Royal Ballet and Opera - London
16 June 2024

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Performance reviews

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Picture a day like this

The Royal Opera


No. of reviews: 9

Sparkling musical invention pierces the gloom of George Benjamin’s mysterious new chamber opera
1 Oct 23 / The Observer
George Benjamin's slick new opera plays at the Royal Opera House after a critically acclaimed run at Festival d'Aix-en-Provence
29 Sep 23 / Broadway World
George Benjamin’s Picture a Day Like This comes to the Royal Opera House
28 Sep 23 / Opera Online (English)
Picture a day like this is exquisitely crafted and offers sensory riches
26 Sep 23 / Opera Today
A welcome to unwelcome worlds like these
26 Sep 23 / London Unattached
Benjamin’s modern fairytale of sparse and moving beauty
25 Sep 23 / The Guardian
Intriguing, mysterious, intense
25 Sep 23 / Bachtrack
George Benjamin on his defining moments – and his latest opera
As Picture a Day Like This comes to the London stage, the composer speaks about finding his dream collaborator, entering ‘a different dimension’ with Olivier Messiaen – and the day Disney changed his life.
Das Rheingold

The Royal Opera


No. of reviews: 27

Barry Kosky: Oro líquido sin Rhin
13 Oct 23 / Mundo Clásico (Spanish)
Das Rheingold at the Royal Opera House is enthralling
10 Oct 23 / City A.M.
Message from The Log Lady
4 Oct 23 / Leidmotief (English)
There is a feeling of vibrant theatricality, as one might expect in a Kosky project
27 Sep 23 / Australian Book Review
L'Or du Rhin écologiste et flamboyant en direct de Londres
24 Sep 23 / Olyrix
Barrie Kosky’s Das Rheingold for the Royal Opera is a miscast, misconceived, mishmash of ideas
23 Sep 23 / Seen and Heard
Wagner rewilded
21 Sep 23 / The Spectator
Von der Ruchlosigkeit des britischen Landadels
20 Sep 23 / Das Opernmagazin
Le Ring de l’Anthropo-scène
19 Sep 23 / Forum Opéra
Kosky’s gold diggers triumph at the Garden
19 Sep 23 / London Unattached
An all-consuming performance of Barrie Kosky’s fierce new Rheingold
17 Sep 23 / The Observer
A Golden start for the Royal Opera season
16 Sep 23 / Express
Verheißung, groß wie Walhall
16 Sep 23 / Orpheus
Da schau her – Alberich ist ja gar kein Jude
15 Sep 23 / Die Welt
Barrie Kosky’s New Das Rheingold at the Royal Opera House
15 Sep 23 / Opera Online (English)
Strikingly impressive Das Rheingold from the Royal Opera House
15 Sep 23 / Opera Today
An engrossing start to Barrie Kosky’s new Ring Cycle
15 Sep 23 / Limelight
A captivating and time-fleeting experience of Wagner’s gripping tale of greed and destiny
14 Sep 23 / Vigour Times
A terrifying parable for the end of our world
14 Sep 23 / iNews
All that glitters is ‘Rhinegoo’ in Barrie Kosky’s very, very mixed new Das Rheingold at the Royal Opera House
14 Sep 23 / Seen and Heard
Terrible beauty throbs at the heart of Barrie Kosky's new production
13 Sep 23 / Broadway World
This London 'Ring' is on the Met Opera's radar
13 Sep 23 / New York Times
Dreamtime Rheingold from Kosky and Pappano at The Royal Opera
13 Sep 23 / Bachtrack
Uncluttered staging is a compelling start to Kosky’s Ring cycle
13 Sep 23 / The Guardian
A great ‘Ring’ in the making at the Royal Opera
13 Sep 23 / The Article
An interesting beginning, with germs of ideas which may develop over the next three operas
13 Sep 23 / CultureWhisper
This could be a Ring to savour as it unfolds in the coming years
12 Sep 23 / Evening Standard
Opera actor, 82, furious with critic
‘The “fright” look is all naturally mine,’ riposted Rose Knox-Peebles after FT reviewer assumed she had makeup on in Das Rheingold.
The wildest performances of Wagner’s Ring
Gods! Dragons! Horned helmets! Swords! Valkyries! The 15-hour apocalyptic epic is about to explode onto the Royal Opera stage. But what’s the best way to tackle ‘the ultimate opera’?
L'elisir d'amore

