra
With remarkable performances from Mattila and Grigorian, musically there is no weak link in Royal Opera’s new Jenůfa
13 Oct 21 / Seen and Heard
Al termine applausi incalzanti e qualche standing ovation da parte di una sala gremita
11 Oct 21 / Connessi all'Opera
Intense and redemptive
11 Oct 21 / Planet Hugill
A dismal story transformed into a spectacular opera experience
6 Oct 21 / Brinkwire
An eighteen month delay but worth the wait for Jenůfa at the Royal Opera House, Covent Garden
4 Oct 21 / Opera Online (English)
Janáček’s rapturous masterpiece and a top cast withstand the Royal Opera’s rigid new production
3 Oct 21 / The Observer
Claus Guth’s masterful staging is here in triumph
3 Oct 21 / Classical Source
A taut and intensive new production from Claus Guth in London
2 Oct 21 / OperaWire
Claus Guth’s phenomenal Jenůfa showcases Asmik Grigorian’s remarkable Covent Garden debut
2 Oct 21 / Seen and Heard
After decades, a welcome return of Jenůfa to Covent Garden
1 Oct 21 / Music OMH
Mattila is formidable in new Janaček staging
30 Sep 21 / The Guardian
Asmik Grigorian carries the force of Greek myth in this flawless staging
30 Sep 21 / iNews
The orchestra under Henrik Nanasi’s direction plays a blinder
30 Sep 21 / Independent
Lithuanian soprano Asmik Grigorian’s Covent Garden debut was eagerly anticipated - and she delivered
30 Sep 21 / Evening Standard
Mattila and Grigorian excel in the Claus Guth’s new production of Jenůfa at Covent Garden
30 Sep 21 / Opera Today
Accomplished performances
30 Sep 21 / The Stage
After 20 years, Jenůfa makes a triumphant return to Covent Garden
30 Sep 21 / Bachtrack
In London sind die Nächte wild
30 Sep 21 / BR Klassik
Nabucco

The Royal Opera


No. of reviews: 11

Chœurs d'éclats pour coup d'état à Covent Garden
22 Jan 22 / Olyrix
Nabucco a los gritos
21 Jan 22 / Mundo Clásico (Spanish)
Great singing in Verdi’s Nabucco spoilt by a dreary production
19 Jan 22 / The Article
Atmospheric but ambiguous production, given extra weight by cast of rich voices
16 Jan 22 / The Arts Desk
Biblical epic in granite and grey: Nabucco marks The Royal Opera's 75th anniversary
16 Jan 22 / Bachtrack
Life’s hardly a party for Abigaille in The Royal Opera’s revival of Nabucco
24 Dec 21 / Music OMH
Terrific singing elevates a clunky production
23 Dec 21 / Evening Standard
Second revival of Daniele Abbado’s Nabucco at the Royal Opera House, Covent Garden
23 Dec 21 / Opera Online (English)
Verdi’s first great opera is revived in style
23 Dec 21 / The Stage
Liudmyla Monastyrska is sensational
22 Dec 21 / iNews
Un opera in maschera: vocally, chorally and orchestrally this Covent Garden Nabucco is a triumph
22 Dec 21 / Seen and Heard
Royal Opera House cancels two performances of ‘Nabucco’
The Royal Opera House Covent Garden has been forced to cancel performances of Verdi’s “Nabucco” on Dec. 23 and 28 due to resource challenges caused by the Omicron COVID-19 variant.
Wolf Witch Giant Fairy

The Royal Opera


No. of reviews: 5

A bite-sized opera for little ears at Linbury Theatre
23 Dec 21 / Bachtrack
Cleverness and magic in abundance in Wolf Witch Giant Fairy
22 Dec 21 / Opera Online (English)
Beguiling
21 Dec 21 / The Stage
Endearing family folk opera with an ageless streak
20 Dec 21 / The Guardian
The ultimate children's storybook on stage has all our favourite characters
19 Dec 21 / CultureWhisper
Macbeth