The Royal Opera


No. of reviews: 11

The sun shines on Nadine Sierra, Liparit Avetisyan and Ambrogio Maestri in the L’elisir d’amore revival
11 Oct 23 / Seen and Heard
A lovely Elixir for the Royal Opera House
29 Sep 23 / Express
Donizetti's opera about a love potion fizzes right out of the bottle at Covent Garden
28 Sep 23 / CultureWhisper
Laurent Pelly’s operatic ice cream float parade is six parts froth and two parts substance
27 Sep 23 / OperaWire
A sparkling revival of Laurent Pelly's production
27 Sep 23 / The Opera Critic
Nadine Sierra gives a classy performance and is an ideal match for Liparit Avetisyan’s Nemorino
26 Sep 23 / Opera Today
Bargain booze and questionable quackery in The Royal Opera's L'elisir d'amore
26 Sep 23 / Bachtrack
Uncorking love – what is ‘L’elisir d’amore’?
26 Sep 23 / London Unattached
Laurent Pelly's production of Donizetti's opera buffa revived and as popular as ever
25 Sep 23 / Broadway World
Nadine Sierra is pitch-perfect as Adina in a somewhat mixed revival of L’elisir d’amore by the Royal Opera
25 Sep 23 / Seen and Heard
L’elisir d’amore con Nadine Sierra
25 Sep 23 / Connessi all'Opera
La Forza del Destino

The Royal Opera


No. of reviews: 17

Vocal abundance
11 Oct 23 / OperaWire
Wo bleibt die Häutung der Schlange
11 Oct 23 / Das Opernmagazin
Sir Mark Edler leads a compelling account of the score from the pit
2 Oct 23 / Classical Source
La Forza del vibrato
28 Sep 23 / Mundo Clásico (Spanish)
La forza del destino con Radvanovsky, Jagde e Dupuis
28 Sep 23 / Connessi all'Opera
Destiny comes calling at Covent Garden
27 Sep 23 / The Article
An explosive revival at the Garden
26 Sep 23 / London Unattached
Verdi's excellent Destiny
25 Sep 23 / Express
Ignore the fanciful plot and submit to the musical glories of the Royal Opera’s bravura revival of unwieldy Verdi
24 Sep 23 / The Observer
It's messy play time at Covent Garden in a madcap revival of Verdi's action-packed opera
22 Sep 23 / CultureWhisper
If I had five stars, I would give them to the Royal Opera’s revival of La forza del destino
22 Sep 23 / Seen and Heard
Strong production and outstanding musicianship in La forza del destino at the Royal Opera House
22 Sep 23 / Opera Online (English)
A triumphant revival four years after its first outing
21 Sep 23 / Broadway World
Superb voices and slick dance routines for Loy’s reimagined Verdi
21 Sep 23 / The Guardian
Sparks fly in this compelling Verdi revival
21 Sep 23 / Evening Standard
Grand passions and great singing
21 Sep 23 / Opera Today
A revenger’s tragedy: Loy’s La forza del destino returns to The Royal Opera
21 Sep 23 / Bachtrack
What is essential is that you have to be passionate about the work
Canadian baritone Étienne Dupuis, Don Carlo in the Royal Opera's revival of La Forza del Destino on his clutch of Verdi roles.
Le nozze di Figaro

The Royal Opera


No. of reviews: 7

Corrigiendo a Hegel: la dialéctica entre amo y servidor
28 Jul 23 / Mundo Clásico (Spanish)
La distribution vocale ici réunie assure une grande cohésion dramatique
18 Jul 23 / Anaclase
The cast works as a top ensemble, each voice strengthened by being part of a whole
16 Jul 23 / The Observer
Figaro and La Traviata excel at Covent Garden
14 Jul 23 / Express
David McVicar’s classic production of The Marriage of Figaro still shines
12 Jul 23 / London Unattached
A fine cast perform Le nozze di Figaro to a discourteous audience at Covent Garden
11 Jul 23 / Seen and Heard
McVicar’s Marriage of Figaro scrubs up well at Covent Garden
10 Jul 23 / Bachtrack
La Traviata

The Royal Opera


No. of reviews: 3

La traviata at the ROH could convert any newcomer to opera
15 Jul 23 / Reaction
Figaro and La Traviata excel at Covent Garden
14 Jul 23 / Express
Violetta, your dice were loaded from the start
12 Jul 23 / London Unattached
Don Carlo

The Royal Opera


No. of reviews: 16

A magnificent Philip II rescues Covent Garden’s revival of Don Carlo
11 Jul 23 / Opera Today
Any performance of Verdi's Don Carlo is an event
11 Jul 23 / Planet Hugill
Lise Davidsen is exceptional in Verdi’s masterly study of war and leadership
9 Jul 23 / The Observer
Don Carlo à Londres : grands débuts verdiens de Lise Davidsen
9 Jul 23 / Olyrix
Verdi’s ‘Don Carlo’ works its magic at the ROH
6 Jul 23 / The Article
Bertrand de Billy’s conducting and Lisa Davidsen’s Elizabeth impress in Covent Garden’s Don Carlo revival
5 Jul 23 / Seen and Heard
Superb Bertrand de Billy tames Verdi’s challenging masterpiece
5 Jul 23 / London Unattached
Superb cast and conducting in Don Carlo at the Royal Opera House
4 Jul 23 / Opera Online (English)
Lise Davidsen, Don Carlo y la voz del cielo
4 Jul 23 / Mundo Clásico (Spanish)
Lise Davidsen shines in Verdi’s grand opera
4 Jul 23 / OperaWire
A legendary performance from Lise Davidsen
4 Jul 23 / Evening Standard
Lise Davidsen doesn’t disappoint in Verdi’s sprawling masterpiece
3 Jul 23 / The Guardian
Superb singing breathes new life into a classic production of a Verdi grand opera
3 Jul 23 / CultureWhisper
At Covent Garden, Lise Davidsen triumphs in first major Verdi role
2 Jul 23 / Bachtrack
Female singers shine in Royal Opera’s ‘Don Carlo’
2 Jul 23 / New York Times
Lise Davidsen soars above routine
2 Jul 23 / The Arts Desk
Woman at Point Zero

The Royal Opera


No. of reviews: 7

El-Turk’s music is striking and distinctive
9 Jul 23 / The Observer
A magical score frames an unsparing story in Bushra El-Turk’s latest stage work
8 Jul 23 / OperaWire
Woman at Point Zero demands a lot of both its performers and audiences
3 Jul 23 / Opera Today
Lailo Soliman’s resourceful production of Bushra El-Turk’s Woman at Point Zero
1 Jul 23 / Seen and Heard
Hits home powerfully
30 Jun 23 / The Stage
Extraordinary show based on seminal novel, beautiful and brutal in equal measure
30 Jun 23 / Broadway World
Fierce and lyrical fusion score underpins classic feminist story
30 Jun 23 / The Guardian
Werther

The Royal Opera


No. of reviews: 15

Cuatro Werther y una Charlotte
8 Jul 23 / Mundo Clásico (Spanish)
Il pubblico ha tributato un trionfo convinto alla compagnia
5 Jul 23 / Operaclick (Italian)
Jonas Kaufmann dials it down in Werther
29 Jun 23 / The Spectator
Book to see Kaufmann in ‘Werther’ – leave wanting more of Akhmetshina too
28 Jun 23 / London Unattached
The Royal Opera’s Werther revival is a mixed bag, but Pappano’s conducting carries the evening
27 Jun 23 / Seen and Heard
At the ROH Jonas Kaufmann made a subdued Werther
26 Jun 23 / The Observer
‘Werther’ ravishes at the Royal Opera
23 Jun 23 / The Article
Aigul Akhmetshina steals limelight from Jonas Kaufmann in breathtaking turn
23 Jun 23 / OperaWire
Kaufmann heads strong cast in stylishly sung and fabulously played revival
22 Jun 23 / The Guardian
Jonas Kaufmann ails as Werther, but Covent Garden hails Aigul Akhmetshina's Charlotte
22 Jun 23 / Bachtrack
Outstanding singing from the heroine of Massenet's evening raises the roof
22 Jun 23 / CultureWhisper
Kaufmann off form in this stiff revival
22 Jun 23 / The Arts Desk
Superstar Jonas Kaufmann is eclipsed
22 Jun 23 / Evening Standard
Jonas Kaufmann returns to London for the title role in Massenet's opera
22 Jun 23 / Broadway World
Mezzo Aigul Akhmetshina lights up a patchy production
22 Jun 23 / iNews
Kaufman withdraws from remaining ‘Werther’ performances at ROH
Jonas Kaufmann has withdrawn from the remaining performances of Massenet’s “Werther” at the Royal Opera House, with Francesco Demuro and Ioan Hotea replacing him.
Il Trovatore