The Royal Opera


No. of reviews: 15

Keenlyside's Macbeth is never less than fascinating
30 Nov 21 / The Critics' Circle
First class revival of Phyllida Lloyd’s Macbeth at the Royal Opera House
24 Nov 21 / Opera Online (English)
Sound and fury in Phyllida Lloyd’s version of the Scottish play – and signifying plenty
23 Nov 21 / OperaWire
Anna Pirozzi, Simon Keenlyside and numerous witches jostle for power at Covent Garden
22 Nov 21 / The Observer
Al termine, accoglienza calorosa per tutti gli interpreti
22 Nov 21 / Connessi all'Opera
Retour de Macbeth au Royal Opera House
21 Nov 21 / Olyrix
Anna Pirozzi’s Lady Macbeth was a musical performance to rival the best heard here in recent years
20 Nov 21 / Classical Source
Covent Garden’s Macbeth is back in all its bloody glory
20 Nov 21 / Music OMH
Outstanding performances in an imaginative production
18 Nov 21 / Evening Standard
Simon Keenlyside: singing Verdi’s Macbeth
Verdi’s opera is not Shakespeare’s play set to music. It’s a different, but equally beautiful, tangle of colour and emotion, and its lead role is one I am still – after many years – getting to grips with.
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Performance schedule
Puccini
5 Feb to 21 Jul 2024
Puccini
14 Mar to 18 Jul 2024
Bizet
5 Apr to 31 May 2024
Donizetti
19 Apr to 18 May 2024
Vivaldi
13 to 25 May 2024
Giordano
30 May to 11 Jun 2024
Mozart
26 Jun to 9 Jul 2024
Mozart
2 to 15 Sep 2024
Verdi
7 to 21 Sep 2024
Tchaikovsky
24 Sep to 14 Oct 2024
Beethoven
9 to 26 Oct 2024
Bernstein
10 to 24 Oct 2024
Bernstein
10 to 24 Oct 2024
Offenbach
7 Nov to 1 Dec 2024
Puccini
26 Nov to 13 Dec 2024
Puccini
13 Dec 2024 to 17 Jan 2025
Humperdinck
22 Dec 2024 to 9 Jan 2025
Janacek
15 Jan to 1 Feb 2025
Verdi
28 Jan to 12 Feb 2025
Britten
6 to 11 Feb 2025
Turnage
11 to 27 Feb 2025
Verdi
26 Feb to 19 Jul 2025
Puccini
19 Mar to 19 Apr 2025
Bizet
9 Apr to 3 Jul 2025
Wagner
1 to 17 May 2025
Telemann
2 to 16 May 2025
Gounod
23 May to 10 Jun 2025
after Bach, JS
3 to 7 Jun 2025
Handel
30 Jun to 18 Jul 2025

News & Articles

Royal Ballet and Opera announces ambitious new season
Eight new productions, a world premiere, a European premiere – and a name change: the Royal Ballet and Opera, as it is now to be known has announced an ambitious programme.
30 Apr 2024 / The Guardian
The Royal Opera House and Anna Netrebko
The Royal Opera House’s General Director Oliver Mears is addressing his upcoming collaboration with Anna Netrebko at the Salzburg Easter Festival and her relationship with the Royal Opera House.
1 Nov 2023 / OperaWire
Royal Opera Orchestra votes in favor of strike
According to the Musicians’ Union, the orchestra voted 89.87 percent in favor, based on a turnout of 92.94 percent.
21 Jul 2023 / OperaWire
Royal Opera House archive goes global with streaming service
New technology is also enabling live instant replays of rehearsals to help with creative process.
7 Jul 2023 / The Guardian
Speranza Scappucci to be principal guest conductor at ROH
‘We can’t just be in our ivory tower’: the Italian conductor aiming to open up the Royal Opera House to everyone.
4 Jun 2023 / The Observer