The Royal Opera


No. of reviews: 21

Antonio Pappano sguazza nella musica di Verdi come un pesce nella sua acqua
5 Jul 23 / Operaclick (Italian)
A first class cast
3 Jul 23 / OperaWire
This new Il trovatore may not sit well with the purist, but this is one of the most interesting productions of the year
27 Jun 23 / Limelight
Everyone delivers, but one day Verdi's hit-and-miss melodrama will get the right staging
23 Jun 23 / The Arts Desk
Un Trouvère intensément épuré en direct de Londres
17 Jun 23 / Olyrix
The Royal Opera’s new Il trovatore is a Monty Pythonesque horror show in more ways than one
16 Jun 23 / Seen and Heard
Il trovator! Io fremo!
15 Jun 23 / Mundo Clásico (Spanish)
Spellbinding Jamie Barton and company excel in Adele Thomas’s clear-sighted take on volatile Verdi
11 Jun 23 / The Observer
Strong musical credentials see Il trovatore prevail at the Royal Opera House
9 Jun 23 / Opera Online (English)
Humor, toros y cavatinas
9 Jun 23 / Platea Magazine
Muzikaal fenomenale Trovatore in Londen
8 Jun 23 / Place de l'Opera
A fun but difficult production of Il Trovatore
8 Jun 23 / The Critic
An underwhelming Il trovatore at the Royal Opera House
7 Jun 23 / Opera Today
A grim tale on stage at the Royal Opera House
7 Jun 23 / London Unattached
Adele Thomas’s new production tries hard not to be decorous, but doesn’t hang together
7 Jun 23 / Evening Standard
Il trovatore con Massi, Rebeka e Tézier
6 Jun 23 / Connessi all'Opera
A superbly sung new production of Verdi's great drama has a picturebook quality and a big star in Jamie Barton
5 Jun 23 / CultureWhisper
A hot-blooded new production
5 Jun 23 / Broadway World
Cruelty played out with anarchic imagination
5 Jun 23 / The Guardian
Adele Thomas’s problematic new Il trovatore is saved by Pappano’s conducting and Rebeka’s Leonora
5 Jun 23 / Seen and Heard
A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames
4 Jun 23 / Bachtrack
Wozzeck

The Royal Opera


No. of reviews: 16

Oscuro y luminoso
12 Jun 23 / Mundo Clásico (Spanish)
Deborah Warner’s new production is stark and affecting
31 May 23 / OperaWire
A grim tale at the Royal Opera
30 May 23 / Express
Christian Gerhaher and Anja Kampe thrill in five-star Berg
28 May 23 / The Observer
In his singing Gerhaher realises Wozzeck’s emotional detachment with a fine, reserved eloquence
24 May 23 / Classical Source
Poverty, anguish and death
24 May 23 / The Article
A pair of nuanced and contemporary reimaginings
23 May 23 / Evening Standard
Searing and strangely refreshing new Wozzeck at the Royal Opera House
23 May 23 / Seen and Heard
The theatre of war
23 May 23 / London Unattached
Poverty, anguish and death
22 May 23 / The Article
Gerhaher’s victim shuffles towards disaster in nuanced staging
22 May 23 / The Guardian
Searing and strangely refreshing new Wozzeck at the Royal Opera House
22 May 23 / Seen and Heard
Deborah Warner’s new Wozzeck hits the mark at the Royal Opera House, Covent Garden
22 May 23 / Opera Online (English)
Deborah Warner returns to the Royal Opera House in this new production of Berg's masterpiece
22 May 23 / Broadway World
Strong performances and stunning stage pictures for Berg's upsetting tragedy
21 May 23 / The Arts Desk
A meditation on cruelty: Deborah Warner‘s new Wozzeck at The Royal Opera
21 May 23 / Bachtrack
Aida

The Royal Opera


No. of reviews: 29

Celeste Aida … (con pianísimo y un gallito) frente a una Amneris genial
19 May 23 / Mundo Clásico (Spanish)
An exciting operatic feast on the Royal Opera House stage
18 May 23 / Opera Now
Mark Elder, conducting, seems to have Verdi pumping through his veins
14 May 23 / The Guardian
Aida con Blue, Garanča e Tézier)
11 May 23 / Connessi all'Opera
A perfect evening of Verdi: 'Powerful music in a new modern setting'
10 May 23 / Express
Robert Carsen's Royal Opera Aida shines a spotlight on the modern military state
10 May 23 / Bachtrack
Mark Elder’s sure direction of Covent Garden’s Aida revival delivers real, spine-tingling grandeur
9 May 23 / Seen and Heard
Stellar performances from Angel Blue and SeokJong Baek in Robert Carsen’s Aida
8 May 23 / London Unattached
Robert Carsen’s contemporary vision is starkly effective in its first revival
8 May 23 / OperaWire
Aïda totalitaire par Robert Carsen en direct de Londres
16 Oct 22 / Olyrix
Robert Carsen’s modern, twenty-first century take on Verdi’s Aida at Covent Garden
15 Oct 22 / Seen and Heard
Aida sauce guerre froide
9 Oct 22 / Wanderer
The austere proves just as powerful and arresting – visually and dramatically – as the exotic
8 Oct 22 / Opera Today
Grey, grey and more grey
6 Oct 22 / The Spectator
Aida at the ROH is a thrilling opera set against a bleak backdrop
3 Oct 22 / City A.M.
Verdi’s music reigns supreme in the Royal Opera’s austere new staging of Aida
2 Oct 22 / The Observer
A rubare la scena, come spesso capita, è l’Amneris di Agnieszka Rehlis
2 Oct 22 / Connessi all'Opera
Robert Carsen’s chilling update ditches pyramids for resonances of modern warfare
2 Oct 22 / Limelight
The music of empire
1 Oct 22 / The Article
Aida contra China y Rusia
30 Sep 22 / Mundo Clásico (Spanish)
Carsen's conception of the opera in this new production will create delight and despair in equal measure
29 Sep 22 / Broadway World
A gloomy production of a glittering opera
29 Sep 22 / The Critic
Lots to celebrate musically, but Carsen’s Aida production at Covent Garden will split critical opinion
28 Sep 22 / Seen and Heard
A strangely moving Aida from Robert Carsen at the Royal Opera House
28 Sep 22 / Opera Online (English)
Dour staging gains colour from the pit
27 Sep 22 / The Guardian
Uniformly good cast, idiomatic conducting, production rigidly consistent in khaki
27 Sep 22 / The Arts Desk
The Royal Opera’s new Aida: a howl of protest against nationalism
27 Sep 22 / Bachtrack
Robert Carsen's prescient new production of Verdi's opera finds parallels in today's headlines
27 Sep 22 / CultureWhisper
Updating Aida – seamless contemporisation and vocal fireworks
27 Sep 22 / London Unattached
Innocence

The Royal Opera


No. of reviews: 17

Helsinki noir
12 May 23 / Mundo Clásico (Spanish)
Saariaho’s Innocence at Covent Garden is music of our time at its most powerful
30 Apr 23 / Seen and Heard
Dramatically powerful and sonically beguiling
27 Apr 23 / The Spectator
‘Innocence’ and violence: Kaija Saariaho at the ROH
26 Apr 23 / The Article
A powerful opera about a school shooting
23 Apr 23 / The Observer
Covent Garden's stunning new opera
22 Apr 23 / Express
A stellar first night for the UK premiere of Kaija Saariaho’s Innocence
22 Apr 23 / London Unattached
School shooting opera is brutal but brilliant
21 Apr 23 / City A.M.
Kaija Saariaho’s Innocence is Compelling and Intense at the Royal Opera House
21 Apr 23 / Opera Online (English)
It would be difficult to overstate the impression it made
21 Apr 23 / Opera Today
Al termine ovazioni e standing ovation hanno accolto il cast di cantanti e attori, il coro, il team creativo
20 Apr 23 / Connessi all'Opera
Saariaho’s iridescent score keeps the harrowing drama at arm’s length
19 Apr 23 / The Guardian
Kaija Saariaho's devastating new opera makes its UK premiere
19 Apr 23 / Broadway World
There are shafts of light in this fresco, but overall the colours are very dark indeed
19 Apr 23 / CultureWhisper
Director Simon Stone does it again, but questions remain about Kaija Saariaho’s score
19 Apr 23 / The Arts Desk
Rich and atmospheric
19 Apr 23 / The Stage
Urgent and intense
19 Apr 23 / Bachtrack
‘One of the most important works of our time’
Inside Innocence, Kaija Saariaho’s school-shooting opera, coming to the UK this month.
Arminio

The Royal Opera


No. of reviews: 10

The fine singing confirmed the charm of Handel’s score
7 May 23 / Opera Today
Young talent on glorious display at the Royal Opera
26 Apr 23 / Express
Handelians will be grateful for the chance to see it
26 Apr 23 / Classical Source
In the Linbury Theatre, rising Jette Parker Artists bring Handel into the modern world
24 Apr 23 / CultureWhisper
A most satisfying and enriching Arminio: the real star remains Handel, of course
23 Apr 23 / Seen and Heard
Confident staging returns Handel rarity to its starting point
22 Apr 23 / The Guardian
Taut staging and strong singing give this revival of a rarity its keen topical edge
22 Apr 23 / The Arts Desk
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Performance schedule
Puccini
5 Feb to 21 Jul 2024
Puccini
14 Mar to 18 Jul 2024
Mozart
26 Jun to 9 Jul 2024
Mozart
2 to 15 Sep 2024
Verdi
7 to 21 Sep 2024
Tchaikovsky
24 Sep to 14 Oct 2024
Beethoven
9 to 26 Oct 2024
Bernstein
10 to 24 Oct 2024
Bernstein
10 to 24 Oct 2024
Offenbach
7 Nov to 1 Dec 2024
Puccini
26 Nov to 13 Dec 2024
Puccini
13 Dec 2024 to 17 Jan 2025
Humperdinck
22 Dec 2024 to 9 Jan 2025
Janacek
15 Jan to 1 Feb 2025
Verdi
28 Jan to 12 Feb 2025
Britten
6 to 11 Feb 2025
Turnage
11 to 27 Feb 2025
Verdi
26 Feb to 19 Jul 2025
Puccini
19 Mar to 19 Apr 2025
Bizet
9 Apr to 3 Jul 2025
Wagner
1 to 17 May 2025
Telemann
2 to 16 May 2025
Gounod
23 May to 10 Jun 2025
after Bach, JS
3 to 7 Jun 2025
Handel
30 Jun to 18 Jul 2025

News & Articles

Royal Ballet and Opera income climbs nearly 33%
According to recently published financial statements, the charity recorded a total income of £170.7m for the year ending 27 August 2023, compared to £128.9m in 2021-22.
6 Jun 2024 / Broadway World
Antonio Pappano’s heart-stopping Royal Opera highs
From the pole-dancing, expletive-strewn Anna Nicole to the lung-popping underwater wonders of Wozzeck, the Royal Opera House’s music director relives five sublime shows from 22 rollercoaster years.
3 Jun 2024 / The Guardian
Royal Ballet and Opera announces 2024/25 cinema season
Season includes beloved classics including Cinderella, The Nutcracker and The Marriage of Figaro and more.
30 May 2024 / Broadway World
Royal Ballet and Opera announces ambitious new season
Eight new productions, a world premiere, a European premiere – and a name change: the Royal Ballet and Opera, as it is now to be known has announced an ambitious programme.
30 Apr 2024 / The Guardian
The Royal Opera House and Anna Netrebko
The Royal Opera House’s General Director Oliver Mears is addressing his upcoming collaboration with Anna Netrebko at the Salzburg Easter Festival and her relationship with the Royal Opera House.
1 Nov 2023 / OperaWire